Director Of Photography
'Blue Bloods' Stomping Grounds (2016)
Directed by: Donald E. Thorin Jr.
Cinematography by: Larry McConkey
Edited by: Brice Bishop-Pullan
Camera Operator: "a" Camera / Steadicam Operator
'Blue Bloods' Back in the Day (2016)
Directed by: Robert Harmon
Cinematography by: Jim McConkey
Edited by: David Ray
Camera Operator: "b" Camera / Steadicam Operator
'Blue Bloods' Help Me, Help You (2016)
Directed by: Alex Chapple
Cinematography by: Gene Engels
Edited by: Thomas R. Moore
A Camera Operator
'Limitless' Pilot (2015)
| USA
Directed by: Marc Webb
Cinematography by: Jonathan Sela
Camera Operator: "b" Camera / Steadicam Operator
'Blue Bloods' All the News That's Fit to Click (2015)
| USA
Directed by: Alex Chapple
Cinematography by: Donald E. Thorin Jr.
Edited by: Jackeline Tejada
Camera Operator: "b" Camera / Steadicam Operator
'Blue Bloods' Worst Case Scenario (2015)
| USA
Directed by: David Barrett
Cinematography by: Donald E. Thorin Jr.
Edited by: David Ray
A Camera Operator - 1 Episode, 2015
Limitless (2015)
| USA
Directed by: Douglas Aarniokoski, Peter Werner, Marc Webb, Steven A. Adelson, Joshua Butler, Leslie Libman, Aaron Lipstadt, Guillermo Navarro, Lexi Alexander, John Behring, Holly Dale, Paul A. Edwards, Guy Ferland, Rich Lee, Christine Moore, Edward Ornelas, Maja Vrvilo
Cinematography by: Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela
Camera Operator: "b" Camera / Steadicam Operator
'Blue Bloods' With Friends Like These (2015)
| USA
Directed by: Heather Cappiello
Cinematography by: Donald E. Thorin Jr.
Edited by: Thomas R. Moore
Camera Operator: "b" Camera / Steadicam Operator
'Blue Bloods' Absolute Power (2015)
| USA
Directed by: David Barrett
Cinematography by: Donald E. Thorin Jr.
Camera Operator: "b" Camera / Steadicam Operator
'Blue Bloods' Backstabbers (2015)
| USA
Directed by: John Behring
Cinematography by: Donald E. Thorin Jr.
Edited by: Jackeline Tejada
Steadicam Operator
Lucy (2014)
| France, Germany, Taiwan
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Steadicam Operator
12 Years a Slave (2013)
| USA, UK
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Steadicam Operator
Django Unchained (2012)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Steadicam Operator
A Late Quartet (2012)
| USA
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Camera Operator: "b" Camera / Steadicam Operator
Hugo (2011)
| USA, UK, France
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Steadicam Operator
A Little Bit of Heaven (2011)
| USA
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Camera Operator: "b" Camera / Steadicam Operator
Eat Pray Love (2010)
| USA
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
Cinematographer - 1 Episode, 2016, Steadicam Operator / Camera Operator: "b" Camera / Camera Operator: "a" Camera - 7 Episodes, 2015-2016
Blue Bloods (2010)
| USA
Directed by: David Barrett, Robert Harmon, Ralph Hemecker, Alex Chapple, John Behring, Alex Zakrzewski, Eric Laneuville, Michael Pressman, John Polson, Peter Werner, Heather Cappiello, Félix Enríquez Alcalá, Jane Raab, Frederick King Keller, Christine Moore, Tawnia McKiernan, Stephen Gyllenhaal, James Whitmore Jr., Martha Mitchell, Robert Duncan McNeill, Thomas R. Moore, P.J. Pesce, Michael Cuesta, Gwyneth Horder-Payton, Rosemary Rodriguez, Jan Eliasberg, Karen Gaviola, Steve Gomer, Matthew Penn, Nick Gomez, Jim McKay, Alex Hall, Oz Scott, David Solomon, Larry Teng, Greg Beeman, Donnie Wahlberg, Holly Dale, Kellie Cyrus, Peter Leto, Donald E. Thorin Jr., Deran Sarafian, Jackeline Tejada, Douglas Aarniokoski, Rachel Feldman, Dean White
Cinematography by: Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey
Edited by: Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky
Cameras: ARRI ALEXA Camera, Red One MX Camera
Steadicam Operator
Shutter Island (2010)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Camera Operator: "c" Camera, Washington D.C. / Steadicam Operator: Washington D.C.
Body of Lies (2008)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cinematographer
Tyson (2008)
| USA, France
Directed by: James Toback
Cinematography by: Larry McConkey
Edited by: Aaron Yanes
Camera Operator: "b" Camera, New York Second Unit
The Bourne Ultimatum (2007)
| USA, Germany, France, Spain
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Camera Operator: "b" Camera / Steadicam Operator
American Gangster (2007)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Camera Operator: Los Angeles
The Black Dahlia (2006)
| USA, Germany, France
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Camera Operator / Steadicam Operator
The Good Shepherd (2006)
| USA
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Steadicam Operator
Kill Bill: Vol. 2 (2004)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: Second Unit, New York / Director Of Photography: Second Unit, New York
Confessions of a Teenage Drama Queen (2004)
| Germany, USA
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Steadicam Operator
Kill Bill: Vol. 1 (2003)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Camera Operator / Steadicam Operator
Basic (2003)
| Germany, USA
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Steadicam Operator
Hollywood Ending (2002)
| USA
Directed by: Woody Allen
Cinematography by: Wedigo von Schultzendorff
Edited by: Alisa Lepselter
Steadicam Operator: USA
The Hours (2002)
| USA, UK
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Camera Operator: "b" Camera, New York / Steadicam Operator: New York
Vanilla Sky (2001)
| USA, Spain
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Steadicam Operator
Shallow Hal (2001)
| USA, Germany
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Steadicam Operator
Finding Forrester (2000)
| USA
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
Steadicam Operator
Little Nicky (2000)
| USA
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Steadicam Operator
Mission to Mars (2000)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Steadicam Operator
Mickey Blue Eyes (1999)
| UK, USA
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Steadicam Operator
The Astronaut's Wife (1999)
| USA
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Steadicam Operator
Summer of Sam (1999)
| USA
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Steadicam Operator
Bringing Out the Dead (1999)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Operator / Steadicam Operator
Three Kings (1999)
| USA
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Steadicam Operator
At First Sight (1999)
| USA
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Steadicam Operator
Snake Eyes (1998)
| USA, Canada
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Cameras: Moviecam Compact Camera
Steadicam Operator
Private Parts (1997)
| USA
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Steadicam Operator
Fathers' Day (1997)
| USA
Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum
Camera Operator: "b" Camera / Steadicam Operator
I Know What You Did Last Summer (1997)
| USA
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Steadicam Operator
Mission: Impossible (1996)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Steadicam Operator
Marvin's Room (1996)
| USA
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Steadicam Operator
Sleepers (1996)
| USA
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Steadicam Operator
Ransom (1996)
| USA
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Camera Operator / Steadicam Operator
Showgirls (1995)
| France, USA
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Steadicam Operator
Kiss of Death (1995)
| USA
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Steadicam Operator
Natural Born Killers (1994)
| USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Steadicam Operator
Nobody's Fool (1994)
| USA
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Steadicam Operator
Free Willy (1993)
| USA, France, Mexico
Directed by: Simon Wincer
Cinematography by: Robbie Greenberg
Edited by: O. Nicholas Brown
Steadicam Operator
The Age of Innocence (1993)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Steadicam Operator
Carlito's Way (1993)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold II Camera
Steadicam Operator: Baltimore
Sleepless in Seattle (1993)
| USA
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Steadicam Operator
My Cousin Vinny (1992)
| USA
Directed by: Jonathan Lynn
Cinematography by: Peter Deming
Steadicam Operator
Night and the City (1992)
| USA
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Steadicam Operator
Raising Cain (1992)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Steadicam Operator: Los Angeles
Basic Instinct (1992)
| France, USA, UK
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Steadicam Operator
The Silence of the Lambs (1991)
| USA
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Steadicam Operator
Strictly Business (1991)
| USA
Cinematography by: Zoltán David
Edited by: Richard Nord
Steadicam Operator
Jungle Fever (1991)
| USA
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Steadicam Operator
The Bonfire of the Vanities (1990)
| USA
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Steadicam Operator
State of Grace (1990)
| UK, USA
Cinematography by: Jordan Cronenweth
Edited by: Claire Simpson
Steadicam Operator
A Shock to the System (1990)
| USA
Directed by: Jan Egleson
Cinematography by: Paul Goldsmith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Steadicam Operator: New York
The Freshman (1990)
| USA
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Steadicam Operator
Goodfellas (1990)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Steadicam Operator
Mo' Better Blues (1990)
| USA
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Super Speed Lenses
Steadicam Operator
Miller's Crossing (1990)
| USA
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Steadicam Operator: New York
True Believer (1989)
| USA
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Steadicam Operator
Casualties of War (1989)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Steadicam Operator: New York
Sea of Love (1989)
| USA, Canada
Directed by: Harold Becker
Cinematography by: Ronnie Taylor
Edited by: David Bretherton
Steadicam Operator
Glory (1989)
| USA
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Steadicam Operator
We're No Angels (1989)
| USA
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Steadicam Operator: New York
Crocodile Dundee II (1988)
| Australia, USA
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Panaglide Operator: Ecuador
Vibes (1988)
| USA
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Steadicam Operator
Arthur 2: On the Rocks (1988)
| USA
Directed by: Bud Yorkin
Cinematography by: Stephen H. Burum
Edited by: Michael Kahn
Steadicam Operator
Angel Heart (1987)
| UK, Canada, USA
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Lenses: Panavision Lenses
Steadicam Operator
The Pick-up Artist (1987)
| USA
Directed by: James Toback
Cinematography by: Gordon Willis
Cinematographer - Photographed By, Steadicam Operator
White of the Eye (1987)
| UK, USA
Directed by: Donald Cammell
Cinematography by: Larry McConkey
Edited by: Terry Rawlings
Steadicam Operator
Streets of Gold (1986)
| USA
Directed by: Joe Roth
Cinematography by: Arthur Albert
Edited by: Richard Chew
Camera Operator: Additional Camera Crew
The Mosquito Coast (1986)
| USA
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Operator: Skycam, Carnival Flying Sequence / Pilot: Skycam, Carnival Flying Sequence
The Boy Who Could Fly (1986)
| USA
Directed by: Nick Castle
Edited by: Patrick Kennedy
Steadicam Operator
Sweet Liberty (1986)
| USA
Directed by: Alan Alda
Cinematography by: Frank Tidy
Edited by: Michael Economou
Steadicam Operator
After Hours (1985)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Steadicam Operator
Birdy (1984)
| USA
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
