Compositing Supervisor
'The Librarians' And the Loom of Fate (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'The Librarians' And the City of Light (2015)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Chris A. Peterson
Compositing Supervisor
'The Librarians' And the Heart of Darkness (2015)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Chris A. Peterson
Compositing Supervisor
'The Librarians' And the Rule of Three (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'The Librarians' And the Fables of Doom (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Chris A. Peterson
Compositing Supervisor - 10 Episodes, 2014-2015
The Librarians (2014)
Directed by: Marc Roskin, Jonathan Frakes, Dean Devlin, Noah Wyle, Rod Hardy, John Harrison, Emile B. Levisetti, Tawnia McKiernan, Courtney Rowe, Eriq La Salle, Nina Lopez-Corrado, Lindy Booth, Valerie Weiss
Cinematography by: David Connell
Cameras: Red Epic Dragon Camera, Red One MX Camera
Editing System: Final Cut Pro Editing System
Compositing Supervisor
'The Librarians' And the Apple of Discord (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'The Librarians' And Santa's Midnight Run (2014)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'The Librarians' And the Horns of a Dilemma (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'The Librarians' And the Sword in the Stone (2014)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'The Librarians' And the Crown of King Arthur (2014)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Toy Job (2012)
Directed by: Jonathan Frakes
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Corkscrew Job (2012)
Directed by: Marc Roskin
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The White Rabbit Job (2012)
Directed by: P.J. Pesce
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Low Low Price Job (2012)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Frame-Up Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Real Fake Car Job (2012)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Rundown Job (2012)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Broken Wing Job (2012)
Directed by: John Harrison
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The D.B. Cooper Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Gimme a K Street Job (2012)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The French Connection Job (2012)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Blue Line Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Compositing Supervisor
'Leverage' The First Contact Job (2012)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The (Very) Big Bird Job (2012)
Directed by: John Rogers
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Gold Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Radio Job (2012)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Last Dam Job (2012)
Directed by: Dean Devlin
Cinematography by: David Connell
Compositing Supervisor
'Leverage' The Lonely Hearts Job (2011)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Girls' Night Out Job (2011)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Office Job (2011)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Experimental Job (2011)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Queen's Gambit Job (2011)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Cross My Heart Job (2011)
Directed by: P.J. Pesce
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Boiler Room Job (2011)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Grave Danger Job (2011)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Carnival Job (2011)
Directed by: Frank Oz
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Hot Potato Job (2011)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Van Gogh Job (2011)
Directed by: John Rogers
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The 15 Minutes Job (2011)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The 10 Li'l Grifters Job (2011)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Long Way Down Job (2011)
Directed by: Dean Devlin
Cinematography by: Alan Caso
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The San Lorenzo Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Ho Ho Ho Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Big Bang Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Compositing Supervisor
'Leverage' The Morning After Job (2010)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The King George Job (2010)
Directed by: Millicent Shelton
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Rashomon Job (2010)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Underground Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Three-Card Monte Job (2010)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Boost Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Studio Job (2010)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Compositing Supervisor
'Leverage' The Gone Fishin' Job (2010)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Scheherazade Job (2010)
Directed by: Peter Winther
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Double Blind Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Inside Job (2010)
Directed by: John Rogers
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Reunion Job (2010)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Jailhouse Job (2010)
Directed by: Dean Devlin
Cinematography by: David Connell
Compositing Supervisor
'Leverage' The Maltese Falcon Job (2010)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Future Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Three Strikes Job (2010)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Zanzibar Marketplace Job (2010)
Directed by: Jeremiah S. Chechik
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Bottle Job (2010)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Runway Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Two Live Crew Job (2009)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Ice Man Job (2009)
Directed by: Jeremiah S. Chechik
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Lost Heir Job (2009)
Directed by: Peter Winther
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Top Hat Job (2009)
Directed by: Peter O'Fallon
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Fairy Godparents Job (2009)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Three Days of the Hunter Job (2009)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Tap-Out Job (2009)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Order 23 Job (2009)
Directed by: Rod Hardy
Cinematography by: David Connell
Edited by: Brian Gonosey
Compositing Supervisor
'Leverage' The Beantown Bailout Job (2009)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Second David Job (2009)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Juror #6 Job (2009)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The First David Job (2009)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The 12-Step Job (2009)
Directed by: Rod Hardy
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Snow Job (2009)
Directed by: Tony Bill
Cinematography by: David Connell
Edited by: Chris A. Peterson
Compositing Supervisor
'Leverage' The Wedding Job (2009)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Compositing Supervisor
'Leverage' The Mile High Job (2009)
Directed by: Rob Minkoff
Cinematography by: David Connell
Edited by: Chris A. Peterson
Compositing Supervisor
'Leverage' The Stork Job (2009)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Chris A. Peterson
Digital Effects Artist: Pacific Title Digital
Chaos Theory (2008)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Nicholas Erasmus
Compositing Supervisor
The Librarian: The Curse of the Judas Chalice (2008)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Compositing Supervisor - 76 Episodes, 2008-2012
Leverage (2008)
Directed by: Marc Roskin, Dean Devlin, Jonathan Frakes, John Harrison, Arvin Brown, John Rogers, Jeremiah S. Chechik, Peter Winther, Rod Hardy, P.J. Pesce, Tawnia McKiernan, Craig R. Baxley, Tony Bill, Rob Minkoff, Peter O'Fallon, Millicent Shelton, Frank Oz
Editing System: Final Cut Pro Editing System
Compositing Supervisor
'Leverage' The Miracle Job (2008)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Bank Shot Job (2008)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Two-Horse Job (2008)
Directed by: Craig R. Baxley
Cinematography by: David Connell
Edited by: Sonny Baskin
Compositing Supervisor
'Leverage' The Homecoming Job (2008)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Digital Effects Artist: Pacific Title Digital
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Compositor: Pacific Title And Art Studio
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
2D Compositor: Pacific Title & Art Studio
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: Pacific Title
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Digital Compositor: Pacific Title
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor: Pacific Title And Art Studio
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Compositor: Pacific Title
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Digital Effects Artist: Pacific Title Digital
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Digital Effects Artist: Pacific Title Digital
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist: Pacific Title Digital
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Digital Compositor: Pacific Title
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Digital Effects Artist: Pacific Title Digital
Starter for 10 (2006)
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
Compositor: Pacific Title
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Digital Effects Artist: Pacific Title Digital
The Astronaut Farmer (2006)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: James Haygood
Digital Effects Artist: Pacific Title Digital
Deck the Halls (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Digital Effects Artist: Pacific Title
The Grudge 2 (2006)
Directed by: Takashi Shimizu
Cinematography by: Katsumi Yanagijima
Edited by: Jeff Betancourt
Digital Effects Artist: Pacific Title Digital
Running with Scissors (2006)
Directed by: Ryan Murphy
Cinematography by: Christopher Baffa
Edited by: Byron Smith
Digital Compositor: Pacific Title & Art Studio
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Compositor: Pacific Title & Art Studio
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Compositor: Pacific Title & Art Studio
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Digital Compositor: Pacific Title & Art Studio
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Digital Compositor: Pacific Title Digital
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Digital Effects Artist: Pacific Title Digital
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Effects Artist: Pacific Title Digital
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Digital Effects Artist: Pacific Title Digital
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Digital Compositor
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Digital Effects Artist: Pacific Title Digital
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Digital Effects Artist: Pacific Title Digital
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Digital Effects Artist: Pacific Title Digital
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Effects Artist: Pacific Title Digital
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Digital Effects Artist: Pacific Title Digital
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Digital Effects Artist: Pacific Title Digital
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Effects Artist: Pacific Title Digital
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Digital Compositor: Pacific Title Digital
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Digital Effects Artist: Pacific Title Digital
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Compositor: Pacific Title
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Digital Effects Artist: Pacific Title Digital
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Artist: Pacific Title Digital
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Digital Compositor: Pacific Title Digital
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Digital Effects Artist: Pacific Title Digital
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Cineon Compositor: Pacific Title
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Digital Effects Artist: Pacific Title Digital
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Digital Compositor: Pacific Title & Art Studio
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Digital Effects Artist: Pacific Title Digital
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Digital Effects Artist: Pacific Title Digital
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Cineon Compositor: Pacific Title Digital
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Digital Compositor: Pacific Title & Arts Studio
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Digital Effects Artist: Pacific Title Digital
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Compositor: Pacific Title & Arts
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Digital Effects Artist: Pacific Title Digital
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Digital Effects Artist: Pacific Title Digital
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Digital Effects Artist: Pacific Title Digital
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Digital Artist: Pacific Title Digital
The Pledge (2001)
Directed by: Sean Penn
Cinematography by: Chris Menges
Edited by: Jay Cassidy
Digital Effects Artist: Pacific Title Digital
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist: Pacific Title Digital
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Digital Effects Artist: Pacific Title Digital
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Digital Compositor: Pacific Title & Art Studio
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Digital Effects Artist: Pacific Title Digital
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Digital Effects Artist: Pacific Title Digital
Urban Legends: Final Cut (2000)
Directed by: John Ottman
Cinematography by: Brian Pearson
Digital Effects Artist: Pacific Title Digital
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Digital Effects Artist: Pacific Title
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Digital Effects Artist: Pacific Title Digital
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Artist: Pacific Title Digital
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Digital Effects Artist: Pacific Title Digital
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Digital Effects Artist: Pacific Title Digital
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Digital Effects Artist: Pacific Title Digital
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Compositor: Pacific Title Digital
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist: Pacific Title Digital
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Digital Effects Artist: Pacific Title Digital
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Digital Effects Artist: Pacific Title Digital
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Digital Effects Artist: Pacific Title Digital
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Digital Effects Artist: Pacific Title Digital
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist: Pacific Title/Mirage Digital
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Digital Effects Artist: Pacific Title Digital
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Digital Effects Artist: Pacific Title Digital
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Digital Effects Artist: Pacific Title/Mirage Digital
The Newton Boys (1998)
Directed by: Richard Linklater
Cinematography by: Peter James
Edited by: Sandra Adair
Digital Effects Artist: Pacific Title Digital
Vampires (1998)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Digital Effects Artist: Pacific Title/Mirage
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Digital Effects Artist: Pacific Title Digital
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Digital Effects Artist: Pacific Title Digital
That Darn Cat (1997)
Directed by: Bob Spiers
Cinematography by: Jerzy Zielinski
Edited by: Roger Barton
Digital Effects Artist: Pacific Title Digital
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Effects Artist: Pacific Title Digital
Mousehunt (1997)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Digital Effects Artist: Pacific Title Digital
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Digital Effects Artist: Pacific Title Digital
Home Alone 3 (1997)
Directed by: Raja Gosnell
Cinematography by: Julio Macat
Cameras: Panavision Panaflex Gold Camera
Digital Effects Artist: Pacific Title Digital
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Digital Effects Artist: Pacific Title Digital
A Thousand Acres (1997)
Directed by: Jocelyn Moorhouse
Cinematography by: Tak Fujimoto
Edited by: Maryann Brandon
Digital Effects Artist: Pacific Title Digital
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Digital Effects Artist: Pacific Title Digital
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Effects Artist: Pacific Title Digital
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Digital Effects Artist: Pacific Title Digital
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Digital Effects Artist: Pacific Title Digital
A Very Brady Sequel (1996)
Directed by: Arlene Sanford
Cinematography by: Mac Ahlberg
Edited by: Anita Brandt Burgoyne
Digital Effects Artist: Pacific Title Digital
Bulletproof (1996)
Directed by: Ernest R. Dickerson
Cinematography by: Steven Bernstein
Edited by: George Folsey Jr.
Digital Effects Artist: Pacific Title Digital
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Digital Effects Artist: Pacific Title Digital
The Glimmer Man (1996)
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Digital Effects Artist: Metrolight Studios/Pacific Title Digital
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Digital Effects Artist: Pacific Title Digital
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Digital Effects Artist: Pacific Title Digital
Diabolique (1996)
Directed by: Jeremiah S. Chechik
Cinematography by: Peter James
Edited by: Carol Littleton
Digital Effects Artist: Pacific Title Digital
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Art Director: Metrolight Studios
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Digital Effects Artist: Pacific Title Digital
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Digital Effects Artist: Metrolight Studios
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Digital Effects Artist: Metrolight Studios
Virtuosity (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Digital Effects Artist: Metrolight Studios
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Digital Matte Artist: Metrolight
Blink (1993)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Production Assistant: Video Image/VIFX
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Production Assistant: Video Image/VIFX
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Production Assistant: Video Image/VIFX
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Production Assistant
Kindergarten Cop (1990)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Scenic Artist: Cinnabar
Pet Sematary (1989)
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
Digital Effects Artist: Pacific Title Digital - 1997 Special Version
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
2000 Special Edition Digital Effects Artist: Pacific Title Digital
The Exorcist (1973)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses