Garrett Warren

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Second Unit Director, Stunt Coordinator

Logan (2017)

| USA

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Stunt Coordinator

Miracles from Heaven (2016)

| USA

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Emma E. Hickox

Fight Coordinator

X-Men: Apocalypse (2016)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Stunt Coordinator

Passengers (2016)

| USA, Australia

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Stunt Coordinator

Why Him? (2016)

| USA, Cambodia

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Second Unit Director

Spy (2015)

| USA, UK, France, Hungary, Germany

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Creature Fight Coordinator

Godzilla (2014)

| USA, Japan

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Stunts

'True Blood' Lost Cause (2014)

| USA

Directed by: Howard Deutch

Cinematography by: David Klein

Edited by: Mark Hartzell

Fight Coordinator / Stunt Coordinator: Los Angeles Unit, Fight Coordinator: Reshoots / Stunt Coordinator: Reshoots

Teenage Mutant Ninja Turtles (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Editing System: Avid Editing System

Fight Coordinator

Transformers: Age of Extinction (2014)

| USA, China, Hong Kong

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leica Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Second Unit Director, Stunt Coordinator

Divergent (2014)

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

| USA

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Second Unit Director, Stunt Coordinator

The Internship (2013)

| USA

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Second Unit Director, Stunt Coordinator

Ender's Game (2013)

| USA

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Stunt Coordinator

'Agents of S.H.I.E.L.D.' 0-8-4 (2013)

| USA

Directed by: David Straiton

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

Stunt Coordinator - 1 Episode, 2013

Agents of S.H.I.E.L.D. (2013)

| USA

Cinematography by: Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell

Edited by: Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane

Stunt Performer

'Dexter' Run (2012)

| USA

Directed by: John Dahl

Cinematography by: Jeffrey Jur

Edited by: Louis Cioffi

Stunt Coordinator

Lincoln (2012)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Stunt Performer

'Dexter' The Dark... Whatever (2012)

| USA

Directed by: Michael Lehmann

Cinematography by: Jeffrey Jur

Edited by: Louis Cioffi

Second Unit Director, Stunt Coordinator

Here Comes the Boom (2012)

| USA

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stunt Coordinator

The Master (2012)

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

Second Unit Director: Additional Photography

Limitless (2011)

| USA

Directed by: Neil Burger

Cinematography by: Jo Willems

Edited by: Tracy Adams, Naomi Geraghty

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Second Unit Director, Stunt Coordinator

Immortals (2011)

| USA, Canada, UK

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fight Choreographer

Transformers: Dark of the Moon (2011)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Editing System: Avid Editing System

Personal Trainer: Zoe Saldana, Stunt Coordinator

Colombiana (2011)

| France

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Artie Bakker (Midas Handler), Stunt Coordinator

Real Steel (2011)

| USA, India

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Utility Stunts

X: First Class (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, UK

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Stunt Coordinator

The Adventures of Tintin (2011)

| USA, New Zealand, UK

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Editing System: Avid Editing System

Second Unit Director, Stunt Coordinator

Larry Crowne (2011)

| USA

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Second Unit Director, Stunt Coordinator

Little Fockers (2010)

| USA

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

Stunt Double: Mickey Rourke

Iron Man 2 (2010)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Stunt Coordinator

Alice in Wonderland (2010)

| USA

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Second Unit Director, Sue

The Butcher (2009)

| USA

Directed by: Jesse V. Johnson

Cinematography by: Robert Hayes

Edited by: Ken Blackwell

Fireman #2

Miss March (2009)

| USA

Directed by: Zach Cregger, Trevor Moore

Cinematography by: Anthony B. Richmond

Edited by: Tim Mirkovich

Stunts

Transformers: Revenge of the Fallen (2009)

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Stunt Coordinator

Night at the Museum: Battle of the Smithsonian (2009)

| USA, Canada

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Stunt Coordinator: US

Avatar (2009)

| UK, USA

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Stunt Coordinator

'Dexter' The Lion Sleeps Tonight (2008)

| USA

Directed by: John Dahl

Cinematography by: Romeo Tirone

Edited by: Matthew Colonna

Stunts - 1 Episode, 2014

True Blood (2008)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

| USA

Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz

Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera

Editing System: Avid Editing System

Fight Choreographer

Bedtime Stories (2008)

| USA

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Stunt Coordinator

Beowulf (2007)

| USA

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Stunts

Planet Terror (2007)

| USA, Mexico

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Ethan Maniquis, Robert Rodriguez

Utility Stunts

Grindhouse (2007)

| USA, Mexico, Canada, UK

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Second Unit Director

The Last Sentinel (2007)

| USA

Directed by: Jesse V. Johnson

Cinematography by: Robert Hayes

Edited by: Ken Blackwell

Thug

Valley of the Heart's Delight (2006)

| USA

Directed by: Tim Boxell

Cinematography by: Hiro Narita

Edited by: Jay Boekelheide

Cameras: Sony HDW-F900 Camera

Stunt Coordinator

Inland Empire (2006)

| France, Poland, USA

Directed by: David Lynch

Cinematography by: David Lynch

Edited by: David Lynch

Cameras: Sony DSR-PD150 Camera

Stunt Performer

Mission: Impossible III (2006)

| USA, Germany, China, Italy

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Stunt Performer

Crank (2006)

| USA

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Adam Biddle

Edited by: Brian Berdan

Stunt Performer / Stunt Coordinator - 3 Episodes, 2008-2012

Dexter (2006)

| USA

Cinematography by: Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey

Edited by: Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Gangbanger #1

'Desperate Housewives' There Is No Other Way (2006)

| USA

Directed by: Randy Zisk

Cinematography by: Richard M. Rawlings Jr.

Edited by: Jonathan Posell

Second Unit Director

Chasing Ghosts (2005)

| USA

Directed by: Kyle Dean Jackson, Alan Pao

Cinematography by: Andrew Huebscher

Edited by: Kyle Dean Jackson

Stunt Double: Ed

Domino (2005)

| France, USA, UK

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Stunt Player

The New World (2005)

| USA, UK

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Police Officer

'Desperate Housewives' The Ladies Who Lunch (2005)

| USA

Directed by: Arlene Sanford

Cinematography by: Lowell Peterson

Edited by: Troy Takaki

Martial Arts Stunt Coordinator

Fun with Dick and Jane (2005)

| USA

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Stunts

Kiss Kiss Bang Bang (2005)

| USA

Directed by: Shane Black

Cinematography by: Michael Barrett

Edited by: Jim Page

Second Unit Director

Pit Fighter (2005)

| USA

Directed by: Jesse V. Johnson

Cinematography by: Robert Hayes

Edited by: Cari Coughlin

Martial Arts Choreographer

Be Cool (2005)

| USA

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Stunt Performer

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Stunts

Sin City (2005)

| USA

Directed by: Frank Miller, Robert Rodriguez, Quentin Tarantino

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDC-F950 Camera, Sony Other Camera

Editing System: Avid Editing System

Gangbanger #1

Desperate Housewives (2004)

Cameras: ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

| USA

Cinematography by: Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder

Edited by: Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Bearded Doctor

Spider-Man 2 (2004)

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses

Stunt Double: Colm Fiore

National Security (2003)

| USA

Directed by: Dennis Dugan

Cinematography by: Oliver Wood

Edited by: Debra Neil-Fisher

Henshaw

The Rundown (2003)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Cage Fighter, Stunts

Cradle 2 the Grave (2003)

| USA

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Stunts

The Tuxedo (2002)

| USA

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

Stunt Double: Ray Liotta

Point of Origin (2002)

Television Movie

| USA

Directed by: Newton Thomas Sigel

Cinematography by: Anthony G. Nakonechnyj

Edited by: Cindy Mollo

Stunt Performer

'CSI: Crime Scene Investigation' Identity Crisis (2002)

Directed by: Kenneth Fink

Cinematography by: Jonathan West

Edited by: Alec Smight

Stunts

The One (2001)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Stunts

Charlie's Angels (2000)

| USA, Germany

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Stunt Double: Father

Hellraiser: Inferno (2000)

Direct to Video

| USA

Directed by: Scott Derrickson

Cinematography by: Nathan Hope

Edited by: Kirk M. Morri

Stunt Performer - 1 Episode, 2002

CSI: Crime Scene Investigation (2000)

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

| USA, Canada

Directed by: Kenneth Fink, Richard J. Lewis, Alec Smight, Danny Cannon, Brad Tanenbaum, Jeffrey G. Hunt, Louis Shaw Milito, Frank Waldeck, Philip Conserva, Martha Coolidge, David Grossman, Duane Clark, Bill Eagles, Terrence O'Hara, Paris Barclay, Michael Nankin, Eagle Egilsson, Lou Antonio, Thomas J. Wright, Charles Correll, Peter Markle, Deran Sarafian, Michael Slovis, Christopher Leitch, Karen Gaviola, Matt Earl Beesley, Rob Bailey, Quentin Tarantino, William Friedkin, Nathan Hope, Paul McCrane, Michael Shapiro, Michael W. Watkins, Jefery Levy, Allison Liddi-Brown, John Patterson, Oz Scott, Roy H. Wagner, Tucker Gates, Félix Enríquez Alcalá, Nelson McCormick, J. Miller Tobin, Andrew Baron, Jean de Segonzac, Bryan Spicer, Dean White, Jeff Woolnough, Andrew Bernstein, Naren Shankar, Charles Haid, Steven Felder, David Semel, Kevin Bray, Timothy Beavers, Alrick Riley, Claudia Yarmy

Edited by: John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie

Lenses: Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Bearded Biker

Chill Factor (1999)

| USA

Directed by: Hugh Johnson

Cinematography by: David Gribble

Edited by: Pamela Power

Second Unit Director, Stunt Coordinator

Point Blank (1998)

| USA

Directed by: Matt Earl Beesley

Cinematography by: Keith L. Smith

Edited by: Edward R. Abroms

Viktor

Best of the Best 4: Without Warning (1998)

Direct to Video

| USA

Directed by: Phillip Rhee

Cinematography by: Michael D. Margulies

Edited by: Bert Lovitt

Stunts

Starship Troopers (1997)

| USA

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Stunts

Double Team (1997)

| USA, Hong Kong

Directed by: Hark Tsui

Cinematography by: Peter Pau

Edited by: Bill Pankow

Cameras: ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Stunts

Menno's Mind (1997)

| USA

Directed by: Jon Kroll

Cinematography by: Gary Tieche

Edited by: Stephen R. Myers

Cop #1

Ring of Steel (1994)

| USA

Directed by: David Frost

Cinematography by: MacKenzie Waggaman

Edited by: Norman Buckley

Stunts

On Deadly Ground (1994)

| USA

Directed by: Steven Seagal

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

Stunt Double: Dolf Lundgren

Army of One (1993)