Larry McConkey

Directed by: Robert Harmon

Cinematography by: Jim McConkey

Edited by: David Ray

Camera Operator: "b" Camera / Steadicam Operator

'Blue Bloods' Help Me, Help You (2016)

Directed by: Alex Chapple

Cinematography by: Gene Engels

Edited by: Thomas R. Moore

Director Of Photography

'Blue Bloods' Stomping Grounds (2016)

Directed by: Donald E. Thorin Jr.

Cinematography by: Larry McConkey

Edited by: Brice Bishop-Pullan

Camera Operator: "b" Camera / Steadicam Operator

'Blue Bloods' All the News That's Fit to Click (2015)

| USA

Directed by: Alex Chapple

Cinematography by: Donald E. Thorin Jr.

Edited by: Jackeline Tejada

Camera Operator: "b" Camera / Steadicam Operator

'Blue Bloods' Worst Case Scenario (2015)

| USA

Directed by: David Barrett

Cinematography by: Donald E. Thorin Jr.

Edited by: David Ray

A Camera Operator - 1 Episode, 2015

Limitless (2015)

| USA

Directed by: Douglas Aarniokoski, Peter Werner, Marc Webb, Steven A. Adelson, Joshua Butler, Leslie Libman, Aaron Lipstadt, Guillermo Navarro, Lexi Alexander, John Behring, Holly Dale, Paul A. Edwards, Guy Ferland, Rich Lee, Christine Moore, Edward Ornelas, Maja Vrvilo

Cinematography by: Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela

Edited by: Christopher S. Capp, Jonathan Angus, Mark Manos, Daniel Gabbe

Camera Operator: "b" Camera / Steadicam Operator

'Blue Bloods' With Friends Like These (2015)

| USA

Directed by: Heather Cappiello

Cinematography by: Donald E. Thorin Jr.

Edited by: Thomas R. Moore

Camera Operator: "b" Camera / Steadicam Operator

'Blue Bloods' Absolute Power (2015)

| USA

Directed by: David Barrett

Cinematography by: Donald E. Thorin Jr.

Edited by: Brice Bishop-Pullan, Thomas R. Moore

Camera Operator: "b" Camera / Steadicam Operator

'Blue Bloods' Backstabbers (2015)

| USA

Directed by: John Behring

Cinematography by: Donald E. Thorin Jr.

Edited by: Jackeline Tejada

A Camera Operator

'Limitless' Pilot (2015)

| USA

Directed by: Marc Webb

Cinematography by: Jonathan Sela

Edited by: Christopher S. Capp, Daniel Gabbe

Steadicam Operator

Lucy (2014)

| France, Germany, Taiwan

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens

Camera Operator / Steadicam Operator

World War Z (2013)

| USA, UK, Malta

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Steadicam Operator

12 Years a Slave (2013)

| USA, UK

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Steadicam Operator

Django Unchained (2012)

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Steadicam Operator

A Late Quartet (2012)

| USA

Directed by: Yaron Zilberman

Cinematography by: Frederick Elmes

Edited by: Yuval Shar

Camera Operator: "b" Camera / Steadicam Operator

Hugo (2011)

| USA, UK, France

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Steadicam Operator

A Little Bit of Heaven (2011)

| USA

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Camera Operator - 1 Episode, 2010

Justified (2010)

| USA

Directed by: Adam Arkin, Jon Avnet, Peter Werner, Michael Dinner, John Dahl, Bill Johnson, Michael W. Watkins, Gwyneth Horder-Payton, Don Kurt, Dean Parisot, Tony Goldwyn, Michael Pressman, Rod Holcomb, Michael Katleman, Frederick King Keller, John David Coles, Billy Gierhart, Lesli Linka Glatter, Peter Weller

Cinematography by: Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn

Edited by: Keith Henderson, Bill Johnson, Steve Polivka, Victor Du Bois, Eric L. Beason, Harvey Rosenstock, Steven Nevius, Dorian Harris, Jean Crupper, Sandra McCallig

Cameras: Red Epic Camera, Red Epic Dragon Camera, Sony CineAlta F35 Camera, Sony SRW-9000PL Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Camera Operator: "b" Camera / Steadicam Operator

Eat Pray Love (2010)

| USA

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Final Cut Pro Editing System

Camera Operator

'Justified' Fire in the Hole (2010)

| USA

Directed by: Michael Dinner

Cinematography by: Edward J. Pei

Edited by: Victor Du Bois

Cinematographer - 1 Episode, 2016, Steadicam Operator / Camera Operator: "b" Camera / Camera Operator: "a" Camera - 7 Episodes, 2015-2016

Blue Bloods (2010)

| USA

Cinematography by: Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey

Edited by: Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky

Cameras: ARRI ALEXA Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Classic Spherical Lenses

Steadicam Operator

Shutter Island (2010)

Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| USA

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Lenses: Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Editing System: Lightworks Editing System

Camera Operator: "c" Camera, Washington D.C. / Steadicam Operator: Washington D.C.

Body of Lies (2008)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses

| USA, UK

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Editing System: Avid Editing System

Cinematographer

Tyson (2008)

| USA, France

Directed by: James Toback

Cinematography by: Larry McConkey

Edited by: Aaron Yanes

Camera Operator: "b" Camera / Steadicam Operator

American Gangster (2007)

| USA, UK

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Steadicam Operator

'The Sopranos' Soprano Home Movies (2007)

| USA

Directed by: Timothy Van Patten

Cinematography by: Phil Abraham

Edited by: William B. Stich

Camera Operator: "b" Camera, New York Second Unit

The Bourne Ultimatum (2007)

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

| USA, Germany, France, Spain

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Steadicam Operator

'The Sopranos' Kaisha (2006)

| USA

Directed by: Alan Taylor

Cinematography by: Alik Sakharov

Edited by: William B. Stich

Camera Operator: Los Angeles

The Black Dahlia (2006)

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

| USA, Germany, France

Directed by: Brian De Palma

Cinematography by: Vilmos Zsigmond

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Editing System: Avid Editing System

Steadicam Operator

'The Sopranos' Join the Club (2006)

| USA

Directed by: David Nutter

Cinematography by: Alik Sakharov

Edited by: William B. Stich

A Camera Operator / Steadicam Operator

Glory Road (2006)

| USA

Directed by: James Gartner

Cinematography by: Jeffrey L. Kimball, John Toon

Edited by: Jason Hellmann, John Wright

Steadicam Operator

'The Sopranos' The Fleshy Part of the Thigh (2006)

| USA

Directed by: Alan Taylor

Cinematography by: Alik Sakharov

Edited by: Sidney Wolinsky

Camera Operator / Steadicam Operator

The Good Shepherd (2006)

| USA

Directed by: Robert De Niro

Cinematography by: Robert Richardson

Edited by: Tariq Anwar

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Lightworks Editing System

Steadicam Operator

'The Sopranos' Members Only (2006)

| USA

Directed by: Timothy Van Patten

Cinematography by: Phil Abraham

Edited by: Sidney Wolinsky

Steadicam Operator

Kill Bill: Vol. 2 (2004)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Steadicam Operator

'The Sopranos' Sentimental Education (2004)

| USA

Directed by: Peter Bogdanovich

Cinematography by: Phil Abraham

Edited by: Sidney Wolinsky

Steadicam Operator

'The Sopranos' Long Term Parking (2004)

| USA

Directed by: Timothy Van Patten

Cinematography by: Alik Sakharov

Edited by: William B. Stich

Steadicam Operator

'The Sopranos' Cold Cuts (2004)

| USA

Directed by: Mike Figgis

Cinematography by: Alik Sakharov

Edited by: Sidney Wolinsky

Camera Operator: Second Unit, New York / Director Of Photography: Second Unit, New York

Confessions of a Teenage Drama Queen (2004)

| Germany, USA

Directed by: Sara Sugarman

Cinematography by: Stephen H. Burum

Edited by: Anita Brandt Burgoyne

Steadicam Operator

'The Sopranos' Rat Pack (2004)

| USA

Directed by: Alan Taylor

Cinematography by: Alik Sakharov

Edited by: Conrad M. Gonzalez

Steadicam Operator

'The Sopranos' Marco Polo (2004)

| USA

Directed by: John Patterson

Cinematography by: Alik Sakharov

Edited by: Conrad M. Gonzalez

Steadicam Operator

'The Sopranos' Where's Johnny? (2004)

| USA

Directed by: John Patterson

Cinematography by: Phil Abraham

Edited by: William B. Stich

Steadicam Operator

Kill Bill: Vol. 1 (2003)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Lenses: Panavision Primo Anamorphic Lenses

Camera Operator / Steadicam Operator

Basic (2003)

| Germany, USA

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: George Folsey Jr.

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Steadicam Operator

'The Sopranos' Pie-o-My (2002)

| USA

Directed by: Henry Bronchtein

Cinematography by: Alik Sakharov

Edited by: Sidney Wolinsky

Steadicam Operator

Hollywood Ending (2002)

| USA

Directed by: Woody Allen

Cinematography by: Wedigo von Schultzendorff

Edited by: Alisa Lepselter

Steadicam Operator

'The Sopranos' For All Debts Public and Private (2002)

| USA

Directed by: Allen Coulter

Cinematography by: Phil Abraham

Edited by: Sidney Wolinsky

Steadicam Operator

'The Sopranos' Calling All Cars (2002)

| USA

Directed by: Timothy Van Patten

Cinematography by: Phil Abraham

Edited by: Conrad M. Gonzalez, Sidney Wolinsky

Steadicam Operator

'The Sopranos' The Weight (2002)

| USA

Directed by: Jack Bender

Cinematography by: Phil Abraham

Edited by: Conrad M. Gonzalez

Steadicam Operator

'The Sopranos' Whitecaps (2002)

| USA

Directed by: John Patterson

Cinematography by: Phil Abraham

Edited by: Sidney Wolinsky

Steadicam Operator

'The Sopranos' Eloise (2002)

| USA

Directed by: James Hayman

Cinematography by: Alik Sakharov

Edited by: William B. Stich, Lynne Whitlock

Steadicam Operator

'The Sopranos' No Show (2002)

| USA

Directed by: John Patterson

Cinematography by: Alik Sakharov

Edited by: Conrad M. Gonzalez

Steadicam Operator: USA

The Hours (2002)

| USA, UK

Directed by: Stephen Daldry

Cinematography by: Seamus McGarvey

Edited by: Peter Boyle

Cameras: Panavision Panaflex Millennium Camera

Steadicam Operator

'The Sopranos' Everybody Hurts (2002)

| USA

Directed by: Steve Buscemi

Cinematography by: Alik Sakharov

Edited by: William B. Stich

Steadicam Operator

Shallow Hal (2001)

| USA, Germany

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

Steadicam Operator

'The Sopranos' The Telltale Moozadell (2001)

| USA

Directed by: Daniel Attias

Cinematography by: Phil Abraham

Edited by: William B. Stich

"b" Camera Operator / Steadicam Operator

'The Sopranos' Pine Barrens (2001)

| USA

Directed by: Steve Buscemi

Cinematography by: Phil Abraham

Edited by: Conrad M. Gonzalez

Steadicam Operator

'The Sopranos' Army of One (2001)

| USA

Directed by: John Patterson

Cinematography by: Phil Abraham

Edited by: Sidney Wolinsky

Camera Operator: "b" Camera, New York / Steadicam Operator: New York

Vanilla Sky (2001)

| USA, Spain

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Steadicam Operator

'The Sopranos' Mr. Ruggerio's Neighborhood (2001)

| USA

Directed by: Allen Coulter

Cinematography by: Alik Sakharov

Edited by: Conrad M. Gonzalez

Steadicam Operator

Finding Forrester (2000)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Valdís Óskarsdóttir

Steadicam Operator

Little Nicky (2000)

| USA

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Steadicam Operator

Mission to Mars (2000)

| USA

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Steadicam Operator

Mickey Blue Eyes (1999)

| UK, USA

Directed by: Kelly Makin

Cinematography by: Donald E. Thorin

Edited by: David Freeman

Steadicam Operator

The Astronaut's Wife (1999)

| USA

Directed by: Rand Ravich

Cinematography by: Allen Daviau

Edited by: Timothy Alverson, Steve Mirkovich

Steadicam Operator

Summer of Sam (1999)

| USA

Directed by: Spike Lee

Cinematography by: Ellen Kuras

Edited by: Barry Alexander Brown

Steadicam Operator

Bringing Out the Dead (1999)

| USA

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Steadicam Operator / "b" Camera Operator - 23 Episodes, 2001-2007

The Sopranos (1999)

| USA

Cinematography by: Phil Abraham, Alik Sakharov, William Coleman

Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Camera Operator / Steadicam Operator

Three Kings (1999)

| USA

Directed by: David O. Russell

Cinematography by: Newton Thomas Sigel

Edited by: Robert K. Lambert

Cameras: Panavision Cameras

Steadicam Operator

At First Sight (1999)

| USA

Directed by: Irwin Winkler

Cinematography by: John Seale

Edited by: Julie Monroe

Steadicam Operator

Snake Eyes (1998)

| USA, Canada

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Bill Pankow

Cameras: Moviecam Compact Camera

Lenses: Panavision C Series Anamorphic Lenses

Steadicam Operator

Private Parts (1997)

| USA

Directed by: Betty Thomas

Cinematography by: Walt Lloyd

Edited by: Peter Teschner

Steadicam Operator

Fathers' Day (1997)

| USA

Directed by: Ivan Reitman

Cinematography by: Stephen H. Burum

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Camera Operator: "b" Camera / Steadicam Operator

I Know What You Did Last Summer (1997)

| USA

Directed by: Jim Gillespie

Cinematography by: Denis Crossan

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Steadicam Operator

Mission: Impossible (1996)

| USA

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

Steadicam Operator

Marvin's Room (1996)

| USA

Directed by: Jerry Zaks

Cinematography by: Piotr Sobocinski

Edited by: Jim Clark

Steadicam Operator

Sleepers (1996)

| USA

Directed by: Barry Levinson

Cinematography by: Michael Ballhaus

Edited by: Stu Linder

Steadicam Operator

Ransom (1996)

| USA

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Camera Operator / Steadicam Operator

Showgirls (1995)

| France, USA

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Mark Helfrich

Steadicam Operator

Kiss of Death (1995)

| USA

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Cameras: Panavision Cameras

Steadicam Operator

Natural Born Killers (1994)

| USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Steadicam Operator

Nobody's Fool (1994)

| USA

Directed by: Robert Benton

Cinematography by: John Bailey

Edited by: John Bloom

Cameras: ARRI Cameras

Steadicam Operator

Sliver (1993)

| USA

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Steadicam Operator

The Age of Innocence (1993)

| USA

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Steadicam Operator

Carlito's Way (1993)

| USA

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Kristina Boden, Bill Pankow

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

Steadicam Operator

Fearless (1993)

| USA

Directed by: Peter Weir

Cinematography by: Allen Daviau

Edited by: William M. Anderson, Armen Minasian, Lee Smith

Steadicam Operator: Baltimore

Sleepless in Seattle (1993)

| USA

Directed by: Nora Ephron

Cinematography by: Sven Nykvist

Edited by: Robert M. Reitano

Steadicam Operator

Free Willy (1993)

| USA, France, Mexico

Directed by: Simon Wincer

Cinematography by: Robbie Greenberg

Edited by: O. Nicholas Brown

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Steadicam Operator

My Cousin Vinny (1992)

| USA

Directed by: Jonathan Lynn

Cinematography by: Peter Deming

Edited by: Tony Lombardo, Stephen E. Rivkin

Steadicam Operator

Night and the City (1992)

| USA

Directed by: Irwin Winkler

Cinematography by: Tak Fujimoto

Edited by: David Brenner

Cameras: Panavision Cameras

Steadicam Operator

Hoffa (1992)

| USA

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman, Ronald Roose

Steadicam Operator

Raising Cain (1992)

| USA

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Robert Dalva, Paul Hirsch, Bonnie Koehler

Cameras: Panavision Cameras

Steadicam Operator: Los Angeles

Basic Instinct (1992)

| France, USA, UK

Directed by: Paul Verhoeven

Cinematography by: Jan de Bont

Edited by: Frank J. Urioste

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Steadicam Operator

The Silence of the Lambs (1991)

| USA

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Steadicam Operator

Strictly Business (1991)

| USA

Directed by: Kevin Hooks, Rolando Hudson

Cinematography by: Zoltán David

Edited by: Richard Nord

Steadicam Operator

Jungle Fever (1991)

| USA

Directed by: Spike Lee

Cinematography by: Ernest R. Dickerson

Edited by: Samuel D. Pollard

Steadicam Operator

The Bonfire of the Vanities (1990)

| USA

Directed by: Brian De Palma

Cinematography by: Vilmos Zsigmond

Edited by: Bill Pankow, David Ray

Steadicam Operator

State of Grace (1990)

| UK, USA

Directed by: Phil Joanou, Michael Lee Baron

Cinematography by: Jordan Cronenweth

Edited by: Claire Simpson

Steadicam Operator

A Shock to the System (1990)

| USA

Directed by: Jan Egleson

Cinematography by: Paul Goldsmith

Edited by: William M. Anderson, Peter C. Frank

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Steadicam Operator: New York

The Freshman (1990)

| USA

Directed by: Andrew Bergman

Cinematography by: William A. Fraker

Edited by: Barry Malkin

Steadicam Operator

Goodfellas (1990)

| USA

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: James Y. Kwei, Thelma Schoonmaker

Cameras: ARRIFLEX 35 BL4s Camera

Lenses: Zeiss Lenses

Editing System: Lightworks Editing System

Steadicam Operator

Mo' Better Blues (1990)

| USA

Directed by: Spike Lee

Cinematography by: Ernest R. Dickerson

Edited by: Samuel D. Pollard

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Super Speed Lenses

Steadicam Operator

Miller's Crossing (1990)

| USA

Directed by: Joel Coen, Ethan Coen

Cinematography by: Barry Sonnenfeld

Edited by: Michael R. Miller

Steadicam Operator

Casualties of War (1989)

| USA

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Bill Pankow

Cameras: Panavision Panaflex Lightweight Camera

Lenses: Panavision C Series Anamorphic Lenses

Steadicam Operator: New York

Sea of Love (1989)

| USA, Canada

Directed by: Harold Becker

Cinematography by: Ronnie Taylor

Edited by: David Bretherton

Steadicam Operator

Glory (1989)

| USA

Directed by: Edward Zwick

Cinematography by: Freddie Francis

Edited by: Steven Rosenblum

Steadicam Operator

We're No Angels (1989)

| USA

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Cameras

Steadicam Operator: New York

True Believer (1989)

| USA

Directed by: Joseph Ruben

Cinematography by: John Lindley

Edited by: George Bowers

Steadicam Operator: New York

Crocodile Dundee II (1988)

| Australia, USA

Directed by: John Cornell

Cinematography by: Russell Boyd

Edited by: David Stiven

Panaglide Operator: Ecuador

Vibes (1988)

| USA

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Carol Littleton

Steadicam Operator

Arthur 2: On the Rocks (1988)

| USA

Directed by: Bud Yorkin

Cinematography by: Stephen H. Burum

Edited by: Michael Kahn

Steadicam Operator

Angel Heart (1987)

| UK, Canada, USA

Directed by: Alan Parker

Cinematography by: Michael Seresin

Edited by: Gerry Hambling

Cameras: ARRIFLEX 35mm Cameras, Panavision Panaflex Camera

Lenses: Panavision Lenses

Steadicam Operator

The Pick-up Artist (1987)

| USA

Directed by: James Toback

Cinematography by: Gordon Willis

Edited by: David Bretherton, Angelo Corrao

Cinematographer - Photographed By, Steadicam Operator

White of the Eye (1987)

| UK, USA

Directed by: Donald Cammell

Cinematography by: Larry McConkey

Edited by: Terry Rawlings

Steadicam Operator

Streets of Gold (1986)

| USA

Directed by: Joe Roth

Cinematography by: Arthur Albert

Edited by: Richard Chew

Camera Operator: Additional Camera Crew

The Mosquito Coast (1986)

| USA

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: Thom Noble

Operator: Skycam, Carnival Flying Sequence / Pilot: Skycam, Carnival Flying Sequence

The Boy Who Could Fly (1986)

| USA

Directed by: Nick Castle

Cinematography by: Adam Holender, Steven Poster

Edited by: Patrick Kennedy

Steadicam Operator

Sweet Liberty (1986)

| USA

Directed by: Alan Alda

Cinematography by: Frank Tidy

Edited by: Michael Economou

Steadicam Operator

After Hours (1985)

| USA

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Steadicam Operator

Birdy (1984)