Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.9 (2024)
Directed by: Andy Goddard
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.10 (2024)
Directed by: Andy Goddard
Edited by: Joe Talbot Hall
Visualization Executive Producer: The Third Floor
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.7 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.6 (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' The Way Out (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Secrets and Lies (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Departure (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Parallels and Interiors (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Aftermath (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Visualization Executive Producer: The Third Floor
'Monarch: Legacy of Monsters' Episode #1.8 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Visualization Executive Producer: The Third Floor - 10 Episodes, 2023-2024
Monarch: Legacy of Monsters (2023)
TV Series
Visualization Executive Producer: The Third Floor
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Visualization Executive Producer: The Third Floor
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Visualization Executive Producer: The Third Floor
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Previs Executive Producer: The Third Floor, Previs Executive Producer: The Third Floor Inc
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Previs Executive Producer: The Third Floor, Previs Executive Producer: The Third Floor Inc
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Visualization: The Third Floor
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Visualization Excecutive Producer: The Third Floor Inc
'Game of Thrones' Winterfell (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Visualization Excecutive Producer: The Third Floor Inc
'Game of Thrones' A Knight of the Seven Kingdoms (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Visualization Excecutive Producer: The Third Floor Inc
'Game of Thrones' The Long Night (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visualization Excecutive Producer: The Third Floor Inc
'Game of Thrones' The Last of the Starks (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Katie Weiland
Visualization Executive Producer: The Third Floor
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visualization Excecutive Producer: The Third Floor
'Game of Thrones' The Iron Throne (2019)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Previs Executive Producer: The Third Floor Inc
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
Visualization Executive Producer: The Third Floor
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Executive Producer Los Angeles: The Third Floor
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Previs Executive Producer: The Third Floor
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Previs Executive Producer: The Third Floor
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Executive Producer: The Third Floor
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Previs Executive Producer: The Third Floor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Previs Executive Producer: The Third Floor
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Previsualization Creative Supervisor: The Third Floor
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Chief Executive Officer: The Third Floor
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Visual Effects Executive Producer: The Third Floor
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Chief Executive Officer / Previs Creative Supervisor
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Previs Executive Producer: The Third Floor, Previs Executive Producer: The Third Floor Inc
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Previs Creative Supervisor: The Third Floor
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Previs Creative Director: The Third Floor
Kingsglaive: Final Fantasy XV (2016)
Directed by: Takeshi Nozue
Previs Creative Supervisor The Third Floor
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Previs Creative Supervisor
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Previsualization Creative Director: The Third Floor, Inc / The Third Floor: Previs Creative Director
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
The Third Floor: Previs Creative Director
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Previsualization Creative Director: The Third Floor
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Previs Creative Director: The Third Floor, Inc
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Previsualization Creative Director: The Third Floor
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Previsualization Creative Director
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Previsualization Creative Director: The Third Floor
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Pre-visualization Creative Director: The Third Floor / Previs Creative Director: The Third Floor
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Previs Creative Director: The Third Floor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Previsualization Creative Director: The Third Floor
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Previs Creative Director: The Third Floor Inc.
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Previs Creative Director: The Third Floor
Xi you ji: Da nao tian gong (2014)
Directed by: Soi Cheang
Edited by: Ka-Fai Cheung
Cameras: Red One MX Camera
Previsualization Creative Director: The Third Floor Inc.
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Previs Creative Director: The Third Floor
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Previsualization Creative Director: The Third Floor
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Effects Crew: Weta Digital
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Previs Creative Director: The Third Floor / Previsualization Creative Director: The Third Floor
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Previsualization Creative Director: The Third Floor
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Previsualization Creative Director
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Shots/shaders/effects Department: Weta Digital
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Research And Development Effects Technical Director: WETA Digital
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Previsualization Creative Director: The Third Floor
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Previs Producer: The Third Floor
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Visualization Excecutive Producer: The Third Floor Inc / Visualization Excecutive Producer: The Third Floor / Visualization Executive Producer: The Third Floor - 6 Episodes, 2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Technical Director: Weta Digital
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Senior Effects Technical Director: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Artist: Lighting And Effects, Weta Digital
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Manager Of Operations
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Manager Of Operations
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Manager Of Operations
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Operations Manager: Efilm
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Operations Manager: Efilm
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Manager Of Operations: Efilm
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Post Production Supervisor: Boss Film Studios
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Digital Technical Supervisor: Boss Film Studios
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Post-production Supervisor: Boss Film Studios
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Post-production Supervisor, Visual Effects Post-production Supervisor: Boss Film Studios
Multiplicity (1996)
Directed by: Harold Ramis
Cinematography by: László Kovács
Digital Imaging Supervisor: Boss Film Studios
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Digital Imaging Supervisor: Boss Film Studios
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Digital Imaging Supervisor: Boss Film
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
