Visual Effects Producer: Method Studios
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Visual Effects Supervising Producer: Method Studios - 1 Episode, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
Visual Effects Producer: Method Studios
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Visual Effects Supervising Producer: Method Studios
'Vinyl' Pilot (2016)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: David Tedeschi
Visual Effects Producer: Method Studios
Swiss Army Man (2016)
Cinematography by: Larkin Seiple
Edited by: Matthew Hannam
Visual Effects Producer: Company 3 New York
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Visual Effects Producer: Encore New York
Meadowland (2015)
Directed by: Reed Morano
Cinematography by: Reed Morano
Edited by: Madeleine Gavin
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Visual Effects Producer: Encore Vfx
'Revenge' Exposure (2015)
Directed by: Jennifer Wilkinson
Edited by: Sue Blainey
Visual Effects Supervising Producer
'Girls' Close Up (2015)
Directed by: Richard Shepard
Cinematography by: Tim Ives
Edited by: Myron Kerstein
Visual Effects Supervising Producer
'Girls' Female Author (2015)
Directed by: Jesse Peretz
Cinematography by: Tim Ives
Edited by: Shawn Paper
Visual Effects Producer - 8 Episodes, 2014
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Visual Effects Supervising Producer: Deluxe
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Visual Effects Supervising Producer
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Visual Effects Producer: Encore Tv New York - 6 Episodes, 2014
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Visual Effects Producer: Company 3 New York
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Visual Effects Supervising Producer
'Hawaii Five-0' Makani 'Olu a Holo Malie (2014)
Directed by: Jeffrey G. Hunt
Edited by: Roderick Davis
Visual Effects Supervising Producer
'Blue Bloods' Exiles (2014)
Directed by: David Barrett
Cinematography by: Craig DiBona
Visual Effects Supervising Producer
'Blue Bloods' Manhattan Queens (2014)
Directed by: Donnie Wahlberg
Cinematography by: Craig DiBona
Edited by: Peter C. Frank
Visual Effects Producer
'True Detective' Form and Void (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Visual Effects Producer
'True Detective' After You've Gone (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Visual Effects Producer
'True Detective' Haunted Houses (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Producer
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Producer
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Producer
'True Detective' The Secret Fate of All Life (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Producer
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Producer
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Producer: Encore Tv New York
'Marco Polo' Feast (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Visual Effects Producer: Encore Tv New York
'Marco Polo' The Heavenly and Primal (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Visual Effects Producer: Encore Tv New York
'Marco Polo' Prisoners (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Visual Effects Producer: Encore Tv New York
'Marco Polo' The Scholar's Pen (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Visual Effects Producer: Encore Tv New York
'Marco Polo' The Fourth Step (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Allyson C. Johnson
Visual Effects Producer: Encore Tv New York
'Marco Polo' The Wolf and the Deer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Dailies Project Manager
'Treme' ... To Miss New Orleans (2013)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Dailies Project Manager
'Treme' Sunset on Louisianne (2013)
Directed by: Alex Hall
Cinematography by: Ivan Strasburg
Edited by: Matthew Booras
Dailies Project Manager
'Treme' Dippermouth Blues (2013)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Bill Pankow
Dailies Project Manager
'Treme' Yes We Can Can (2013)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Dailies Project Manager
'Treme' This City (2013)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Visual Effects Supervising Producer
'Blue Bloods' Ties That Bind (2013)
Directed by: Christine Moore
Cinematography by: Craig DiBona
Edited by: Peter C. Frank
Visual Effects Supervising Producer
'Blue Bloods' To Protect and Serve (2013)
Directed by: Peter Werner
Cinematography by: Craig DiBona
Edited by: Jackeline Tejada
Visual Effects Supervising Producer
'Blue Bloods' The City That Never Sleeps (2013)
Directed by: John Behring
Cinematography by: Alex Nepomniaschy
Edited by: Peter C. Frank
Visual Effects Supervising Producer
'Blue Bloods' Unwritten Rules (2013)
Directed by: David Barrett
Cinematography by: Craig DiBona
Edited by: Thomas R. Moore
Visual Effects Supervising Producer
'Blue Bloods' The Bitter End (2013)
Directed by: Christine Moore
Cinematography by: Craig DiBona
Dailies Project Manager
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Dailies Producer
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Dailies Producer
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Supervising Producer - 2 Episodes, 2015
Girls (2012)
Directed by: Lena Dunham, Jesse Peretz, Richard Shepard, Jamie Babbit, Jody Lee Lipes, Tricia Brock, Jenni Konner, Claudia Weill, Alex Karpovsky, Nisha Ganatra
Edited by: Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras: ARRI ALEXA Camera
Visual Effects Supervising Producer
'In Plain Sight' Sacrificial Lam (2012)
Directed by: Michael W. Watkins
Visual Effects Supervising Producer
'In Plain Sight' All's Well That Ends (2012)
Directed by: Dan Lerner
Edited by: Jennifer Barbot
Visual Effects Supervising Producer
'Revenge' Intuition (2012)
Directed by: Randy Zisk
Cinematography by: John Smith
Edited by: Sue Blainey
Visual Effects Supervising Producer
'Revenge' Destiny (2012)
Directed by: Kenneth Fink
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Visual Effects Supervising Producer
'Hawaii Five-0' Huaka'i Kula (2012)
Directed by: Eric Laneuville
Visual Effects Artist / Visual Effects Supervising Producer
'Hawaii Five-0' I Ka Wa Mamua (2012)
Directed by: Sylvain White
Cinematography by: Alan Caso
Edited by: Roderick Davis
Visual Effects Supervising Producer
'Hawaii Five-0' Popilikia (2012)
Directed by: Christine Moore
Cinematography by: James L. Carter
Dailies Project Manager
'Treme' Tipitina (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Dailies Project Manager
'Treme' Poor Man's Paradise (2012)
Directed by: Roxann Dawson
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Dailies Project Manager , Visual Effects Supervising Producer
'Treme' Don't You Leave Me Here (2012)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Dailies Project Manager , Visual Effects Supervising Producer
'Treme' Promised Land (2012)
Directed by: Tim Robbins
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Dailies Project Manager , Visual Effects Supervising Producer
'Treme' Careless Love (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Dailies Project Manager , Visual Effects Artist / Visual Effects Supervising Producer
'Treme' The Greatest Love (2012)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Dailies Project Manager
'Treme' I Thought I Heard Buddy Bolden Say (2012)
Directed by: Alex Hall
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Dailies Project Manager
'Treme' Me Donkey Want Water (2012)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Dailies Project Manager
'Treme' Saints (2012)
Directed by: Jim McKay
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Dailies Project Manager
'Treme' Knock with Me - Rock with Me (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Visual Effects Supervising Producer
'Blue Bloods' Greener Grass (2012)
Directed by: Martha Mitchell
Cinematography by: Dave Insley
Edited by: Peter C. Frank
Visual Effects Supervising Producer
'Blue Bloods' Collateral Damage (2012)
Directed by: Ralph Hemecker
Cinematography by: Craig DiBona
Visual Effects Supervising Producer
'Blue Bloods' Working Girls (2012)
Directed by: James Whitmore Jr.
Cinematography by: Dave Insley
Visual Effects Supervising Producer
'Blue Bloods' No Questions Asked (2012)
Directed by: Christine Moore
Cinematography by: Dave Insley
Edited by: Daniel A. Valverde
Dailies Project Manager
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Dailies Project Manager
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Dailies Project Manager
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Visual Effects Supervising Producer / Visual Effects Producer: Encore Vfx - 3 Episodes, 2012-2015
Revenge (2011)
Directed by: Kenneth Fink, J. Miller Tobin, Bobby Roth, Matt Earl Beesley, John Terlesky, Sanford Bookstaver, Colin Bucksey, Matt Shakman, John Scott, Randy Zisk, Allison Liddi-Brown, Wendey Stanzler, Tim Hunter, Phillip Noyce, Christopher Misiano, Helen Hunt, Jennifer Wilkinson, Bethany Rooney, Jamie Babbit, David Grossman, Eric Laneuville, Jennifer Getzinger, Roger Kumble, Stefan Schwartz, Charlie Stratton, Hanelle M. Culpepper, Paul Holahan, Christine Moore, Romeo Tirone, Tara Nicole Weyr, Kate Woods, Rob Greenlea, Alrick Riley, Ty Trullinger
Edited by: Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras: ARRI ALEXA Camera, Sony PMW-F3 Camera
Dailies Project Manager
'Treme' Everything I Do Gonh Be Funky (2011)
Directed by: Tim Robbins
Edited by: Malcolm Jamieson
Dailies Project Manager
'Treme' Do Watcha Wanna (2011)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Dailies Project Manager
'Treme' That's What Lovers Do (2011)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Dailies Project Manager
'Treme' Can I Change My Mind? (2011)
Directed by: Ernest R. Dickerson
Edited by: Alex Hall
Dailies Project Manager
'Treme' What is New Orleans? (2011)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Dailies Project Manager
'Treme' Carnival Time (2011)
Directed by: Brad Anderson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Dailies Project Manager
'Treme' Feels Like Rain (2011)
Directed by: Roxann Dawson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Dailies Project Manager
'Treme' Slip Away (2011)
Directed by: Rob Bailey
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Dailies Project Manager
'Treme' Santa Claus, Do You Ever Get the Blues? (2011)
Directed by: Alex Zakrzewski
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Dailies Project Manager
'Treme' On Your Way Down (2011)
Directed by: Simon Cellan Jones
Edited by: Alex Hall
Dailies Project Manager
'Treme' Accentuate the Positive (2011)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Visual Effects Supervising Producer / Visual Effects Artist - 4 Episodes, 2012-2014
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Visual Effects Supervising Producer - 11 Episodes, 2012-2014
Blue Bloods (2010)
Directed by: David Barrett, Robert Harmon, Ralph Hemecker, Alex Chapple, John Behring, Alex Zakrzewski, Eric Laneuville, Michael Pressman, John Polson, Peter Werner, Heather Cappiello, Félix Enríquez Alcalá, Jane Raab, Frederick King Keller, Christine Moore, Tawnia McKiernan, Stephen Gyllenhaal, James Whitmore Jr., Martha Mitchell, Robert Duncan McNeill, Thomas R. Moore, P.J. Pesce, Michael Cuesta, Gwyneth Horder-Payton, Rosemary Rodriguez, Jan Eliasberg, Karen Gaviola, Steve Gomer, Matthew Penn, Nick Gomez, Jim McKay, Alex Hall, Oz Scott, David Solomon, Larry Teng, Greg Beeman, Donnie Wahlberg, Holly Dale, Kellie Cyrus, Peter Leto, Donald E. Thorin Jr., Deran Sarafian, Jackeline Tejada, Douglas Aarniokoski, Rachel Feldman, Dean White
Cinematography by: Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey
Edited by: Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky
Cameras: ARRI ALEXA Camera, Red One MX Camera
Dailies Project Manager - 26 Episodes, 2011-2013, Visual Effects Supervising Producer / Visual Effects Artist - 4 Episodes, 2012
Treme (2010)
Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski
Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Digital Compositor / Digital Coordinator
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Digital Artist Supervisor: Custom Film Effects
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Digital Artist Supervisor
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Digital Artist Supervisor
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Digital Artist Supervisor
Bride Wars (2009)
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Digital Artist Supervisor
Mother and Child (2009)
Directed by: Rodrigo García
Cinematography by: Xavier Grobet
Edited by: Steven Weisberg
Digital Compositor
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Forgetting Sarah Marshall (2008)
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
The Rocker (2008)
Directed by: Peter Cattaneo
Cinematography by: Anthony B. Richmond
Digital Artist Supervisor
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Digital Compositor
The Secret Life of Bees (2008)
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Digital Artist: Custom Film Effects / Digital Supervisor: Custom Film Effects
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Compositing Coordinator: Custom Film Effects / Digital Compositor: Custom Film Effects
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Digital Compositor
Baby Mama (2008)
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Digital Compositor
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Digital Compositor
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Visual Effects Supervising Producer - 2 Episodes, 2012
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
Digital Compositor
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Digital Artist: Custom Film Effects / Supervisor: Custom Film Effects
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Digital Artist Supervisor
High School Musical 3: Senior Year (2008)
Directed by: Kenny Ortega
Cinematography by: Daniel Aranyó
Edited by: Don Brochu
Digital Compositor
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Digital Compositor
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Digital Compositor
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Digital Compositor: Custom Film Effects / Digital Coordinator: Custom Film Effects
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Digital Compositor: Custom Film Effects
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Digital Compositor / Digital Coordinator
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Digital Compositor / Digital Coordinator
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Digital Compositor: Custom Film Effects / Digital Coordinator: Custom Film Effects
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Digital Compositor / Digital Coordinator
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Digital Compositor / Digital Coordinator
Infamous (2006)
Directed by: Douglas McGrath
Cinematography by: Bruno Delbonnel
Edited by: Camilla Toniolo
Digital Compositor / Digital Coordinator
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Compositor / Digital Coordinator
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Digital Compositor
Sea of Dreams (2006)
Directed by: José Pepe Bojórquez
Cinematography by: Chris Chomyn
Edited by: Tia Nolan
Digital Compositor / Digital Coordinator
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Digital Compositor
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Digital Compositor / Digital Coordinator
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor / Digital Coordinator
John Tucker Must Die (2006)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Digital Compositor / Digital Coordinator
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Digital Coordinator
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Digital Compositor: Custom Film Effects
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Digital Compositor
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Compositor / Digital Coordinator
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Digital Compositor / Digital Coordinator
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Digital Compositor / Digital Coordinator
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Digital Compositor / Digital Coordinator
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Digital Compositor / Digital Coordinator
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Digital Compositor / Digital Coordinator
Hide and Seek (2005)
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Digital Compositor: Custom Film Effects / Digital Coordinator: Custom Film Effects
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Digital Compositor: Custom Film Effects / Digital Coordinator: Custom Film Effects
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Digital Compositor / Digital Coordinator
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Digital Compositor / Digital Coordinator
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Compositor
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Compositor
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Digital Compositor: Custom Film Effects
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Digital Compositor / Digital Coordinator
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Digital Compositor: Custom Film Effects
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Digital Compositor: Custom Film Effects
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Digital Compositor
Iron Jawed Angels (2004)
Directed by: Katja von Garnier
Cinematography by: Robbie Greenberg
Edited by: Hans Funck
Digital Compositor: Custom Film Effects
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Digital Compositor
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Digital Compositor / Digital Coordinator
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Digital Artist: Custom Film Effects
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Digital Compositor
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Dumb and Dumberer: When Harry Met Lloyd (2003)
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Digital Compositor: Custom Film Effects
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Digital Artist: Custom Film Effects
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Digital Compositor
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Digital Compositor: Custom Film Effects
Wonderland (2003)
Directed by: James Cox
Cinematography by: Michael Grady
Edited by: Jeff McEvoy
Digital Compositor: Custom Film Effects
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Digital Artist: Custom Film Effects
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Digital Compositor
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Digital Artist: Custom Film Effects
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Digital Compositor
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Digital Compositor
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: Custom Film Effects
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Titles
The Good Girl (2002)
Directed by: Miguel Arteta
Cinematography by: Enrique Chediak
Edited by: Jeff Betancourt
Digital Compositor
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Digital Artist
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Digital Compositor
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Digital Compositor
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Digital Artist: Custom Film Effects
Brown Sugar (2002)
Directed by: Rick Famuyiwa
Edited by: Dirk Westervelt
Digital Compositor
All About the Benjamins (2002)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines
Digital Compositor
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Digital Compositor
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Digital Artist: Custom Film Effects
The Banger Sisters (2002)
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian
Digital Compositor
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Digital Compositor
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Digital Compositor
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Digital Compositor
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
