Philip D. Morrill

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Pearl | ShotOnWhat?

First Assistant Sound Editor

Pearl (2022)

Directed by: Ti West

Cinematography by: Eliot Rockett

Edited by: Ti West

Cameras: Sony CineAlta VENICE Camera

Lenses: Hawk MiniHawk Hybrid Anamorphic Lenses

Skyscraper | ShotOnWhat?

First Assistant Sound Editor

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

First Assistant Sound Editor: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Child 44 | ShotOnWhat?

First Assistant Sound Editor

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

San Andreas | ShotOnWhat?

First Assistant Sound Editor

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spectre | ShotOnWhat?

First Assistant Sound Editor

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Into the Storm | ShotOnWhat?

First Assistant Sound Editor

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

RoboCop | ShotOnWhat?

First Assistant Sound Editor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Dracula Untold | ShotOnWhat?

First Assistant Sound Editor

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Assistant Sound Editor

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Carrie | ShotOnWhat?

First Assistant Sound Editor

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

Safe House | ShotOnWhat?

Assistant Sound Editor

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Bourne Legacy | ShotOnWhat?

First Assistant Sound Editor

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Guilt Trip | ShotOnWhat?

Assistant Sound Editor

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Skyfall | ShotOnWhat?

First Assistant Sound Editor

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

What's Your Number? | ShotOnWhat?

Assistant Sound Editor

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Green Lantern | ShotOnWhat?

Assistant Sound Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

I Am Number Four | ShotOnWhat?

Assistant Sound Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Wolfman | ShotOnWhat?

Assistant Sound Editor

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

London Boulevard | ShotOnWhat?

Assistant Sound Editor

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Love Ranch | ShotOnWhat?

Assistant Sound Editor

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Assistant Sound Editor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Body of Lies | ShotOnWhat?

Assistant Sound Editor

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

27 Dresses | ShotOnWhat?

Assistant Sound Editor

27 Dresses (2008)

Directed by: Anne Fletcher

Cinematography by: Peter James

Edited by: Priscilla Nedd-Friendly

Eagle Eye | ShotOnWhat?

Assistant Sound Editor

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Things We Lost in the Fire | ShotOnWhat?

Assistant Sound Editor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

The Bourne Ultimatum | ShotOnWhat?

Assistant Sound Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

American Gangster | ShotOnWhat?

Assistant Sound Editor

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Eight Below | ShotOnWhat?

Assistant Sound Editor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Step Up | ShotOnWhat?

Assistant Sound Editor

Step Up (2006)

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

A Good Year | ShotOnWhat?

Assistant Sound Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Big White | ShotOnWhat?

Assistant Sound Editor

The Big White (2005)

Directed by: Mark Mylod

Cinematography by: James Glennon

Edited by: Julie Monroe

The Island | ShotOnWhat?

Assistant Sound Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Ray | ShotOnWhat?

Assistant Sound Editor

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Bourne Supremacy | ShotOnWhat?

Assistant Sound Editor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Van Helsing | ShotOnWhat?

Assistant Sound Editor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Beyond Borders | ShotOnWhat?

Assistant Sound Editor

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Seabiscuit | ShotOnWhat?

Assistant Sound Editor

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Paycheck | ShotOnWhat?

Assistant Sound Editor

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Matchstick Men | ShotOnWhat?

Assistant Sound Editor

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

The Bourne Identity | ShotOnWhat?

Assistant Sound Editor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Black Hawk Down | ShotOnWhat?

Assistant Sound Editor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

One Night at McCool's | ShotOnWhat?

Sound Assistant

One Night at McCool's (2001)

Directed by: Harald Zwart

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Cannon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Evolution | ShotOnWhat?

Assistant Sound Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Hannibal | ShotOnWhat?

Assistant Sound Editor

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Proof of Life | ShotOnWhat?

Assistant Sound Editor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

The Patriot | ShotOnWhat?

Assistant Sound Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Mission: Impossible II | ShotOnWhat?

Assistant Sound Editor, Assistant Sound Effects Editor

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The 6th Day | ShotOnWhat?

Digital Sound Assistant

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

Gladiator | ShotOnWhat?

Assistant Sound Editor

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Bait | ShotOnWhat?

Assistant Sound Editor

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

Tarzan | ShotOnWhat?

Assistant Sound Editor

Tarzan (1999)

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

The Negotiator | ShotOnWhat?

Assistant Sound Editor / Digital Sound Assistant

The Negotiator (1998)

Directed by: F. Gary Gray

Cinematography by: Russell Carpenter

Edited by: Christian Wagner

Cameras: Panavision Cameras

A Simple Plan | ShotOnWhat?

Digital Sound Assistant

A Simple Plan (1998)

Directed by: Sam Raimi

Cinematography by: Alar Kivilo

Edited by: Eric L. Beason, Arthur Coburn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Replacement Killers | ShotOnWhat?

Sound Assistant

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Urban Legend | ShotOnWhat?

Assistant Sound Editor

Urban Legend (1998)

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

Dangerous Beauty | ShotOnWhat?

Assistant Sound Editor

Dangerous Beauty (1998)

Directed by: Marshall Herskovitz

Cinematography by: Bojan Bazelli

Edited by: Arthur Coburn, Steven Rosenblum

Godzilla | ShotOnWhat?

Assistant Sound Editor

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Vegas Vacation | ShotOnWhat?

Assistant Sound Editor

Vegas Vacation (1997)

Directed by: Stephen Kessler

Cinematography by: William A. Fraker

Edited by: Seth Flaum

Cameras: Panavision Cameras

Face/Off | ShotOnWhat?

Digital Assistant

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Mousehunt | ShotOnWhat?

Assistant Sound Editor

Mousehunt (1997)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Courage Under Fire | ShotOnWhat?

Assistant Sound Editor

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Jerry Maguire | ShotOnWhat?

Assistant Sound Editor

Jerry Maguire (1996)

Directed by: Cameron Crowe

Cinematography by: Janusz Kaminski

Edited by: Joe Hutshing, David Moritz

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Soul of the Game | ShotOnWhat?

Digital Sound Assistant

Soul of the Game (1996)

Television Movie

Directed by: Kevin Rodney Sullivan

Cinematography by: Sandi Sissel

Edited by: Victor Du Bois

Albino Alligator | ShotOnWhat?

Assistant Sound Editor / Sound Assistant

Albino Alligator (1996)

Directed by: Kevin Spacey

Cinematography by: Mark Plummer

Edited by: Jay Cassidy

The Chamber | ShotOnWhat?

First Digital Sound Assistant

The Chamber (1996)

Directed by: James Foley

Cinematography by: Ian Baker

Edited by: Mark Warner

Heat | ShotOnWhat?

Assistant Sound Editor

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cutthroat Island | ShotOnWhat?

Digital Assistant Editor

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Chasers | ShotOnWhat?

Assistant Sound Editor

Chasers (1994)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Christian Wagner

Speechless | ShotOnWhat?

Assistant Sound Editor

Speechless (1994)

Directed by: Ron Underwood

Cinematography by: Donald Peterman

Edited by: Richard Francis-Bruce

Immortal Beloved | ShotOnWhat?

Assistant Sound Editor

Immortal Beloved (1994)

Directed by: Bernard Rose

Cinematography by: Peter Suschitzky

Edited by: Dan Rae

Natural Born Killers | ShotOnWhat?

Assistant Sound Editor

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Color of Night | ShotOnWhat?

Assistant Sound Editor

Color of Night (1994)

Directed by: Richard Rush

Cinematography by: Dietrich Lohmann

Edited by: Jack Hofstra, Thom Noble

True Lies | ShotOnWhat?

Assistant Sound Editor

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Dennis the Menace | ShotOnWhat?

Assistant Sound Editor

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

Pure Country | ShotOnWhat?

Assistant Sound Editor

Pure Country (1992)

Directed by: Christopher Cain

Cinematography by: Richard Bowen

Edited by: Jack Hofstra

Blade Runner | ShotOnWhat?

Assistant Sound Editor - 2007 Final Cut Version

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

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