John Goodson

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Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Practical Model Maker: Lucasfilm

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Digital Artist

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Digital Artist

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Tomorrowland | ShotOnWhat?

Digital Artist

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Teenage Mutant Ninja Turtles | ShotOnWhat?

Digital Artist

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Digital Artist

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Pacific Rim | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Digital Artist

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek Into Darkness | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Red Tails | ShotOnWhat?

Lead Artist: ILM

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

The Avengers | ShotOnWhat?

Digital Artist

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hugo | ShotOnWhat?

Matte Painting Supervision And Visual Effects: Matte World Digital

Hugo (2011)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Star Trek | ShotOnWhat?

Digital Models And Simulations: ILM

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Transformers: Revenge of the Fallen | ShotOnWhat?

Digital Artist

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Transformers | ShotOnWhat?

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Digital Model Artist

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Digital Artist

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

War of the Worlds | ShotOnWhat?

Concept Modeler

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Island | ShotOnWhat?

Digital Model Artist

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Van Helsing | ShotOnWhat?

Concept Modeler

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

A Series of Unfortunate Events | ShotOnWhat?

Model/miniature Maker: ILM

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Polar Express | ShotOnWhat?

Model Effects

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

The Day After Tomorrow | ShotOnWhat?

Model Maker

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Terminator 3: Rise of the Machines | ShotOnWhat?

Modelmaker: ILM

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Peter Pan | ShotOnWhat?

Modelmaker: ILM

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Hulk | ShotOnWhat?

Model Maker

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Chief Model Maker

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Men in Black II | ShotOnWhat?

Model Maker

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Concept Model Maker

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Planet of the Apes | ShotOnWhat?

Modelshop Supervisor: ILM

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pearl Harbor | ShotOnWhat?

Research

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

X-Men | ShotOnWhat?

Model Maker

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Mission to Mars | ShotOnWhat?

Chief Model Maker: ILM

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Galaxy Quest | ShotOnWhat?

Concept Designer, Concept Designer: ILM

Galaxy Quest (1999)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Concept Model Maker

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Deep Impact | ShotOnWhat?

Model Maker: ILM

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Starship Troopers | ShotOnWhat?

Model Maker

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Mission: Impossible | ShotOnWhat?

Model Maker

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

Star Trek: First Contact | ShotOnWhat?

Model Project Supervisor: ILM

Star Trek: First Contact (1996)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: John W. Wheeler

Cameras: Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision C Series Anamorphic Lenses

Congo | ShotOnWhat?

Chief Model Maker: Miniatures Unit, ILM

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

The Flintstones | ShotOnWhat?

Model Maker

The Flintstones (1994)

Directed by: Brian Levant

Cinematography by: Dean Cundey

Edited by: Kent Beyda

Cameras: Panavision Cameras

Baby's Day Out | ShotOnWhat?

Model Supervisor

Baby's Day Out (1994)

Directed by: Patrick Read Johnson

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

Fire in the Sky | ShotOnWhat?

Set Decorator, Set Decorator: Alien Sequence

Fire in the Sky (1993)

Directed by: Robert Lieberman

Cinematography by: Bill Pope

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Alive | ShotOnWhat?

Model Maker

Alive (1993)

Directed by: Frank Marshall

Cinematography by: Peter James

Edited by: William Goldenberg, Michael Kahn

Dracula | ShotOnWhat?

Model Maker

Dracula (1992)

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

Batman Returns | ShotOnWhat?

Model Maker

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek VI: The Undiscovered Country | ShotOnWhat?

Model Maker

Star Trek VI: The Undiscovered Country (1991)

Directed by: Nicholas Meyer

Cinematography by: Hiro Narita

Edited by: William Hoy, Ronald Roose

Joe Versus the Volcano | ShotOnWhat?

Model Maker

Joe Versus the Volcano (1990)

Directed by: John Patrick Shanley

Cinematography by: Stephen Goldblatt

Edited by: Richard Halsey, Kenneth Wannberg

The Godfather: Part III | ShotOnWhat?

Model Maker

The Godfather Part III (1990)

Directed by: Francis Ford Coppola

Cinematography by: Gordon Willis

Edited by: Lisa Fruchtman, Barry Malkin, Walter Murch

Die Hard 2 | ShotOnWhat?

Model Maker: ILM

Die Hard 2 (1990)

Directed by: Renny Harlin

Cinematography by: Oliver Wood

Edited by: Stuart Baird, Robert A. Ferretti

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Back to the Future Part II | ShotOnWhat?

Model Maker: ILM

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

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