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Dan Feinstein

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Compositor: Scanline VFX

King Arthur: Legend of the Sword  (2017)

| USA, UK
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert

Compositor: Scanline VFX

Furious 7  (2015)

| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cinematography by: Marc Spicer, Stephen F. Windon
Lenses: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Digital Compositor: Sony Imageworks

The Smurfs 2  (2013)

| USA, France, Canada, Belgium
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco

Digital Artist: ILM

Surrogates  (2009)

| USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt

Digital Artist: ILM

The Love Guru  (2008)

| UK, Germany, USA
Directed by: Marco Schnabel
Cinematography by: Peter Deming

Digital Paint And Rotoscope Artist: ILM

Eragon  (2006)

| USA, UK, Hungary
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson

Digital Paint And Rotoscope Artist

Sky Captain and the World of Tomorrow  (2004)

| USA, UK, Italy
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco

Digital Paint And Roto Artist: ILM

Timeline  (2003)

| USA
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks

Rotoscope Artist: Tippett Studio

Blade II  (2002)

| Germany, USA
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson

Rotoscoper: Tippett Studio

The Santa Clause 2  (2002)

| USA
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer

Lead Rotoscope Artist

Evolution  (2001)

| USA
Directed by: Ivan Reitman
Cinematography by: Michael Chapman