Adr Mixer
Jayne Mansfield's Car (2012)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Adr Mixer
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Adr Mixer
Trade of Innocents (2012)
Directed by: Christopher M. Bessette
Cinematography by: Philip Hurn
Edited by: Diane Brunjes
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Adr Mixer
Circumstance (2011)
Directed by: Maryam Keshavarz
Cinematography by: Brian Rigney Hubbard
Edited by: Andrea Chignoli
Adr Mixer
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Adr Mixer
The Darkest Hour (2011)
Directed by: Chris Gorak
Cinematography by: Scott Kevan
Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Adr Mixer: Todd-AO Hollywood
Jeff, Who Lives at Home (2011)
Cinematography by: Jas Shelton
Edited by: Jay Deuby
Cameras: Red One MX Camera
Adr Mixer
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Adr Mixer
The Last Godfather (2010)
Directed by: Hyung-rae Shim
Cinematography by: Mark Irwin
Edited by: Jeff Freeman
Adr Mixer
Smokin' Aces 2: Assassins' Ball (2010)
Directed by: P.J. Pesce
Cinematography by: David Geddes
Edited by: Angela M. Catanzaro
Cameras: Panavision Genesis Camera
Adr Mixer
I Love You, Man (2009)
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Adr Mixer
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
Friday the 13th (2009)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Ken Blackwell
Adr Mixer
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Adr Mixer
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Adr Mixer
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Adr Mixer
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Adr Mixer
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Adr Mixer
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Adr Mixer
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Adr Mixer
Then She Found Me (2007)
Directed by: Helen Hunt
Cinematography by: Peter Donahue
Edited by: Pam Wise
Adr Mixer
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Adr Mixer
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Adr Mixer
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Adr Mixer
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Adr Mixer
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Adr Mixer
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Adr Mixer
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Adr Mixer
'The Sopranos' Walk Like a Man (2007)
Directed by: Terence Winter
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Adr Mixer
'The Sopranos' Stage 5 (2007)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Adr Mixer
'The Sopranos' The Blue Comet (2007)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Edited by: William B. Stich
Adr Mixer
Peaceful Warrior (2006)
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Adr Mixer
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
Adr Engineer: Todd-AO Studios
Walkout (2006)
Directed by: Edward James Olmos
Cinematography by: Donald M. Morgan
Edited by: Michael McCusker
Adr Mixer
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Original Dialogue Recordist
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Adr Mixer
'The Sopranos' Mr. & Mrs. John Sacrimoni Request (2006)
Directed by: Steve Buscemi
Cinematography by: Phil Abraham
Edited by: William B. Stich
Adr Mixer
'The Sopranos' Join the Club (2006)
Directed by: David Nutter
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Adr Mixer
'The Sopranos' Members Only (2006)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Adr Mixer
Rumor Has It... (2005)
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Adr Mixer
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Adr Mixer
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Adr Mixer
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Adr Recordist
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Adr Mixer
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Adr Mixer
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Adr Mixer
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Adr Mixer
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Adr Mixer
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Adr Mixer
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Adr Mixer
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Adr Mixer
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Adr Mixer
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Adr Mixer
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Adr Mixer
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Adr Mixer
'The Sopranos' All Due Respect (2004)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Adr Mixer
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Adr Mixer
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Adr Mixer
Monster (2003)
Directed by: Patty Jenkins
Cinematography by: Steven Bernstein
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Adr Mixer
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Adr Mixer
City by the Sea (2002)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Adr Mixer
'The Sopranos' No Show (2002)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Adr Mixer
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Adr Mixer
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Adr Mixer
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Adr Mixer
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Adr Mixer
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Adr Mixer
'The Sopranos' Amour Fou (2001)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Adr Mixer
'The Sopranos' Army of One (2001)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Adr Mixer
'The Sopranos' The Telltale Moozadell (2001)
Directed by: Daniel Attias
Cinematography by: Phil Abraham
Edited by: William B. Stich
Adr Mixer
'The Sopranos' Pine Barrens (2001)
Directed by: Steve Buscemi
Cinematography by: Phil Abraham
Edited by: Conrad M. Gonzalez
Adr Mixer
'The Sopranos' To Save Us All from Satan's Power (2001)
Directed by: Jack Bender
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Adr Mixer
'The Sopranos' He Is Risen (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Adr Mixer
'The Sopranos' University (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Adr Mixer
'The Sopranos' Second Opinion (2001)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Adr Mixer
'The Sopranos' Another Toothpick (2001)
Directed by: Jack Bender
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Adr Mixer
'The Sopranos' Mr. Ruggerio's Neighborhood (2001)
Directed by: Allen Coulter
Cinematography by: Alik Sakharov
Edited by: Conrad M. Gonzalez
Adr Mixer
'The Sopranos' Proshai, Livushka (2001)
Directed by: Timothy Van Patten
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Adr Mixer
'The Sopranos' Fortunate Son (2001)
Directed by: Henry Bronchtein
Cinematography by: Alik Sakharov
Edited by: William B. Stich
Adr Mixer
'The Sopranos' Employee of the Month (2001)
Directed by: John Patterson
Cinematography by: Alik Sakharov
Edited by: Sidney Wolinsky
Adr Recordist
The Extreme Adventures of Super Dave (2000)
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Adr Mixer
Best in Show (2000)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton Cameras
Adr Mixer
'The Sopranos' Funhouse (2000)
Directed by: John Patterson
Cinematography by: Phil Abraham
Edited by: Sidney Wolinsky
Adr Mixer
'The Sopranos' The Knight in White Satin Armor (2000)
Directed by: Allen Coulter
Cinematography by: Phil Abraham
Edited by: William B. Stich
Adr Mixer
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Adr Mixer
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Adr Mixer - 23 Episodes, 2000-2007
The Sopranos (1999)
Directed by: Timothy Van Patten, John Patterson, Allen Coulter, Alan Taylor, Henry Bronchtein, Jack Bender, Steve Buscemi, Daniel Attias, David Chase, Nick Gomez, Matthew Penn, Lorraine Senna, Andy Wolk, Martin Bruestle, Lee Tamahori, James Hayman, Peter Bogdanovich, Mike Figgis, Rodrigo García, Danny Leiner, David Nutter, Steve Shill, Phil Abraham, Terence Winter
Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Adr Mixer
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Adr Mixer: Los Angeles / Foley Mixer: Los Angeles
It All Came True (1998)
Directed by: Peter Yates
Cinematography by: Sven Nykvist
Edited by: Hughes Winborne
Adr Mixer
The Patriot (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
Adr Recording Mixer
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Adr Mixer
Best Men (1997)
Directed by: Tamra Davis
Cinematography by: James Glennon
Edited by: Paul Trejo
Cameras: Panavision Cameras
Adr Mixer
Waiting for Guffman (1996)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Andy Blumenthal
Cameras: Aaton Cameras, Aaton XTR Prod Camera
Adr Mixer: Los Angeles
Get on the Bus (1996)
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Adr Mixer
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Adr Mixer
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Adr Mixer / Foley Mixer
SubUrbia (1996)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Adr Mixer
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Adr Mixer / Foley Mixer
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Adr Mixer
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Adr Mixer
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Foley Mixer
The Usual Suspects (1995)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer / Foley Mixer
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Adr Mixer
Babe (1995)
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Adr Mixer / Foley Mixer
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Adr Mixer
Houseguest (1995)
Directed by: Randall Miller
Cinematography by: Jerzy Zielinski
Edited by: Eric A. Sears
Adr Mixer
Bad Girls (1994)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Adr Mixer
A Low Down Dirty Shame (1994)
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
Adr Mixer
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Adr Mixer
The Wrong Man (1993)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Lisa Zeno Churgin
Adr Mixer
Robin Hood: Men in Tights (1993)
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Adr Re-recordist
The Piano (1993)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Adr Mixer
King of the Hill (1993)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Steven Soderbergh
Cameras: Panavision Cameras
Adr Mixer
Judgment Night (1993)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Adr Recordist
Stay Tuned (1992)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
A River Runs Through It (1992)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Salmonberries (1991)
Directed by: Percy Adlon
Cinematography by: Newton Thomas Sigel
Edited by: Conrad M. Gonzalez
Adr Mixer
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Adr Mixer
The Indian Runner (1991)
Directed by: Sean Penn
Cinematography by: Anthony B. Richmond
Edited by: Jay Cassidy
Adr Mixer
New Jack City (1991)
Directed by: Mario Van Peebles
Cinematography by: Francis Kenny
Edited by: Steven Kemper
Cameras: Panavision Cameras
Foley Mixer
Welcome Home, Roxy Carmichael (1990)
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green
Adr Mixer
Catchfire (1990)
Cinematography by: Edward Lachman
Edited by: David Rawlins
Cameras: Cinerama Camera, Moviecam Cameras
Foley Mixer
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Foley Mixer
Edward Scissorhands (1990)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Immediate Family (1989)
Directed by: Jonathan Kaplan
Cinematography by: John Lindley
Edited by: Jane Kurson
Adr Mixer
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Adr Mixer
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Adr Mixer - Special Version
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Adr Mixer / Foley Mixer
DeepStar Six (1989)
Directed by: Sean S. Cunningham
Cinematography by: Mac Ahlberg
Edited by: David Handman
Adr Mixer
K-9 (1989)
Directed by: Rod Daniel
Cinematography by: Dean Semler
Edited by: Lois Freeman-Fox
Foley Mixer
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Adr Mixer / Foley Mixer
Hot Pursuit (1987)
Directed by: Steven Lisberger
Cinematography by: Frank Tidy
Edited by: Mitchell Sinoway
Adr Recordist / Foley Recordist
The Hitcher (1986)
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Adr Mixer / Foley Mixer
Moving Violations (1985)
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls
Adr Mixer / Foley Mixer
D.C. Cab (1983)
Directed by: Joel Schumacher
Cinematography by: Dean Cundey
Edited by: David E. Blewitt
Re-recording Mixer
Callie & Son (1981)
Directed by: Waris Hussein
Cinematography by: Dennis Dalzell
Edited by: Ronald J. Fagan