Title Designer
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
End Title Sequence / Main Title Sequence Creator
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Title Designer
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Title Designer
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Title Designer
Napoleon Dynamite (2004)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Jeremy Coon
Cameras: Panavision Cameras
Editing System: Final Cut Pro Editing System
Title Designer: Main Titles
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Titles And Graphics
My Big Fat Greek Wedding (2002)
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Montage, Second Unit Director , Title Designer
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Title Designer: Main Title Sequence
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Montage Sequence
Bandits (2001)
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Title Designer: Main Title Sequence
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Montage , Title Designer: Main Title Sequence
Winchell (1998)
Directed by: Paul Mazursky
Cinematography by: Robbie Greenberg
Edited by: Stuart H. Pappé
Title Designer
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Titles
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Titles
Krippendorf's Tribe (1998)
Directed by: Todd Holland
Cinematography by: Dean Cundey
Edited by: Jon Poll
Cameras: Panavision Cameras
Title Designer - Final Cut
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Title Designer: Main Title Sequence
Meet Wally Sparks (1997)
Directed by: Peter Baldwin
Cinematography by: Richard H. Kline
Edited by: Raúl Dávalos
Title Designer
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Designer: Main Title
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Title Designer
Anna Karenina (1997)
Directed by: Bernard Rose
Cinematography by: Daryn Okada
Edited by: Victor Du Bois
Title Designer: Main Titles
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Title Designer: Main Titles
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Title Design And Graphics
That Thing You Do! (1996)
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Consultant: Graphics / Title Designer: Main Title Sequence
The Sunchaser (1996)
Directed by: Michael Cimino
Cinematography by: Douglas Milsome
Edited by: Joe D'Augustine
Main Titles
Hidden in America (1996)
Directed by: Martin Bell
Cinematography by: James R. Bagdonas
Edited by: Nancy Baker
Title Designer: Main Title Sequence
Devil in a Blue Dress (1995)
Directed by: Carl Franklin
Cinematography by: Tak Fujimoto
Edited by: Carole Kravetz Aykanian
Title Designer: Main Title Sequence
To Die For (1995)
Directed by: Gus Van Sant
Cinematography by: Eric Alan Edwards
Edited by: Curtiss Clayton
Opticals , Title Designer
Milk Money (1994)
Directed by: Richard Benjamin
Cinematography by: David Watkin
Edited by: Jacqueline Cambas
Title Designer
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Director, Producer
Me Myself and I (1992)
Directed by: Pablo Ferro
Cinematography by: Michael Sullivan
Edited by: Allen Ferro
Title Designer
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Title Designer: Main Title Sequence
Career Opportunities (1991)
Directed by: Bryan Gordon
Cinematography by: Donald McAlpine
Cameras: Panavision Cameras
Montage, Title Designer: Main Title Sequence
Mobsters (1991)
Directed by: Michael Karbelnikoff
Cinematography by: Lajos Koltai
Montage, Title Designer: Main Title Sequence
Darkman (1990)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Supervising Editor , Title Designer
Pump Up the Volume (1990)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Title Designer
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Title Designer
Johnny Be Good (1988)
Directed by: Bud S. Smith
Cinematography by: Robert D. Yeoman
Edited by: M. Scott Smith
Special Visual Effects
Rampage (1987)
Directed by: William Friedkin
Cinematography by: Robert D. Yeoman
Edited by: Jere Huggins
Cameras: Panavision Cameras
Title Designer
Swing Shift (1984)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Title Designer: Main Title Sequence
Stop Making Sense (1984)
Directed by: Jonathan Demme
Cinematography by: Jordan Cronenweth
Edited by: Lisa Day
Creative Associate / Creative Consultant
Let's Spend the Night Together (1982)
Directed by: Hal Ashby
Edited by: Lisa Day
Title Designer: Main Title Sequence
I'm Dancing as Fast as I Can (1982)
Directed by: Jack Hofsiss
Cinematography by: Jan de Bont
Edited by: Michael Bradsell
Titles
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
Title Designer
Being There (1979)
Directed by: Hal Ashby
Cinematography by: Caleb Deschanel
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Title Designer
A Clockwork Orange (1971)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Bill Butler
Graphic Effects
Midnight Cowboy (1969)
Directed by: John Schlesinger
Cinematography by: Adam Holender
Edited by: Hugh A. Robertson
Title Designer
Bullitt (1968)
Directed by: Peter Yates
Cinematography by: William A. Fraker
Edited by: Frank P. Keller
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Main Title Design: Ferro, Mohammed & Schwartz, Inc.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by: Stanley Kubrick
Cinematography by: Gilbert Taylor
Edited by: Anthony Harvey
Cameras: Mitchell BNC Camera