Visual Effects Supervisor: Pixel Playground
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Supervisor: Pixel Playground
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Visual Effects Supervisor: Pixel Playground
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Visual Effects Supervisor: Pixel Playground
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Visual Effects Supervisor: Pixel Playground
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: Pixel Playground
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Nature of the Beast (2013)
Directed by: Tawnia McKiernan
Cinematography by: Bart Tau
Edited by: Casey Brown
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Exit Plan (2013)
Directed by: Marc Roskin
Cinematography by: Bart Tau
Edited by: Casey Brown
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Bitter Pill (2013)
Directed by: Bill Eagles
Cinematography by: Bart Tau
Edited by: Zack Arnold
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Things Unseen (2013)
Directed by: Craig Siebels
Cinematography by: Bart Tau
Edited by: Steven Lang
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Tipping Point (2013)
Directed by: Scott Peters
Cinematography by: Bart Tau
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Sea Change (2013)
Directed by: Stephen Surjik
Cinematography by: Bart Tau
Edited by: Zack Arnold
Visual Effects Supervisor: Pixel Playground
'Burn Notice' All or Nothing (2013)
Directed by: Jonathan Frakes
Cinematography by: Bart Tau
Edited by: Zack Arnold
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Reckoning (2013)
Directed by: Matt Nix
Cinematography by: Bart Tau
Edited by: Steven Lang
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Down Range (2013)
Directed by: Scott Peters
Cinematography by: Bart Tau
Edited by: Paul Fontaine
Visual Effects Supervisor: Pixel Playground
'Burn Notice' Brother in Arms (2013)
Directed by: Dennie Gordon
Cinematography by: Bart Tau
Edited by: Steven Lang
Visual Effects Supervisor: Pixel Playground
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Visual Effects Supervisor: Pixel Playground
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Visual Effects Supervisor: Pixel Playground
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Visual Effects Supervisor: Pixel Playground
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Supervisor: Pixel Playground
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Visual Effects Supervisor: Pixel Playground
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Visual Effects Compositor: Pixel Playground / Visual Effects Supervisor: Pixel Playground
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Visual Effects Supervisor: PIxel Playground
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Visual Effects Supersivor: Pixel Playground
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Visual Effects Supervisor: Pixel Playground Inc.
The Sensei (2008)
Directed by: Diana Lee Inosanto
Cinematography by: Mark Rutledge
Edited by: Reine-Claire
Visual Effects Supervisor: Pixel Playground
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Visual Effects Supervisor: Pixel Playground
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Visual Effects Supervisor: Pixel Playground
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Visual Effects Supervisor: Pixel Playground - 10 Episodes, 2013
Burn Notice (2007)
Directed by: Stephen Surjik, Jeremiah S. Chechik, Dennie Gordon, John T. Kretchmer, Tim Matheson, Matt Nix, Scott Peters, Jonathan Frakes, Marc Roskin, Craig Siebels, Renny Harlin, Colin Bucksey, Paul Holahan, Jeffrey Donovan, Kevin Bray, Nick Gomez, Rod Hardy, Jeff Freilich, Ernest R. Dickerson, Michael Smith, Terry Miller, Tawnia McKiernan, Alfredo Barrios Jr., Jace Alexander, Sanford Bookstaver, Ken Girotti, Paul Shapiro, David Solomon, Bronwen Hughes, Félix Enríquez Alcalá, Bryan Spicer, Dirk Craft, Jeffrey G. Hunt, Peter Markle, Michael Zinberg, Henry Bronchtein, Ron Underwood, Bill Eagles, Larry Teng
Edited by: Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever
Visual Effects Supervisor: Pixel Playground
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects Supervisor: Pixel Playground
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Lead Compositor: Pixel Playground / Visual Effects Supervisor: Pixel Playground
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Visual Effects Supervisor: Pixel Playground Inc
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Visual Effects Compositor: Pixel Playground
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Visual Effects Supervisor: Pixel Playground Inc.
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Inferno Artist: Pixel Playground Inc / Visual Effects Supervisor: Pixel Playground Inc
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Head Compositor: CREO / Visual Effects Supervisor: CREO
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Digital Effects Supervisor: Digiscope
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Pixel Playground
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Visual Effects Supervisor: Pixel Playground
Paycheck (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Compositor
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Digital Compositor
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by: Callie Khouri
Cinematography by: John Bailey
Edited by: Andrew Marcus
Cameras: Panavision Panaflex Platinum Camera
Inferno Artist: Post Logic Studios
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Digital Compositor
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Digital Compositor
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Digital Compositor: CREO
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Digital Compositor
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Digital Compositor
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Inferno Artist: Editel
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Inferno Artist: Editel
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Digital Compositor
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Inferno Operator: Boss Film Studios
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Colorist
Bloodsport 2 (1996)
Directed by: Alan Mehrez
Cinematography by: Jacques Haitkin
Edited by: J. Douglas Seelig
Digital Compositor
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Digital Compositor
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Digital Compositor
A Time to Kill (1996)
Directed by: Joel Schumacher
Cinematography by: Peter Menzies Jr.
Edited by: William Steinkamp
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Digital Compositing Supervisor: Composite Image Systems
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Digital Compositor
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Digital Compositor
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Digital Compositor
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Digital Compositor
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Digital Compositor
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Digital Compositor
Naked Gun 33 1/3: The Final Insult (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Digital Compositor
Coneheads (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Visual Effects Supervisor-compositing: Composite Image Systems
Blink (1993)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Digital Compositor
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Digital Compositor
Wayne's World (1992)
Directed by: Penelope Spheeris
Cinematography by: Theo van de Sande
Edited by: Malcolm Campbell
Digital Compositor
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Digital Compositor
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
