Thomas Zell

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Avengers: Endgame | ShotOnWhat?

Special Effects Foreman

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Spider-Man: Homecoming | ShotOnWhat?

Special Effects Foreman

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Special Effects Technician

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Passengers | ShotOnWhat?

Special Effects Technician

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Furious 7 | ShotOnWhat?

Special Effects Technician

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Special Effects Technician

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Star Trek Into Darkness | ShotOnWhat?

Electronic Prop Shop Technician

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Iron Man Three | ShotOnWhat?

The Avengers | ShotOnWhat?

Special Effects Technician

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Piranha 3D | ShotOnWhat?

Special Effects Technician

Piranha 3D (2010)

Directed by: Alexandre Aja

Cinematography by: John R. Leonetti

Edited by: Baxter

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Special Effects Technician

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Iron Man | ShotOnWhat?

Special Effects Technician

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Special Effects Technician

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Evan Almighty | ShotOnWhat?

Special Effects Technician

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Poseidon | ShotOnWhat?

Prop Shop

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

War of the Worlds | ShotOnWhat?

Special Effects Technician

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

I, Robot | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Team America: World Police | ShotOnWhat?

Special Effects Leadperson

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Intolerable Cruelty | ShotOnWhat?

Special Effects Technician

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

Looney Tunes: Back in Action | ShotOnWhat?

Special Effects

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

xXx | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Panic Room | ShotOnWhat?

Special Effects Foreman

Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek: Nemesis | ShotOnWhat?

Pyro Technician

Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

Corky Romano | ShotOnWhat?

Special Effects Foreman

Corky Romano (2001)

Directed by: Rob Pritts

Cinematography by: Steven Bernstein

Edited by: Alan Cody

Cameras: Panavision Cameras

Bandits | ShotOnWhat?

Special Effects Technician

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

Vertical Limit | ShotOnWhat?

Model Shop Foreman

Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Scream 3 | ShotOnWhat?

Pyrotechnician: Fantasy II Film Effects

Scream 3 (2000)

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Patrick Lussier

Mission: Impossible II | ShotOnWhat?

Model Maker

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Reindeer Games | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic , Pyrotechnic Assistant: Miniatures, Cinema Production Services

Reindeer Games (2000)

Directed by: John Frankenheimer

Cinematography by: Alan Caso

Edited by: Antony Gibbs, Michael Kahn

Cameras: Panavision Cameras, Spacecam Aerial Cameras

What Lies Beneath | ShotOnWhat?

Special Effects

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Arlington Road | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic

Arlington Road (1999)

Directed by: Mark Pellington

Cinematography by: Bobby Bukowski

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Inspector Gadget | ShotOnWhat?

First Unit Set Technician

Inspector Gadget (1999)

Directed by: David Kellogg

Cinematography by: Adam Greenberg

Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Armageddon | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Godzilla | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic, Lead Special Effects Technician: Miniatures

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Volcano | ShotOnWhat?

Lead Lava Effects Foreman, Visual Effects Foreman

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Independence Day | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic

Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Waterworld | ShotOnWhat?

Model Maker

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Under Siege 2: Dark Territory | ShotOnWhat?

Model Maker

Under Siege 2: Dark Territory (1995)

Directed by: Geoff Murphy

Cinematography by: Robbie Greenberg

Edited by: Michael Tronick

True Lies | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

The Hudsucker Proxy | ShotOnWhat?

Technician: Mechanical Effects

The Hudsucker Proxy (1994)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Effects Technician: Miniature Pyrotechnic

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Return of the Living Dead III | ShotOnWhat?

Model Maker

Return of the Living Dead III (1993)

Directed by: Brian Yuzna

Cinematography by: Gerry Lively

Edited by: Christopher Roth

Fortress | ShotOnWhat?

Chief Modelmaker

Fortress (1992)

Directed by: Stuart Gordon

Cinematography by: David Eggby

Edited by: Tim Wellburn

Honey I Blew Up the Kid | ShotOnWhat?

Special Effects Technician

Honey, I Blew Up the Kid (1992)

Directed by: Randal Kleiser

Cinematography by: John Hora

Edited by: Harry Hitner, Michael A. Stevenson

Cameras: Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses: Canon K35 Prime Lenses

If Looks Could Kill | ShotOnWhat?

Model Shop Foreman

If Looks Could Kill (1991)

Directed by: William Dear

Cinematography by: Douglas Milsome

Edited by: John F. Link

Cameras: Panavision Cameras

Terminator 2: Judgment Day | ShotOnWhat?

Special Effects Technician: 4-Ward Productions

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

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