Jim McConkey

Directed by: Jane Raab

Cinematography by: Jim McConkey

Edited by: Thomas R. Moore

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' A Deep Blue Goodbye (2017)

Directed by: David Barrett

Cinematography by: Gene Engels

Edited by: Dan Erickson, David Ray

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Not Fade Away (2017)

Directed by: Robert Harmon

Cinematography by: Gene Engels

Edited by: David Ray

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Lost Souls (2017)

Directed by: Alex Chapple

Cinematography by: Gene Engels

Edited by: David Ray

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Genetics (2017)

Directed by: Alex Chapple

Cinematography by: Gene Engels

Edited by: Jackeline Tejada

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' In and Out (2017)

Directed by: John Behring

Cinematography by: Gene Engels

Edited by: Jackeline Tejada

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' For the Community (2016)

| USA

Directed by: Peter Werner

Cinematography by: Gene Engels

Edited by: Jackeline Tejada

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Whistleblowers (2016)

| USA

Directed by: Eric Laneuville

Cinematography by: Gene Engels

Edited by: David Ray

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Help Me, Help You (2016)

Directed by: Alex Chapple

Cinematography by: Gene Engels

Edited by: Thomas R. Moore

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' The Price Of Justice (2016)

| USA

Directed by: John Behring

Cinematography by: Gene Engels

Edited by: Jackeline Tejada

Steadicam Operator - Steadicam Operator

How to Be Single (2016)

| USA

Directed by: Christian Ditter

Cinematography by: Christian Rein

Edited by: Tia Nolan

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Guilt by Association (2016)

| USA

Directed by: Robert Harmon

Cinematography by: Gene Engels

Edited by: Thomas R. Moore

Director Of Photography

'Blue Bloods' Back in the Day (2016)

Directed by: Robert Harmon

Cinematography by: Jim McConkey

Edited by: David Ray

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Good Cop Bad Cop (2016)

| USA

Directed by: Kellie Cyrus

Cinematography by: Gene Engels

Edited by: Thomas R. Moore

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' The Greater Good (2016)

| USA

Directed by: David Barrett

Cinematography by: Gene Engels

Edited by: Brice Bishop-Pullan, Thomas R. Moore

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Mob Rules (2016)

| USA

Directed by: Robert Harmon

Cinematography by: Gene Engels

Edited by: David Ray

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Unbearable Loss (2016)

Directed by: David Barrett

Cinematography by: Gene Engels

Edited by: Brice Bishop-Pullan, Thomas R. Moore

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' Backstabbers (2015)

| USA

Directed by: John Behring

Cinematography by: Donald E. Thorin Jr.

Edited by: Jackeline Tejada

Camera Operator: "b" Camera / Steadicam Operator

The Intern (2015)

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Camera Operator: "a" Camera

'Blue Bloods' All the News That's Fit to Click (2015)

| USA

Directed by: Alex Chapple

Cinematography by: Donald E. Thorin Jr.

Edited by: Jackeline Tejada

Camera Operator: "a" Camera

'Blue Bloods' Worst Case Scenario (2015)

| USA

Directed by: David Barrett

Cinematography by: Donald E. Thorin Jr.

Edited by: David Ray

Camera Operator: "a" Camera / Steadicam Operator

'Blue Bloods' With Friends Like These (2015)

| USA

Directed by: Heather Cappiello

Cinematography by: Donald E. Thorin Jr.

Edited by: Thomas R. Moore

Camera Operator: "a" Camera

'Blue Bloods' Absolute Power (2015)

| USA

Directed by: David Barrett

Cinematography by: Donald E. Thorin Jr.

Edited by: Brice Bishop-Pullan, Thomas R. Moore

Camera Operator: A Camera / Steadicam Operator

The Best of Me (2014)

| USA

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Matt Chesse

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

Camera Operator: "a" Camera / Steadicam Operator

The Host (2013)

| USA, Switzerland

Directed by: Andrew Niccol

Cinematography by: Roberto Schaefer

Edited by: Thomas J. Nordberg

Cameras: ARRI ALEXA Camera

Camera Operator: "a" Camera / Steadicam Operator

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Camera Operator: "a" Camera / Steadicam Operator

Men in Black 3 (2012)

| USA, United Arab Emirates

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Camera Operator / Steadicam Operator

Big Miracle (2012)

| USA, UK

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Camera Operator: "b" Camera

Texas Killing Fields (2011)

| USA

Directed by: Ami Canaan Mann

Cinematography by: Stuart Dryburgh

Edited by: Cindy Mollo

Cameras: Panavision Genesis Camera

Camera Operator: "a" Camera, US / Steadicam Operator: US

Machine Gun Preacher (2011)

Lenses: Angenieux HR 25-250mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

| USA

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Camera Operator

Going the Distance (2010)

| USA

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Camera Operator: "a" Camera

Temple Grandin (2010)

| USA

Directed by: Mick Jackson

Cinematography by: Ivan Strasburg

Edited by: Leo Trombetta

Camera Operator: "b" Camera

'Treme' Making Of (2010)

Directed by: Agnieszka Holland

Cinematography by: Irek Hartowicz, Ivan Strasburg

Edited by: Naomi Geraghty, Alex Hall, Malcolm Jamieson, Brian A. Kates, Kate Sanford

Camera Operator: "b" Camera / Steadicam Operator - 3 Episodes, 2010

Treme (2010)

| USA

Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski

Cinematography by: Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler

Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Camera Operator: "b" Camera

'Treme' Treme: Beyond Bourbon Street (2010)

Cinematography by: Irek Hartowicz, Ivan Strasburg

Edited by: Naomi Geraghty, Alex Hall, Malcolm Jamieson, Brian A. Kates, Kate Sanford

Camera Operator: "b" Camera / Steadicam Operator

'Treme' Do You Know What It Means (2010)

| USA

Directed by: Agnieszka Holland

Cinematography by: Irek Hartowicz, Lisa Rinzler

Edited by: Alex Hall, Kate Sanford

Camera Operator: "a" Camera / Steadicam Operator - 19 Episodes, 2015-2017, Cinematographer - 2 Episodes, 2016-2017

Blue Bloods (2010)

| USA

Cinematography by: Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey

Edited by: Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky

Cameras: ARRI ALEXA Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Classic Spherical Lenses

Camera Operator

Bandslam (2009)

| USA

Directed by: Todd Graff

Cinematography by: Eric Steelberg

Edited by: John Gilbert

Cameras: Panavision Cameras

Camera Operator

'Law & Order: Special Victims Unit' Spooked (2009)

Directed by: Peter Leto

Cinematography by: Tom Weston

Edited by: Nancy Forner

Camera Operator: "a" Camera / Steadicam Operator

Recount (2008)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Camera Operator: "a" Camera / Steadicam Operator

What Just Happened (2008)

| USA

Directed by: Barry Levinson

Cinematography by: Stéphane Fontaine

Edited by: Hank Corwin

Camera Operator: "a" Camera / Steadicam Operator

The Sisterhood of the Traveling Pants 2 (2008)

| USA

Directed by: Sanaa Hamri

Cinematography by: Jim Denault

Edited by: Melissa Kent

Camera Operator: "c" Camera, New York Second Unit

The Bourne Ultimatum (2007)

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

| USA, Germany, France, Spain

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Camera Operator / Steadicam Operator

The Kite Runner (2007)

| USA, China, UK

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4 Lenses

Camera Operator: "a" Camera

August Rush (2007)

| USA

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Camera Operator: "a" Camera / Steadicam Operator

Stranger Than Fiction (2006)

| USA

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4 Lenses

Steadicam Operator: Additional Photography

The Ex (2006)

| USA

Directed by: Jesse Peretz

Cinematography by: Tom Richmond

Edited by: Tricia Cooke, Jeff McEvoy, John Michel

Camera Operator

Bad News Bears (2005)

| USA

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Camera Operator , Steadicam Operator

The New World (2005)

| USA, UK

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Camera Operator: "a" Camera / Steadicam Operator

Venom (2005)

| USA

Directed by: Jim Gillespie

Cinematography by: Steve Mason

Edited by: Paul Martin Smith

Camera Operator: "a" Camera / Steadicam Operator

Before Sunset (2004)

| USA, France

Directed by: Richard Linklater

Cinematography by: Lee Daniel

Edited by: Sandra Adair

Steadicam Operator

The Life Aquatic with Steve Zissou (2004)

| USA

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

B Camera Operator

'The Sopranos' Marco Polo (2004)

| USA

Directed by: John Patterson

Cinematography by: Alik Sakharov

Edited by: Conrad M. Gonzalez

Steadicam Operator

'The Sopranos' Irregular Around the Margins (2004)

| USA

Directed by: Allen Coulter

Cinematography by: Phil Abraham

Edited by: Conrad M. Gonzalez

Steadicam Operator: New York

How to Lose a Guy in 10 Days (2003)

| USA, Germany

Directed by: Donald Petrie

Cinematography by: John Bailey

Edited by: Debra Neil-Fisher

Camera Operator / Steadicam Operator

The Human Stain (2003)

| Germany, France, USA

Directed by: Robert Benton

Cinematography by: Jean-Yves Escoffier

Edited by: Christopher Tellefsen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Camera Operator: "a" Camera / Steadicam Operator

School of Rock (2003)

| USA, Germany

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

Camera Operator / Steadicam Operator

Basic (2003)

| Germany, USA

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: George Folsey Jr.

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Steadicam Operator: Second Unit

Bad Company (2002)

| USA, Czech Republic

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

Steadicam Operator

25th Hour (2002)

| USA

Directed by: Spike Lee

Cinematography by: Rodrigo Prieto

Edited by: Barry Alexander Brown

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Steadicam Operator: New York

The Shaft (2001)

| USA, Netherlands

Directed by: Dick Maas

Cinematography by: Marc Felperlaan

Edited by: Bert Rijkelijkhuizen

Camera Operator: "b" Camera / Steadicam Operator

Hannibal (2001)

| USA, UK, Italy

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Camera Operator: "a" Camera

15 Minutes (2001)

| USA, Germany

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

Camera Operator: "b" Camera / Steadicam Operator

Ali (2001)

| USA

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Steadicam Operator: New York

K-PAX (2001)

| USA, Germany

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

Steadicam Operator: New York

Passion of Mind (2000)

| USA

Directed by: Alain Berliner

Cinematography by: Eduardo Serra

Edited by: Anne V. Coates

Cameras: Panavision Cameras

Steadicam Operator

Shaft (2000)

| Germany, USA

Directed by: John Singleton

Cinematography by: Donald E. Thorin

Edited by: John Bloom, Al Rodgers, Antonia Van Drimmelen

Camera Operator / Steadicam Operator

Arlington Road (1999)

| USA

Directed by: Mark Pellington

Cinematography by: Bobby Bukowski

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Camera Operator - 1 Episode, 2009

Law & Order: Special Victims Unit (1999)

| United States

Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen

Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee

Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo

Cameras: ARRI ALEXA Series Cameras

Lenses: ARRI Lenses, Panavision Lenses

B Camera Operator / Steadicam Operator - 2 Episodes, 2004

The Sopranos (1999)

| USA

Cinematography by: Phil Abraham, Alik Sakharov, William Coleman

Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Steadicam Operator

Music of the Heart (1999)

| USA

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Gregg Featherman, Patrick Lussier

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Steadicam Operator

Universal Soldier: The Return (1999)

| USA

Directed by: Mic Rodgers

Cinematography by: Mike Benson

Edited by: Peck Prior

Steadicam Operator: New York

Dudley Do-Right (1999)

| USA

Directed by: Hugh Wilson

Cinematography by: Donald E. Thorin

Edited by: Don Brochu

Steadicam Operator

At First Sight (1999)

| USA

Directed by: Irwin Winkler

Cinematography by: John Seale

Edited by: Julie Monroe

Steadicam Operator

Gloria (1999)

| USA

Directed by: Sidney Lumet

Cinematography by: David Watkin

Edited by: Tom Swartwout

Steadicam Operator: Second Unit

Eyes Wide Shut (1999)

| UK, USA

Directed by: Stanley Kubrick

Cinematography by: Larry Smith

Edited by: Nigel Galt

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Steadicam Operator

Great Expectations (1998)

| USA

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Steven Weisberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Steadicam Operator

The Last Days of Disco (1998)

| USA

Directed by: Whit Stillman

Cinematography by: John Thomas

Edited by: Andrew Hafitz, Jay Pires

Steadicam Operator

The Impostors (1998)

| USA

Directed by: Stanley Tucci

Cinematography by: Ken Kelsch

Edited by: Suzy Elmiger

Steadicam Operator: New York

Woo (1998)

| USA

Directed by: Daisy von Scherler Mayer

Cinematography by: Jean Lépine

Edited by: Nicholas Eliopoulos, Janice Hampton

Steadicam Operator

The Substitute 2: School's Out (1998)

| USA

Directed by: Steven Pearl

Cinematography by: Larry Banks

Edited by: Mayin Lo

Steadicam Operator

The Object of My Affection (1998)

| USA

Directed by: Nicholas Hytner

Cinematography by: Oliver Stapleton

Edited by: Tariq Anwar

Steadicam Operator

First Time Felon (1997)

| USA

Directed by: Charles S. Dutton

Cinematography by: Jeffrey Jur

Edited by: Anthony Sherin

Steadicam Operator

Box of Moonlight (1996)

| Japan, USA

Directed by: Tom DiCillo

Cinematography by: Paul Ryan

Edited by: Camilla Toniolo

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Camera Operator

Tom and Huck (1995)

| USA

Directed by: Peter Hewitt

Cinematography by: Bobby Bukowski

Edited by: David Freeman

Camera Operator / Steadicam Operator

The Basketball Diaries (1995)

| USA

Directed by: Scott Kalvert

Cinematography by: David Phillips

Edited by: Dana Congdon

Cameras: Panavision Cameras

Steadicam Operator

The Night We Never Met (1993)

| USA

Directed by: Warren Leight

Cinematography by: John Thomas

Edited by: Camilla Toniolo

Cameras: Panavision Cameras

Steadicam Operator

The Dutch Master (1993)

| Germany, USA

Directed by: Susan Seidelman

Cinematography by: Maryse Alberti

Edited by: Mona Davis

Panaglide Assistant

Field of Dreams (1989)

| USA

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Ian Crafford

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

First Assistant Camera: Steadicam, Second Unit

Friday the 13th Part VIII: Jason Takes Manhattan (1989)