Sculptor: Creature Makeup Effects
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Sculpture Department
It (2017)
Directed by: Andy Muschietti
Cinematography by: Chung-hoon Chung
Edited by: Jason Ballantine
Cameras: ARRI ALEXA Mini Camera
Sculptor: Creature Makeup Effects
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Sculptor: Legacy Effects
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Sculptor: Legacy Effects
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Key Sculptor: Legacy Effects
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Lead Sculptor/special Makeup Effects: Optic Nerve Studios, Inc.
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Lead Sculptor/special Makeup Effects: Optic Nerve Studios, Inc.
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Key Sculptor: Legacy Effects
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Key Sculptor: Legacy Effects
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Key Artist: Legacy Effects
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Lead Sculptor/special Makeup Effects: Optic Nerve Studios, Inc.
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Key Artist: Legacy Effects
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Key Sculptor: Legacy Effects
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Sculptor: Legacy Effects
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Key Sculptor: K.N.B. EFX Group, Inc.
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Key Artist: Legacy Effects
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Sculptor: KNB EFX Group Inc.
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Sculptor: KNB EFX Group Inc.
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Sculptor: KNB Effects Group Inc., Special Makeup Effects Painter / Special Makeup Effects Sculptor
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Key Special Effects Artist: Legacy Effects
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Sculptor: KNB Effects Group Inc.
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Puppeteer , Sculptor: KNB EFX GROUP, INC.
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Sculptor: Quantum Creation FX
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Sculptor: KNB Effects Group Inc.
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Sculptor: Amalgamated Dynamics Inc.
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Sculptor: Amalgamated Dynamics
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Sculptor: Amalgamated Dynamics Inc.
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Sculptor: Amalgamated Dynamics Inc.
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Mold Department: Jim Henson's Creature Shop
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Sculptor: Amalgamated Dynamics Inc.
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Lab Technician: Masters FX
Pathfinder (2007)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Sculptor
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Creature Effects: Amalgamated Dynamics
Aliens vs. Predator: Requiem (2007)
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Sculptor/mold Department: Spectral Motion Inc.
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Creature Effects Technician: Spectral Motion Inc.
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Makeup Effects Technician, Mold Department/technician: Captive Audience Productions
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Makeup Technician: Captive Audience Productions, Special Makeup Effects: Captive Audience Productions
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Special Effects Technician
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Mold Department: Amalgamated Dynamics, Inc.
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Mold Department: Patrick Tatopoulos Designs
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Makeup Effects Technician, Mold/lab Technician: Captive Audience Prod. Inc.
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Mold/lab Technician: Steve Johnson's XFX
Eye See You (2002)
Directed by: Jim Gillespie
Cinematography by: Dean Semler
Mold Department/seaming Department: Cinovation
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Makeup Effects Technician: Alterian
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Mold Department: Cinovation Studios
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Mold Department: Steve Johnson's XFX
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Foam Department Effects Technician: Cinovation Studios
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Foam Department Effects Technician: Cinovation Studios
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Special Effects Makeup: Optic Nerve
Angel (1999)
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Fabricator: Steve Johnson's XFX, Inc.
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Mold Department: Steve Johnson's XFX Inc.
Can of Worms (1999)
Directed by: Paul Schneider
Cinematography by: Mark Irwin
Edited by: Andrew Cohen
Mold Department: Atlantic West Effects
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Puppeteer , Special Effects Fabrication: Steve Johnson's XFX, Inc.
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord