Senior Special Effects Technician, Supervising Carpenter
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Special Effects Senior Technician
'Game of Thrones' The Iron Throne (2019)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Special Effects Senior Technician
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Special Effects Senior Technician
'Game of Thrones' The Last of the Starks (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Katie Weiland
Special Effects Senior Technician
'Game of Thrones' The Long Night (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Special Effects Senior Technician
'Game of Thrones' A Knight of the Seven Kingdoms (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Special Effects Senior Technician
'Game of Thrones' Winterfell (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Senior Special Effects Technician
'Game of Thrones' The Dragon and the Wolf (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Senior Special Effects Technician
'Game of Thrones' Beyond the Wall (2017)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Tim Porter
Senior Special Effects Technician
'Game of Thrones' Eastwatch (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Senior Special Effects Technician
'Game of Thrones' The Spoils of War (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Senior Special Effects Technician
'Game of Thrones' Stormborn (2017)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Tim Porter
Senior Special Effects Technician
'Game of Thrones' The Queen's Justice (2017)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker
Senior Special Effects Technician
'Game of Thrones' Dragonstone (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Special Effects Floor Supervisor
'Game of Thrones' The Winds of Winter (2016)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Special Effects Floor Supervisor
'Game of Thrones' Battle of the Bastards (2016)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Special Effects Floor Supervisor
'Game of Thrones' No One (2016)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Katie Weiland
Special Effects Floor Supervisor
'Game of Thrones' The Broken Man (2016)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker
Special Effects Floor Supervisor
'Game of Thrones' Blood of My Blood (2016)
Directed by: Jack Bender
Cinematography by: Jonathan Freeman
Edited by: Yan Miles
Special Effects Floor Supervisor
'Game of Thrones' The Door (2016)
Directed by: Jack Bender
Cinematography by: Jonathan Freeman
Edited by: Crispin Green
Special Effects Floor Supervisor
'Game of Thrones' Book of the Stranger (2016)
Directed by: Daniel Sackheim
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Special Effects Floor Supervisor
'Game of Thrones' Oathbreaker (2016)
Directed by: Daniel Sackheim
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Special Effects Floor Supervisor
'Game of Thrones' Home (2016)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Special Effects Floor Supervisor
'Game of Thrones' The Red Woman (2016)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Senior Special Effects Technician
'Game of Thrones' Mother's Mercy (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Tim Porter
Senior Special Effects Technician
'Game of Thrones' The Dance of Dragons (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Senior Special Effects Technician
'Game of Thrones' Hardhome (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Senior Special Effects Technician
'Game of Thrones' Kill the Boy (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Senior Special Effects Technician
'Game of Thrones' Unbowed, Unbent, Unbroken (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Senior Special Effects Technician
'Game of Thrones' The Gift (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Crispin Green
Senior Special Effects Technician
'Game of Thrones' Sons of the Harpy (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Senior Special Effects Technician
'Game of Thrones' The House of Black and White (2015)
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Senior Special Effects Technician
'Game of Thrones' High Sparrow (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Senior Special Effects Technician
'Game of Thrones' The Wars to Come (2015)
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Senior Technician: UK
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Floor Supervisor / Senior Technician
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Floor Supervisor , Senior Special Effects Technician
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Floor Supervisor
Kick-Ass 2 (2013)
Directed by: Jeff Wadlow
Cinematography by: Tim Maurice-Jones
Edited by: Eddie Hamilton
Floor Supervisor
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Model Maker
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Technician
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Special Effects Technician
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Senior Technician
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Special Effects Floor Supervisor
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Special Effects Floor Supervisor
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Senior Special Effects Technician / Special Effects Floor Supervisor / Special Effects Senior Technician - 33 Episodes, 2015-2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Special Effects
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Special Effects
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Special Effects Technician
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Senior Special Effects Technician
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Special Effects
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Special Effects Technician: Second Unit
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Senior Special Effects Technician
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Special Effects Technician
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Technician: Northern Ireland
Closing the Ring (2007)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Special Effects Technician
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Senior Special Effects Technician
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Special Effects Technician
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Model Maker
The Descent (2005)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Jon Harris
Special Effects Technician
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Floor Supervisor
Ladies in Lavender (2004)
Directed by: Charles Dance
Cinematography by: Peter Biziou
Edited by: Michael Parker
Special Effects: Richard Conway SFX
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Props
Tooth (2004)
Directed by: Edouard Nammour
Cinematography by: Clive Tickner
Edited by: Alan Strachan
Transport
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Special Effects Technician
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Special Effects Technician
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Special Effects Technician
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Senior Special Effects Technician
Code 46 (2003)
Directed by: Michael Winterbottom
Edited by: Peter Christelis
Set Dresser
LD 50 Lethal Dose (2003)
Directed by: Simon De Selva
Cinematography by: Robin Vidgeon
Edited by: Kant Pan
Transportation
Calendar Girls (2003)
Directed by: Nigel Cole
Cinematography by: Ashley Rowe
Edited by: Michael Parker
Special Effects Technician
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Transportation
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Special Effects Technician
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Transportation
Snatch (2000)
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Special Effects - 2 Episodes, 2000
Jason and the Argonauts (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Special Effects, White Trux Sfx
'Jason and the Argonauts' Episode #1.1 (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Special Effects, White Trux Sfx
'Jason and the Argonauts' Episode #1.2 (2000)
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Props, Unit Driver
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Construction
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Construction
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Painter
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Production Driver / Transportation
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Transportation
Lock, Stock and Two Smoking Barrels (1998)
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Niven Howie
Cameras: ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
Editing System: Lightworks Editing System
Construction
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Painter / Props
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Construction, Farm Worker, Transportation
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Construction
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Construction
Evita (1996)
Directed by: Alan Parker
Cinematography by: Darius Khondji
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Construction
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Driver / Transportation
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Transportation
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Construction
Captives (1994)
Directed by: Angela Pope
Cinematography by: Remi Adefarasin
Edited by: Dave King
Construction
The Remains of the Day (1993)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Construction
Blame It on the Bellboy (1992)
Directed by: Mark Herman
Cinematography by: Andrew Dunn
Edited by: Michael Ellis
Cameras: ARRIFLEX Camera
Construction
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Transportation
1492: Conquest of Paradise (1992)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Transportation
Wuthering Heights (1992)
Directed by: Peter Kosminsky
Cinematography by: Mike Southon
Edited by: Tony Lawson
Cameras: ARRI Cameras
Transportation
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Stand-by Constructor
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Transportation
Highlander II: The Quickening (1991)
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Driver: Facility Vehicle
Nuns on the Run (1990)
Directed by: Jonathan Lynn
Cinematography by: Michael Garfath
Edited by: David Martin
Transportation
Memphis Belle (1990)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Driver / Driver: Special Equipment
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Camera Car Grip
The Fruit Machine (1988)
Directed by: Philip Saville
Cinematography by: Dick Pope
Edited by: Richard Bedford
Production Driver / Transportation
A Fish Called Wanda (1988)
Cinematography by: Alan Hume
Edited by: John Jympson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Transportation
Buster (1988)
Directed by: David Green
Cinematography by: Tony Imi
Edited by: Lesley Walker
Cameras: Panavision Cameras
Construction
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Transportation
Empire of the Sun (1987)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Construction
Hope and Glory (1987)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ian Crafford
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Transportation
Full Metal Jacket (1987)
Directed by: Stanley Kubrick
Cinematography by: Douglas Milsome
Edited by: Martin Hunter
Cameras: ARRIFLEX 35 BL Camera
Transportation
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Cameras: ARRI Cameras
Camera Car Grip
Biggles: Adventures in Time (1986)
Directed by: John Hough
Cinematography by: Ernest Vincze
Edited by: Richard Trevor
Transportation
Highlander (1986)
Directed by: Russell Mulcahy
Cinematography by: Gerry Fisher
Edited by: Peter Honess
Construction
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
