Sound Effects Editor
'Euphoria' The Theater and Its Double (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Effects Editor
'Euphoria' A Thousand Little Trees of Blood (2022)
Directed by: Sam Levinson
Cinematography by: Rina Yang
Sound Effects Editor
'Euphoria' Stand Still Like the Hummingbird (2022)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Sound Effects Editor: HB Sound
Greenland (2020)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Gabriel Fleming
Cameras: ARRI ALEXA Mini Camera
Sound Effects Editor
Booksmart (2019)
Directed by: Olivia Wilde
Cinematography by: Jason McCormick
Cameras: ARRI ALEXA Mini Camera
Sound Effects Editor - 4 Episodes, 2022-2025
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Sound Editor
Life Itself (2018)
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Sound Effects Editor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Sound Editor
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Sound Effects Editor
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Sound Effects Editor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Sound Effects Editor
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Sound Effects Editor
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Sound Editor
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Sound Effects Editor
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Sound Effects Editor
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Effects Editor
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Sound Effects Editor
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Sound Effects Editor
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Sound Editor
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Sound Effects Editor
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Effects Editor
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Sound Effects Editor
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Editor
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Sound Effects Editor
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Sound Effects Editor
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Sound Effects Editor
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Sound Designer
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Sound Effects Editor
Friday the 13th (2009)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Ken Blackwell
Sound Editor
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Sound Effects Editor
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Sound Effects Editor
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Foley Artist
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Sound Effects Editor
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Sound Effects Editor
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Sound Effects Designer
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Sound Effects Editor
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Sound Effects Editor
Slipstream (2007)
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Foley Supervisor
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Sound Effects Editor
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Sound Effects Editor
Hoot (2006)
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Sound Effects Editor
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Dialogue Editor
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Foley Supervisor
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Sound Effects Editor
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Sound Effects Editor
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Sound Effects Editor
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Sound Designer
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Effects Editor
Employee of the Month (2004)
Directed by: Mitch Rouse
Cinematography by: John Peters
Edited by: Hughes Winborne
Sound Effects Editor
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Supervisor
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Sound Effects Editor
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Sound Effects Editor
Two Soldiers (2003)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Cameras: Panavision Panaflex Gold II Camera
Sound Effects Editor
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Sound Effects Editor
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Designer
Radio (2003)
Directed by: Michael Tollin
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Sound Editor
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor: Director's Cut
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Background Sound Editor
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Sound Effects Editor
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Sound Effects Editor
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Sound Editor
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Sound Effects Editor
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Sound Effects Editor
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Sound Effects Editor
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Sound Effects Editor
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Sound Effects Editor
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Effects Editor
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Sound Effects Editor
Playing by Heart (1998)
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor: Los Angeles
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Sound Designer
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Sound Effects Editor
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Sound Editor
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Sound Effects Editor
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Sound Effects Editor
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Digital Dialogue Editor
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Foley Editor
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Sound Effects Editor
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Sound Editor
City Slickers II: The Legend of Curly's Gold (1994)
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Sound Editor
Rapid Fire (1992)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: Gib Jaffe
Sound Editor
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Sound Editor
Mystery Date (1991)
Directed by: Jonathan Wacks
Cinematography by: Oliver Wood
Edited by: Tina Hirsch
Dialogue Editor
Defending Your Life (1991)
Directed by: Albert Brooks
Cinematography by: Allen Daviau
Edited by: David Finfer
Sound Editor - Special Version
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Sound Editor
The Boost (1988)
Directed by: Harold Becker
Cinematography by: Howard Atherton
Edited by: Maury Winetrobe
Sound Editor
They Live (1988)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Sound Editor
'Airwolf' Day of Jeopardy (1986)
Directed by: Georg Fenady
Cinematography by: Howard Schwartz
Edited by: Michael Berman
Sound Assistant
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Sound Editor - 1 Episode, 1986
Airwolf (1984)
Directed by: Virgil W. Vogel, Sutton Roley, Alan J. Levi, Harvey S. Laidman, Bernard L. Kowalski, Ray Austin, Donald A. Baer, Georg Fenady, Bernard McEveety, Tom Blank, Daniel Haller, Don Medford, Donald P. Bellisario, Nicholas Corea, Ivan Dixon, Stephen Dollinger, David Hemmings, Leslie H. Martinson, Gerald Mayer, Bruce Seth Green, Sidney Hayers, Allen Reisner, Don Chaffey, Alan Cooke, Dennis Donnelly, Richard Irving, Vincent McEveety, Gregory Prange, Ron Stein
Edited by: Bill Luciano, Mario Di Gregorio, Michael Berman, Drake Silliman, Henry Te, Jeff Gourson, Robert L. Kimble, Carl Kress, Larry Strong, Leon Ortiz-Gil, Geoffrey Rowland
Cameras: Panavision Cameras
