Aerial Director Of Photography: Washington DC
Rustin (2023)
Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Aerial Director Of Photography
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Aerial Director Of Photography
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Aerial Director Of Photography
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Aerial Director Of Photography
'Westworld' Kiksuya (2018)
Directed by: Uta Briesewitz
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Aerial Director Of Photography
'Westworld' Les Écorchés (2018)
Directed by: Nicole Kassell
Cinematography by: M. David Mullen
Edited by: Anna Hauger
Aerial Director Of Photography
'Westworld' Phase Space (2018)
Directed by: Tarik Saleh
Cinematography by: John Grillo
Edited by: Ron Rosen
Aerial Director Of Photography
'Westworld' The Riddle of the Sphinx (2018)
Directed by: Lisa Joy
Cinematography by: John Grillo
Edited by: Andrew Seklir
Aerial Director Of Photography: Utah Unit
'Westworld' Virtù e Fortuna (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Anna Hauger
Aerial Director Of Photography
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Aerial Director Of Photography
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Aerial Director Of Photography: Atlanta VFX
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Director Of Photography: New York Unit, Additonal Vfx Unit NYC, Director Of Photography: New York Unit, Additonal Visual Effects Unit, NYC
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Aerial Director Of Photography
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Aerial Director Of Photography
The Boss (2016)
Directed by: Ben Falcone
Cinematography by: Julio Macat
Edited by: Craig Alpert
Cameras: ARRI ALEXA 65 Camera
Lenses: Leitz Summilux-C Series Lenses
Aerial Director Of Photography
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Aerial Director Of Photography / Aerial Director Of Photography: Utah Unit - 7 Episodes, 2016-2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Aerial Director Of Photography
'Westworld' The Original (2016)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Aerial Director Of Photography
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Aerial Director Of Photography
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Aerial Director Of Photography
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Aerial Director Of Photography: Los Angeles
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Aerial Director Of Photography: Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Aerial Director Of Photography
No Good Deed (2014)
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Aerial Director Of Photography: San Francisco
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Aerial Director Of Photography
Good Kill (2014)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Aerial Director Of Photography
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Aerial Director Of Photography
Million Dollar Arm (2014)
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Aerial Director Of Photography
Annie (2014)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Aerial Director Of Photography
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Aerial Director Of Photography: New Mexico
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Aerial Director Of Photography: Second Unit, New York
Now You See Me (2013)
Directed by: Louis Leterrier
Aerial Director Of Photography: Aerial Unit
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Aerial Director Of Photography
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Aerial Director Of Photography
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Aerial Director Of Photography
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Aerial Director Of Photography
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Aerial Director Of Photography
Extraordinary Measures (2010)
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Aerial Director Of Photography
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Aerial Director Of Photography
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Aerial Director Of Photography: Second Unit
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Aerial Director Of Photography
The Informers (2008)
Directed by: Gregor Jordan
Cinematography by: Petra Korner
Edited by: Robert Brakey
Aerial Director Of Photography, Second Unit Director
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Director Of Photography: Aerial Unit, Second Unit Director: Aerial Unit
Fireflies in the Garden (2008)
Directed by: Dennis Lee
Cinematography by: Daniel Moder
Aerial Director Of Photography
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Aerial Director Of Photography
Grindhouse (2007)
Aerial Director Of Photography
Bug (2006)
Directed by: William Friedkin
Cinematography by: Michael Grady
Edited by: Darrin Navarro
Camera Operator: Aerial Unit
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Aerial Director Of Photography
Dust to Glory (2005)
Directed by: Dana Brown
Cinematography by: Kevin Ward
Cameras: Panasonic AG-DVX100 Camera
Editing System: Adobe Premiere Editing System
Director Of Photography: Aerial Unit
Crash (2004)
Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Lenses: Panavision Super Speed Lenses
Editing System: Avid Editing System
Aerial Photographer
The Cooler (2003)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Editing System: Avid Editing System
Aerial Camera Operator
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Aerial Camera Operator
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Camera Operator: SpaceCam
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Aerial Camera Operator
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Aerial Camera Operator
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Aerial Camera Operator
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Aerial Assistant Camera
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Aerial Camera Operator
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Aerial Assistant Camera: Aerial Unit
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Aerial Camera Operator
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Aerial Camera Operator
Fallen (1998)
Directed by: Gregory Hoblit
Cinematography by: Newton Thomas Sigel
Edited by: Lawrence Jordan
Aerial Camera Operator
Meet Joe Black (1998)
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Assistant Camera: Aerial Unit
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Aerial Camera Operator
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Aerial Camera Operator
Excess Baggage (1997)
Directed by: Marco Brambilla
Cinematography by: Jean-Yves Escoffier
Edited by: Stephen E. Rivkin
Aerial Camera Operator
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Aerial Camera Operator
For Richer or Poorer (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Aerial Camera Operator
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Aerial First Assistant Camera
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Aerial Assistant: Aerial Unit
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Aerial Camera Operator
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Assistant Camera: SpaceCam Camera
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Aerial Camera Operator
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Aerial Assistant Camera: Aerial Unit
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
First Assistant Camera: Credit Sequence
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Aerial Camera Operator
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Camera Assistant: SpaceCam, Monument Valley
Waiting to Exhale (1995)
Directed by: Forest Whitaker
Cinematography by: Toyomichi Kurita
Edited by: Richard Chew
Second Assistant Camera
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
Second Assistant Camera
Kindergarten Cop (1990)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
