Producer's Representative
A Hidden Life (2019)
Directed by: Terrence Malick
Cinematography by: Jörg Widmer
Cameras: Red Epic Dragon Camera
Producer's Representative
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Producer's Representative
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Producer's Representative
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
International Publicity Consultants
The Runaways (2010)
Directed by: Floria Sigismondi
Cinematography by: Benoît Debie
Edited by: Richard Chew
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Master Prime Lenses
International Publicity Consultants
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Public Relations
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
International Publicity Consultants
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
International Publicity Consultants
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
International Public Relations Consultant: DDA Public Relations
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
International Publicity Consultants
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
International Publicity Consultants
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
International Publicity Consultants
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
International Producers Representative
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
International Publicity Consultants
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
International Publicity Consultants
Nine (2009)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
International Publicity Consultants
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
International Publicity Consultants
Baarìa (2009)
Directed by: Giuseppe Tornatore
Cinematography by: Enrico Lucidi
Edited by: Massimo Quaglia
International Producers Representative
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
International Publicity
Easy Virtue (2008)
Directed by: Stephan Elliott
Cinematography by: Martin Kenzie
Edited by: Sue Blainey
International Publicity Consultants
Good (2008)
Directed by: Vicente Amorim
Cinematography by: Andrew Dunn
Edited by: John Wilson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
International Publicity
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
International Publicity Consultants
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
International Publicity Consultants
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
International Publicity
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
International Publicity
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
International Publicity Consultants
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
International Publicity
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
International Publicity
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
International Publicity
The Bank Job (2008)
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
International Publicity Consultants
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
International Publicity
The Forbidden Kingdom (2008)
Directed by: Rob Minkoff
Cinematography by: Peter Pau
Edited by: Eric Strand
Cameras: Panavision Genesis Camera
International Pr Consultant
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Public Relations
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
International Publicity Consultants
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
International Publicity
Death at a Funeral (2007)
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
International Publicity
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
International Publicity
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
International Publicity
Married Life (2007)
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
International Publicity Consultants
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
International Publicity
Charlie Bartlett (2007)
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Unit Publicity
The Last Legion (2007)
Directed by: Doug Lefler
Cinematography by: Marco Pontecorvo
Edited by: Simon Cozens
International Publicity Consultants
Talk to Me (2007)
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
International Publicity
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
International Publicity Consultants
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
International Publicity Consultants
Feast of Love (2007)
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein
International Publicity
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
International Publicity Consultants
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
International Publicity
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Unit Publicity
Virgin Territory (2007)
Directed by: David Leland
Cinematography by: Ben Davis
Edited by: Jim Clark
International Publicity Consultants
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
International Publicity Consultant
Shortbus (2006)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Brian A. Kates
International Publicity
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Unit Publicity
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Unit Publicity
Fade to Black (2006)
Directed by: Oliver Parker
Cinematography by: John de Borman
Edited by: Guy Bensley
Publicity: UK
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
International Publicity
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Unit Publicity, International Publicity
Basic Instinct 2 (2006)
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
Unit Publicity
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Publicity Campaign
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
International Publicity
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
International Publicity
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
International Publicity
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Publicity: UK
The Ballad of Jack and Rose (2005)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
International Publicity
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
International Publicity
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Public Relations
Proof (2005)
Directed by: John Madden
Cinematography by: Alwin H. Küchler
Edited by: Mick Audsley
Editing System: Lightworks Editing System
International Publicity
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Publicity Campaign
Keeping Mum (2005)
Directed by: Niall Johnson
Cinematography by: Gavin Finney
Edited by: Robin Sales
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Public Relations
Ladies in Lavender (2004)
Directed by: Charles Dance
Cinematography by: Peter Biziou
Edited by: Michael Parker
Publicity Campaign
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Publicity Campaign
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Public Relations
Gladiatress (2004)
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Publicity Campaign
Two Brothers (2004)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Unit Publicity
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
International Publicity Consultant
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Publicity Campaign
Last Orders (2001)
Directed by: Fred Schepisi
Cinematography by: Brian Tufano
Edited by: Kate Williams
Publicity Campaign
Taking Sides (2001)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Sylvie Landra
International Publicity
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Unit Publicity
Where the Money Is (2000)
Directed by: Marek Kanievska
Cinematography by: Thomas Burstyn
Unit Publicist
Shadow of the Vampire (2000)
Directed by: E. Elias Merhige
Cinematography by: Lou Bogue
Edited by: Chris Wyatt
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Super Speed Lenses
Public Relations
Passion of Mind (2000)
Directed by: Alain Berliner
Cinematography by: Eduardo Serra
Edited by: Anne V. Coates
Cameras: Panavision Cameras
International Public Relations
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Public Relations
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Public Relations
Waking Ned Devine (1998)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Alan Strachan
Cameras: Panavision Panaflex Gold II Camera
Unit Publicist
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Unit Publicist: International
Tango (1998)
Directed by: Carlos Saura
Cinematography by: Vittorio Storaro
Edited by: Julia Juaniz
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Public Relations
It All Came True (1998)
Directed by: Peter Yates
Cinematography by: Sven Nykvist
Edited by: Hughes Winborne
International Public Relations
Woo (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
International Public Relations
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Publicity Campaign
Claudine's Return (1998)
Directed by: Antonio Tibaldi
Cinematography by: Luca Bigazzi
Edited by: Janice Keuhnelian
International Public Relations
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
International Public Relations
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
International Publicity
Lolita (1997)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Public Relations
A Merry War (1997)
Directed by: Robert Bierman
Cinematography by: Giles Nuttgens
Edited by: Bill Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
International Public Relations
Julian Po (1997)
Directed by: Alan Wade
Cinematography by: Bernd Heinl
Edited by: Jeffrey Wolf
Publicity Campaign
City of Industry (1997)
Directed by: John Irvin
Cinematography by: Thomas Burstyn
Edited by: Mark Conte
Public Relations
Affliction (1997)
Directed by: Paul Schrader
Cinematography by: Paul Sarossy
Edited by: Jay Rabinowitz
Cameras: Panavision Panaflex Gold II Camera
Unit Publicity
Paradise Road (1997)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
International Public Relations
Love! Valour! Compassion! (1997)
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
International Public Relations
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
International Publicity
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Unit Publicity
The Man Who Knew Too Little (1997)
Directed by: Jon Amiel
Cinematography by: Robert M. Stevens
Cameras: Panavision Cameras
Publicity Campaign
Mother Night (1996)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
Unit Publicity
Box of Moonlight (1996)
Directed by: Tom DiCillo
Cinematography by: Paul Ryan
Edited by: Camilla Toniolo
International Public Relations
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
International Public Relations
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Public Relations
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Publicity Campaign
The Young Poisoner's Handbook (1995)
Directed by: Benjamin Ross
Cinematography by: Hubert Taczanowski
Edited by: Anne Sopel
Unit Publicist
Before Sunrise (1995)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Publicity Campaign
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Publicity Campaign
Princess Caraboo (1994)
Directed by: Michael Austin
Cinematography by: Freddie Francis
Edited by: George Akers
Publicity Campaign
In the Mouth of Madness (1994)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Publicity Campaign
No Escape (1994)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
Public Relations
Dumb and Dumber (1994)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Public Relations Consultant
Four Weddings and a Funeral (1994)
Directed by: Mike Newell
Cinematography by: Michael Coulter
Edited by: Jon Gregory
Publicity: USA
Death and the Maiden (1994)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Publicity Campaign
A Good Man in Africa (1994)
Directed by: Bruce Beresford
Cinematography by: Andrzej Bartkowiak
Edited by: Jim Clark
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Unit Publicity
Killing Zoe (1993)
Directed by: Roger Avary
Cinematography by: Tom Richmond
Edited by: Kathryn Himoff
Cameras: Moviecam Compact MK2 Camera
Editing System: K.E.M. Editing System
Unit Publicist
Six Degrees of Separation (1993)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Peter Honess
Publicity Campaign
Dream Lover (1993)
Directed by: Nicholas Kazan
Cinematography by: Jean-Yves Escoffier
Publicity Campaign
The Night We Never Met (1993)
Directed by: Warren Leight
Cinematography by: John Thomas
Edited by: Camilla Toniolo
Cameras: Panavision Cameras
Publicity Campaign
Bitter Moon (1992)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
International Publicity
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Publicity Campaign
Me Myself and I (1992)
Directed by: Pablo Ferro
Cinematography by: Michael Sullivan
Edited by: Allen Ferro
Public Relations
Folks! (1992)
Directed by: Ted Kotcheff
Cinematography by: Larry Pizer
Edited by: Joan E. Chapman
Public Relations
Man Trouble (1992)
Directed by: Bob Rafelson
Cinematography by: Stephen H. Burum
Edited by: William Steinkamp
Publicity Campaign
Aces: Iron Eagle III (1992)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Publicity Campaign
Rambling Rose (1991)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Publicity Campaign
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Publicity Campaign
Mannequin: On the Move (1991)
Directed by: Stewart Raffill
Cinematography by: Larry Pizer
Public Relations
Impromptu (1991)
Directed by: James Lapine
Cinematography by: Bruno de Keyzer
Edited by: Michael Ellis
Publicity Campaign
The Indian Runner (1991)
Directed by: Sean Penn
Cinematography by: Anthony B. Richmond
Edited by: Jay Cassidy
Publicity Campaign
Lord of the Flies (1990)
Directed by: Harry Hook
Cinematography by: Martin Fuhrer
Edited by: Harry Hook
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Publicity: UK
Hidden Agenda (1990)
Directed by: Ken Loach
Cinematography by: Clive Tickner
Edited by: Jonathan Morris
Publicity Consultants
Nuns on the Run (1990)
Directed by: Jonathan Lynn
Cinematography by: Michael Garfath
Edited by: David Martin
Publicity Campaign
Checking Out (1989)
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: Lee Percy
Publicity Campaign
Limit Up (1989)
Directed by: Richard Martini
Cinematography by: Peter Lyons Collister
Edited by: Sonny Baskin
Publicity Campaign
Powwow Highway (1989)
Directed by: Jonathan Wacks
Cinematography by: Toyomichi Kurita
Edited by: Jim Stewart
Publicity Campaign
The Unbearable Lightness of Being (1988)
Directed by: Philip Kaufman
Cinematography by: Sven Nykvist
Publicity Campaign
Taffin (1988)
Directed by: Francis Megahy
Cinematography by: Paul Beeson
Edited by: Peter Tanner
Additional Publicist
Hellbound: Hellraiser II (1988)
Directed by: Tony Randel
Cinematography by: Robin Vidgeon
Cameras: Panavision Cameras
Public Relations Representation: International
Mannequin (1987)
Directed by: Michael Gottlieb
Cinematography by: Tim Suhrstedt
Publicity Campaign
The Lonely Passion of Judith Hearne (1987)
Directed by: Jack Clayton
Cinematography by: Peter Hannan
Edited by: Terry Rawlings
Publicity Campaign
The Hotel New Hampshire (1984)
Directed by: Tony Richardson
Cinematography by: David Watkin
Edited by: Robert K. Lambert
Publicity: Los Angeles
Turkey Shoot (1982)
Directed by: Brian Trenchard-Smith
Cinematography by: John R. McLean
Edited by: Alan Lake
Public Relations
Game for Vultures (1979)
Directed by: James Fargo
Cinematography by: Alex Thomson
Edited by: Peter Tanner
Publicity Director
The Shout (1978)
Directed by: Jerzy Skolimowski
Cinematography by: Mike Molloy
Edited by: Barrie Vince
