Head Of Lidar: Clear Angle Studios
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Head Of Lidar: Clear Angle Studios
'Game of Thrones' The Iron Throne (2019)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Head Of Lidar: Clear Angle Studios
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Head Of Lidar: Clear Angle Studios
'Game of Thrones' The Last of the Starks (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Katie Weiland
Head Of Lidar: Clear Angle Studios
'Game of Thrones' The Long Night (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Head Of Lidar: Clear Angle Studios
'Game of Thrones' A Knight of the Seven Kingdoms (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Head Of Lidar: Clear Angle Studios
'Game of Thrones' Winterfell (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Head Of Lidar: Clear Angle Studios
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Head Of Lidar: Clear Angle Studios
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Head Of Lidar: Clear Angle Studios
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Head Of Lidar: Clear Angle Studios
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Head Of Lidar: Clear Angle Studios Clear Angle Studios
Bohemian Rhapsody (2018)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Editing System: Avid Editing System
Head Of Lidar: Clear Angle Studios
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Head Of Lidar: Clear Angle Studios
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Scanning Supervisor
Isle of Dogs (2018)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Canon EOS-1DX Camera
Head Of Lidar: Clear Angle Studios
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Scanning Technician
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Head Of Lidar: Clear Angle Studios
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Head Of Lidar: Clear Angle Studios
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Lidar Superivsor
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Lidar Supervisor / Lidar Technician
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
3D Scanning Supervisor
'The Grand Tour' Dumb Fight at the O.K. Coral (2017)
Cinematography by: Ben Joiner
Edited by: Chris Denton
3D Scanning Supervisor
'The Grand Tour' Italian Lessons (2017)
Directed by: Phil Churchward
Cinematography by: Ben Joiner
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3D Scanning Supervisor
'The Grand Tour' [censored] to [censored] (2017)
Cinematography by: Ben Joiner
3D Scanning Supervisor
'The Grand Tour' Past v Future (2017)
Cinematography by: Ben Joiner
Edited by: Stephen Bainbridge, Chris Denton, Steve Flatt, James Hart, Adam Hutchings, Dan James, Tom Rich, Mark Roverts
Photogrammetry Technician
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Head Of Lidar: Clear Angle Studios
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Lidar Scanning Supervisor
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Head Of Lidar: Clear Angle Studios
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Cyber Scanning Technician
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Lidar And Photogrammetry Supervisor
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Lidar Supervisor
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Cyber Scanning Technician
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Lidar And Cyber Supervisor
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Cyber Scanning Technician
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Head Of Lidar: Clear Angle Studios / Lidar And Cyber Lead
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
3D Scanning Supervisor - 13 Episodes, 2016-2017
The Grand Tour (2016)
Edited by: Chris Denton, James Hart, Dan James, Adam Hutchings, Steve Flatt, Stephen Bainbridge, Chris Denton, Tom Rich, Mark Roverts
Lenses: ARRI / Fujinon Lenses, Canon Lenses
3D Scanning Supervisor
'The Grand Tour' The Beach (Buggy) Boys - Part 2 (2016)
Cinematography by: Ben Joiner
Edited by: James Hart
3D Scanning Supervisor
'The Grand Tour' Happy Finnish Christmas (2016)
Cinematography by: Ben Joiner
3D Scanning Supervisor
'The Grand Tour' The Beach (Buggy) Boys - Part 1 (2016)
Cinematography by: Ben Joiner
Edited by: James Hart
3D Scanning Supervisor
'The Grand Tour' Operation Desert Stumble (2016)
Cinematography by: Ben Joiner
3D Scanning Supervisor
'The Grand Tour' The Holy Trinity (2016)
Directed by: Phil Churchward
Cinematography by: Ben Joiner
Visual Effects
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Cyber Scanning Technician
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Photogrammetry Supervisor
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Cyber And Lidar Scanning Supervisor
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Lidar Supervisor
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Lidar Supervisor
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Cyber Scanning Technician
Eddie the Eagle (2015)
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Martin Walsh
Lidar Scanning Technician / Visual Effects Set Surveyor
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Cyber Scanning Technician
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
VFX Lead
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lidar Supervisor
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Lidar Supervisor
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Lidar And Cyber Technician
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Visual Effects
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Vfx Lidar Lead
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Lidar And Cyber Supervisor
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
3D Scanning Supervisor
'Doctor Who' Death in Heaven (2014)
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
3D Scanning Supervisor
'Doctor Who' In the Forest of the Night (2014)
Directed by: Sheree Folkson
Cinematography by: Mark Garrett
Edited by: Lucien Clayton
3D Scanning Supervisor
'Doctor Who' Dark Water (2014)
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
3D Scanning Supervisor
'Doctor Who' Flatline (2014)
Directed by: Douglas Mackinnon
Cinematography by: Nic Morris
Edited by: Philip Hookway
3D Scanning Supervisor
'Doctor Who' Mummy on the Orient Express (2014)
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
3D Scanning Supervisor
'Doctor Who' Kill the Moon (2014)
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
3D Scanning Supervisor
'Doctor Who' The Caretaker (2014)
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
3D Scanning Supervisor
'Doctor Who' Time Heist (2014)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
3D Scanning Supervisor
'Doctor Who' Listen (2014)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
3D Scanning Supervisor
'Doctor Who' Robot of Sherwood (2014)
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
3D Scanning Supervisor
'Doctor Who' Into the Dalek (2014)
Directed by: Ben Wheatley
Cinematography by: G. Magni Ágústsson
Edited by: William Oswald
3D Scanning Supervisor
'Doctor Who' Deep Breath (2014)
Directed by: Ben Wheatley
Cinematography by: G. Magni Ágústsson
Edited by: William Oswald
Cyber And Lidar Tech
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Vfx Lead
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Vfx Cyber Lead
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lidar Technician
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Visual Effects
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Visual Effects
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cyber Scanning Technician
Kick-Ass 2 (2013)
Directed by: Jeff Wadlow
Cinematography by: Tim Maurice-Jones
Edited by: Eddie Hamilton
Lidar Supervisor: Plowman Craven
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Lidar Tech
Under the Skin (2013)
Directed by: Jonathan Glazer
Cinematography by: Daniel Landin
Edited by: Paul Watts
Cameras: ARRI ALEXA Plus Camera, one-cam Camera
Lidar And Cyber Tech
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Lidar And Cyber Lead
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects
Grabbers (2012)
Directed by: Jon Wright
Cinematography by: Trevor Forrest
Edited by: Matt Platts-Mills
Lidar And Cyber Tech
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Lider Scanning Technician
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Cyber Lead
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Visual Effects
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Lidar & Cyber Supervisor
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Lidar And Cyber Tech
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Cyber Tech
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Lidar And Cyber Tech
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Lidar And Cyber Technician
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Lidar Technician / Head Of Lidar: Clear Angle Studios - 13 Episodes, 2011-2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Lidar Technician
'Game of Thrones' Fire and Blood (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Lidar Technician
'Game of Thrones' Baelor (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Lidar Technician
'Game of Thrones' The Pointy End (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Lidar Technician
'Game of Thrones' You Win or You Die (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Lidar Technician
'Game of Thrones' A Golden Crown (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Lidar Technician
'Game of Thrones' The Wolf and the Lion (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
Lidar Technician
'Game of Thrones' Cripples, Bastards, and Broken Things (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
3D Scanning Supervisor - 12 Episodes, 2014
Doctor Who (2005)
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
