Steve Boeddeker

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Black Panther: Wakanda Forever | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Nun | ShotOnWhat?

Sound Designer

The Nun (2018)

Directed by: Corin Hardy

Cinematography by: Maxime Alexandre

Edited by: Michel Aller, Ken Blackwell

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Black Panther | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor, Sound Designer

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Allegiant | ShotOnWhat?

Re-recording Mixer: Skywalker Sound / Sound Designer

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Creed | ShotOnWhat?

Re-recording Mixer / Sound Designer

Creed (2015)

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Bridge of Spies | ShotOnWhat?

Additional Re-recording Mixer / Sound Designer

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Chappie | ShotOnWhat?

Re-recording Mixer

Chappie (2015)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Maleficent | ShotOnWhat?

Original Sound Designer

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

A Most Violent Year | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

A Most Violent Year (2014)

Directed by: J.C. Chandor

Cinematography by: Bradford Young

Edited by: Ron Patane

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Editing System: Final Cut Pro Editing System

I Origins | ShotOnWhat?

Re-recording Mixer / Sound Designer & Supervising Sound Editor

I Origins (2014)

Directed by: Mike Cahill

Cinematography by: Markus Förderer

Edited by: Mike Cahill

Cameras: Red Epic Camera

Now You See Me | ShotOnWhat?

Re-recording Mixer / Sound Designer

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

All Is Lost | ShotOnWhat?

Sound Designer & Re-recording Mixer / Supervising Sound Editor, Sound Effects Recordist

All Is Lost (2013)

Directed by: J.C. Chandor

Cinematography by: Frank G. DeMarco, Peter Zuccarini

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

LUV | ShotOnWhat?

Sound Designer

LUV (2012)

Directed by: Sheldon Candis

Cinematography by: Gavin Kelly

Edited by: Jeff Wishengrad

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses

ParaNorman | ShotOnWhat?

Sound Designer

ParaNorman (2012)

Directed by: Chris Butler, Sam Fell

Cinematography by: Tristan Oliver

Edited by: Christopher Murrie

Cameras: Canon EOS-5D Mark II Camera

Lenses: Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Beasts of the Southern Wild | ShotOnWhat?

Sound Design And Sound Effects Editor / Re-recording Mixer

Beasts of the Southern Wild (2012)

Directed by: Benh Zeitlin

Cinematography by: Ben Richardson

Edited by: Crockett Doob, Affonso Gonçalves

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Super Speed Lenses

Editing System: Avid Editing System

The Company You Keep | ShotOnWhat?

Re Recording Mixer / Sound Designer

The Company You Keep (2012)

Directed by: Robert Redford

Cinematography by: Adriano Goldman

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera

Lincoln | ShotOnWhat?

Additional Re-recording Mixer: Skywalker Sound

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Hemingway & Gellhorn | ShotOnWhat?

Sound Effects Editor

Hemingway & Gellhorn (2012)

Television Movie

Directed by: Philip Kaufman

Cinematography by: Rogier Stoffers

Edited by: Walter Murch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

The Avengers | ShotOnWhat?

Foley Editor , Sound Effects Editor

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Killer Joe | ShotOnWhat?

Sound Designer

Killer Joe (2011)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Darrin Navarro

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Drive Angry | ShotOnWhat?

Sound Designer

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Alice in Wonderland | ShotOnWhat?

Sound Designer / Supervising Sound Editor

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

Sound Designer

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

My Bloody Valentine | ShotOnWhat?

Sound Designer

My Bloody Valentine (2009)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Cynthia Ludwig, Patrick Lussier

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Coraline | ShotOnWhat?

Fx Editor

Coraline (2009)

Directed by: Henry Selick

Cinematography by: Pete Kozachik

Edited by: Christopher Murrie, Ronald Sanders

Cameras: Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Editing System: Avid Editing System

The Eye | ShotOnWhat?

Additional Sound Design

The Eye (2008)

Directed by: David Moreau, Xavier Palud

Cinematography by: Jeffrey Jur

Edited by: Patrick Lussier

The Kite Runner | ShotOnWhat?

Sound Designer

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Sweeney Todd: The Demon Barber of Fleet Street | ShotOnWhat?

Sound Designer

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lady in the Water | ShotOnWhat?

Sound Designer

Lady in the Water (2006)

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

Bug | ShotOnWhat?

Sound Designer

Bug (2006)

Directed by: William Friedkin

Cinematography by: Michael Grady

Edited by: Darrin Navarro

Bobby | ShotOnWhat?

Sound Designer: Additional

Bobby (2006)

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Corpse Bride | ShotOnWhat?

Sound Designer

Corpse Bride (2005)

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

Charlie and the Chocolate Factory | ShotOnWhat?

Sound Designer

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hellboy | ShotOnWhat?

Sound Designer

Hellboy (2004)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson

The Village | ShotOnWhat?

Supervising Sound Editor & Sound Design / Supervising Sound Editor

The Village (2004)

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Starship Troopers 2: Hero of the Federation | ShotOnWhat?

Sound Design And Supervising Sound Editor / Re-recording Mixer

Starship Troopers 2: Hero of the Federation (2004)

Direct to Video

Directed by: Phil Tippett

Cinematography by: Christian Sebaldt

Edited by: Louise Rubacky

Cameras: Panasonic AJ-HDC27 Varicam Camera

The Hunted | ShotOnWhat?

Sound Designer

The Hunted (2003)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Daredevil | ShotOnWhat?

Sound Designer

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Lara Croft Tomb Raider: The Cradle of Life | ShotOnWhat?

Sound Designer & Supervising Sound Editor / Supervising Sound Editor

Lara Croft Tomb Raider: The Cradle of Life (2003)

Directed by: Jan de Bont

Cinematography by: David Tattersall

Edited by: Michael Kahn

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hart's War | ShotOnWhat?

Re-recording Sound Mixer

Hart's War (2002)

Directed by: Gregory Hoblit

Cinematography by: Alar Kivilo

Edited by: David Rosenbloom

Monkeybone | ShotOnWhat?

Sound Designer: Skywalker Sound

Monkeybone (2001)

Directed by: Henry Selick

Cinematography by: Andrew Dunn

Edited by: Jon Poll, Nicholas C. Smith, Mark Warner

From Hell | ShotOnWhat?

Sound Designer

From Hell (2001)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Peter Deming

Edited by: George Bowers, Dan Lebental

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Lara Croft: Tomb Raider | ShotOnWhat?

Sound Designer / Supervising Sound Editor

Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rules of Engagement | ShotOnWhat?

Sound Designer / Supervising Sound Editor

Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

X-Men | ShotOnWhat?

Sound Designer

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Dogma | ShotOnWhat?

Composer: Additional Music

Dogma (1999)

Directed by: Kevin Smith

Cinematography by: Robert D. Yeoman

Edited by: Scott Mosier, Kevin Smith

Fight Club | ShotOnWhat?

Sound Effects Editor

Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The 13th Warrior | ShotOnWhat?

Sound Fx Editor

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Faculty | ShotOnWhat?

Sound Designer

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Armageddon | ShotOnWhat?

Sound Effects Editor

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

54 | ShotOnWhat?

Sound Designer

54 (1998)

Directed by: Mark Christopher

Cinematography by: Alexander Gruszynski

Edited by: Lee Percy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Horse Whisperer | ShotOnWhat?

Sound Designer

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Halloween H20: 20 Years Later | ShotOnWhat?

Sound Designer

Halloween H20: 20 Years Later (1998)

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Patrick Lussier

The Game | ShotOnWhat?

Conforming Editor

The Game (1997)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

Contact | ShotOnWhat?

Sound Effects Editor

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Mimic | ShotOnWhat?

Sound: Design

Mimic (1997)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Peter Devaney Flanagan, Patrick Lussier

Chain Reaction | ShotOnWhat?

Assistant Sound Designer

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Mars Attacks! | ShotOnWhat?

Assistant Sound Designer

Mars Attacks! (1996)

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

The Frighteners | ShotOnWhat?

Assistant Sound Designer , Sound Effects Editor

The Frighteners (1996)

Directed by: Peter Jackson

Cinematography by: John Blick, Alun Bollinger

Edited by: Jamie Selkirk

Se7en | ShotOnWhat?

Assistant Sfx Editor, Assistant Sound Designer

Se7en (1995)

Directed by: David Fincher

Cinematography by: Darius Khondji

Edited by: Richard Francis-Bruce

Cameras: Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

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