Tom Johnson

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Elemental | ShotOnWhat?

Re-recording Mixer - Rumored

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Ad Astra | ShotOnWhat?

Re-recording Mixer

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Avengers: Endgame | ShotOnWhat?

Re-recording Mixer

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Re-recording Mixer

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Lost City of Z | ShotOnWhat?

Re-recording Mixer

The Lost City of Z (2016)

Directed by: James Gray

Cinematography by: Darius Khondji

Edited by: John Axelrad, Lee Haugen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses

Doctor Strange | ShotOnWhat?

Re-recording Mixer

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Captain America: Civil War | ShotOnWhat?

Re-recording Mixer

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Inside Out | ShotOnWhat?

Re-recording Mixer

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Captain America: The Winter Soldier | ShotOnWhat?

Re-recording Mixer

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Big Eyes | ShotOnWhat?

Re-recording Mixer

Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Despicable Me 2 | ShotOnWhat?

Re-recording Mixer

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Blood Ties | ShotOnWhat?

Re-recording Mixer

Blood Ties (2013)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

John Carter | ShotOnWhat?

Re-recording Mixer

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Dark Shadows | ShotOnWhat?

Re-recording Mixer

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Frankenweenie | ShotOnWhat?

Re-recording Mixer

Frankenweenie (2012)

Directed by: Tim Burton

Cinematography by: Peter Sorg

Edited by: Chris Lebenzon, Mark Solomon

Cameras: Canon EOS-5D Mark II Camera

Editing System: Avid Editing System

Brave | ShotOnWhat?

Re-recording Mixer

Brave (2012)

Directed by: Mark Andrews, Brenda Chapman, Steve Purcell

Edited by: Nicholas C. Smith

Super 8 | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

War Horse | ShotOnWhat?

Re-recording Mixer

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Hop | ShotOnWhat?

Re-recording Mixer: The Lot Stage A Hollywood

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Wuthering Heights | ShotOnWhat?

Re-recording Mixer

Wuthering Heights (2011)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

The Beaver | ShotOnWhat?

Re-recording Mixer

The Beaver (2011)

Directed by: Jodie Foster

Cinematography by: Hagen Bogdanski

Edited by: Lynzee Klingman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses

Drive Angry | ShotOnWhat?

Re-recording Mixer

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Alice in Wonderland | ShotOnWhat?

Re-recording Mixer

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Conspirator | ShotOnWhat?

Re-recording Mixer

The Conspirator (2010)

Directed by: Robert Redford

Cinematography by: Newton Thomas Sigel

Edited by: Craig McKay

Coraline | ShotOnWhat?

Re-recording Mixer

Coraline (2009)

Directed by: Henry Selick

Cinematography by: Pete Kozachik

Edited by: Christopher Murrie, Ronald Sanders

Cameras: Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Editing System: Avid Editing System

The Private Lives of Pippa Lee | ShotOnWhat?

Recording Mixer / Sound Effects Editor

The Private Lives of Pippa Lee (2009)

Directed by: Rebecca Miller

Cinematography by: Declan Quinn

Edited by: Sabine Hoffman

Where the Wild Things Are | ShotOnWhat?

Additional Re-recording Mixer

Where the Wild Things Are (2009)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Two Lovers | ShotOnWhat?

Re-recording Mixer

Two Lovers (2008)

Directed by: James Gray

Cinematography by: Joaquín Baca-Asay

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Anton | ShotOnWhat?

Re-recording Mixer

Anton (2008)

Directed by: Graham Cantwell

Cinematography by: Fergal O'Hanlon

Edited by: Breege Rowley

Beowulf | ShotOnWhat?

Re-recording Mixer

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Sweeney Todd: The Demon Barber of Fleet Street | ShotOnWhat?

Re-recording Mixer

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Water Horse | ShotOnWhat?

Re-recording Mixer

The Water Horse (2007)

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

There Will Be Blood | ShotOnWhat?

Re-recording Mixer

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Zidane, un portrait du 21e siècle | ShotOnWhat?

Re-recording Mixer

Zidane, un portrait du 21e siècle (2006)

Directed by: Douglas Gordon, Philippe Parreno

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Children of Men | ShotOnWhat?

Re-recording Mixer

Children of Men (2006)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Alex Rodríguez

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Charlie and the Chocolate Factory | ShotOnWhat?

Re-recording Mixer

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

King Kong | ShotOnWhat?

Re-recording Mixer

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Breakfast on Pluto | ShotOnWhat?

Re-recording Mixer

Breakfast on Pluto (2005)

Directed by: Neil Jordan

Cinematography by: Declan Quinn

Edited by: Tony Lawson

Harry Potter and the Goblet of Fire | ShotOnWhat?

Re-recording Mixer

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Hotel Rwanda | ShotOnWhat?

Re-recording Mixer

Hotel Rwanda (2004)

Directed by: Terry George

Cinematography by: Robert Fraisse

Edited by: Naomi Geraghty

The Polar Express | ShotOnWhat?

Re-recording Mixer

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Million Dollar Baby | ShotOnWhat?

Re-recording Mixer

Million Dollar Baby (2004)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

In My Country | ShotOnWhat?

Re-recording Mixer

In My Country (2004)

Directed by: John Boorman

Cinematography by: Seamus Deasy

Edited by: Ron Davis

Peter Pan | ShotOnWhat?

Supervising Sound Mixer

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Dead Bodies | ShotOnWhat?

Re-recording Mixer

Dead Bodies (2003)

Directed by: Robert Quinn

Cinematography by: Donal Gilligan

Edited by: Dermot Diskin

The Ring | ShotOnWhat?

Re-recording Mixer

The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Maid in Manhattan | ShotOnWhat?

Re-recording Mixer

Maid in Manhattan (2002)

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

Blood Work | ShotOnWhat?

Re-recording Mixer

Blood Work (2002)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Bandits | ShotOnWhat?

Re-recording Mixer

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

The Tailor of Panama | ShotOnWhat?

Re-recording Mixer

The Tailor of Panama (2001)

Directed by: John Boorman

Cinematography by: Philippe Rousselot

Edited by: Ron Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Cast Away | ShotOnWhat?

Re-recording Mixer

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Requiem for a Dream | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Requiem for a Dream (2000)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Jay Rabinowitz

Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

What Lies Beneath | ShotOnWhat?

Re-recording Mixer

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

The Yards | ShotOnWhat?

Re-recording Mixer

The Yards (2000)

Directed by: James Gray

Cinematography by: Harris Savides

Edited by: Jeffrey Ford

A Midsummer Night's Dream | ShotOnWhat?

Re-recording Mixer

A Midsummer Night's Dream (1999)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Galaxy Quest | ShotOnWhat?

Re-recording Mixer

Galaxy Quest (1999)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Re-Recording Mixer

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

The Horse Whisperer | ShotOnWhat?

Re-recording Mixer

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Sphere | ShotOnWhat?

Re-recording Mixer

Sphere (1998)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

Wag the Dog | ShotOnWhat?

Re-recording Mixer

Wag the Dog (1997)

Directed by: Barry Levinson

Cinematography by: Robert Richardson

Edited by: Stu Linder

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hercules | ShotOnWhat?

Re-recording Mixer

Hercules (1997)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

Contact | ShotOnWhat?

Re-Recording Mixer

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Titanic | ShotOnWhat?

Re-recording Mixer

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Jack | ShotOnWhat?

Rerecording Mixer

Jack (1996)

Directed by: Francis Ford Coppola

Cinematography by: John Toll

Edited by: Barry Malkin

Cameras: Panavision Cameras

One Fine Day | ShotOnWhat?

Re-recording Mixer

One Fine Day (1996)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Stealing Beauty | ShotOnWhat?

Re-recording Mixer

Stealing Beauty (1996)

Directed by: Bernardo Bertolucci

Cinematography by: Darius Khondji

Edited by: Pietro Scalia

Home for the Holidays | ShotOnWhat?

Re-recording Mixer

Home for the Holidays (1995)

Directed by: Jodie Foster

Cinematography by: Lajos Koltai

Edited by: Lynzee Klingman

Strange Days | ShotOnWhat?

Re-recording Mixer

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

Quiz Show | ShotOnWhat?

Re-recording Mixer

Quiz Show (1994)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Stu Linder

Cameras: ARRIFLEX 35mm Cameras

Forrest Gump | ShotOnWhat?

Re-recording Mixer

Forrest Gump (1994)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Rising Sun | ShotOnWhat?

Re-recording Mixer

Rising Sun (1993)

Directed by: Philip Kaufman

Cinematography by: Michael Chapman

Edited by: Stephen A. Rotter, William S. Scharf

The Meteor Man | ShotOnWhat?

Re-recording Mixer

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

Mrs. Doubtfire | ShotOnWhat?

Re-recording Mixer

Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Toys | ShotOnWhat?

Re-recording Mixer

Toys (1992)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

Single White Female | ShotOnWhat?

Re-recording Mixer

Single White Female (1992)

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

A River Runs Through It | ShotOnWhat?

Re-recording Mixer

A River Runs Through It (1992)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Robert Estrin, Lynzee Klingman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Backdraft | ShotOnWhat?

Re-recording Mixer

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Terminator 2: Judgment Day | ShotOnWhat?

Re-recording Mixer

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Soapdish | ShotOnWhat?

Re-recording Mixer

Soapdish (1991)

Directed by: Michael Hoffman

Cinematography by: Ueli Steiger

Edited by: Garth Craven

Bugsy | ShotOnWhat?

Re-recording Mixer

Bugsy (1991)

Directed by: Barry Levinson

Cinematography by: Allen Daviau

Edited by: Christopher Holmes, Stu Linder

The Hot Spot | ShotOnWhat?

Re-recording Mixer

The Hot Spot (1990)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Wende Phifer Mate

Willow | ShotOnWhat?

Adr Recordist / Foley Recordist

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Dirty Rotten Scoundrels | ShotOnWhat?

Re-recording Mixer

Dirty Rotten Scoundrels (1988)

Directed by: Frank Oz

Cinematography by: Michael Ballhaus

Edited by: Stephen A. Rotter, William S. Scharf

Spaceballs | ShotOnWhat?

Foley Recordist

Spaceballs (1987)

Directed by: Mel Brooks

Cinematography by: Nick McLean

Edited by: Conrad Buff IV

Indiana Jones and the Temple of Doom | ShotOnWhat?

Audio Technician, Sound Engineer

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Audio Engineer

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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