Gary A. Rizzo

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Re-recording Mixer

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Elemental | ShotOnWhat?

Re-recording Mixer - Rumored

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Oppenheimer | ShotOnWhat?

Re-recording Mixer

Oppenheimer (2023)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Editing System: Avid Editing System

Tenet | ShotOnWhat?

Re-recording Mixer

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Wonder Woman 1984 | ShotOnWhat?

Re-recording Mixer

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Dunkirk | ShotOnWhat?

Re-recording Mixer

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Bright | ShotOnWhat?

Re-recording Mixer

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Pete's Dragon | ShotOnWhat?

Additional Re-Recording Mixer

Pete's Dragon (2016)

Directed by: David Lowery

Cinematography by: Bojan Bazelli

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke Anamorphic/i Prime Lenses

The Secret Life of Pets | ShotOnWhat?

Re-recording Mixer

The Secret Life of Pets (2016)

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Suicide Squad | ShotOnWhat?

Re-recording Mixer

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Tomorrowland | ShotOnWhat?

Additional Re-recording Mixer

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Child 44 | ShotOnWhat?

Sound Re-recording Mixer: NBCUNIVERSAL STUDIOPOST, Stage 6

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

Infinitely Polar Bear | ShotOnWhat?

Re-recording Mixer

Infinitely Polar Bear (2014)

Directed by: Maya Forbes

Cinematography by: Bobby Bukowski

Edited by: Michael R. Miller

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Style Lenses

Interstellar | ShotOnWhat?

Re-recording Mixer

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Maleficent | ShotOnWhat?

Re-recording Mixer

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Don Jon | ShotOnWhat?

Re-Recording Mixer

Don Jon (2013)

Directed by: Joseph Gordon-Levitt

Cinematography by: Thomas Kloss

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Despicable Me 2 | ShotOnWhat?

Re-recording Mixer

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

The Croods | ShotOnWhat?

Re-recording Mixer

The Croods (2013)

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

Thor: The Dark World | ShotOnWhat?

Additional Re-recording Mixer

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Oblivion | ShotOnWhat?

Re-recording Mixer

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Wreck-It Ralph | ShotOnWhat?

Re-recording Mixer

Wreck-It Ralph (2012)

Directed by: Rich Moore

Cinematography by: Rob Dressel

Edited by: Tim Mertens

The Lorax | ShotOnWhat?

Re-recording Mixer

The Lorax (2012)

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

People Like Us | ShotOnWhat?

Re-recording Mixer

People Like Us (2012)

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

The Dark Knight Rises | ShotOnWhat?

Re-recording Mixer

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Rio | ShotOnWhat?

Re-recording Mixer

Rio (2011)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Hop | ShotOnWhat?

Re-recording Mixer: The Lot Stage A Hollywood

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Re-recording Mixer

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

How to Train Your Dragon | ShotOnWhat?

Re-recording Mixer

How to Train Your Dragon (2010)

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Inception | ShotOnWhat?

TRON | ShotOnWhat?

Re-recording Mixer

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

I Love You, Beth Cooper | ShotOnWhat?

Sound Mixing

I Love You, Beth Cooper (2009)

Directed by: Chris Columbus

Cinematography by: Phil Abraham

Edited by: Peter Honess

Leaves of Grass | ShotOnWhat?

Re-recording Mixer

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

My Bloody Valentine | ShotOnWhat?

Re-recording Mixer

My Bloody Valentine (2009)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Cynthia Ludwig, Patrick Lussier

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Océans | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Océans (2009)

Directed by: Jacques Perrin, Jacques Cluzaud

Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli

Edited by: Ellen Keneshea, Catherine Mauchain, Gregory F. Plotts, John Damien Ryan, Vincent Schmitt

The Dark Knight | ShotOnWhat?

Re-recording Mixer

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

La corona | ShotOnWhat?

Re-recording Mixer

La corona (2008)

Directed by: Amanda Micheli, Isabel Vega

Cinematography by: Amanda Micheli

Edited by: Luis Colina, Carla Gutierrez

Zack and Miri Make a Porno | ShotOnWhat?

Re-recording Mixer

Zack and Miri Make a Porno (2008)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Sicko | ShotOnWhat?

Re-recording Mixer

Sicko (2007)

Directed by: Michael Moore

Cinematography by: Andrew Black, Jayme Roy

Edited by: Geoffrey Richman, Christopher Seward, Dan Swietlik

Enchanted | ShotOnWhat?

Re-recording Mixer

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

We Own the Night | ShotOnWhat?

Rerecording Mixer

We Own the Night (2007)

Directed by: James Gray

Cinematography by: Joaquín Baca-Asay

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Beowulf | ShotOnWhat?

Additional Sound Re-recording Mixer

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Sea of Dreams | ShotOnWhat?

Dialogue/ADR Editor

Sea of Dreams (2006)

Directed by: José Pepe Bojórquez

Cinematography by: Chris Chomyn

Edited by: Tia Nolan

Clerks II | ShotOnWhat?

Re-recording Mixer

Clerks II (2006)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Monster House | ShotOnWhat?

Sound Mixer

Monster House (2006)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

The Prestige | ShotOnWhat?

Re-recording Mixer

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Eragon | ShotOnWhat?

Re-recording Mixer

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Munich | ShotOnWhat?

Additional Re-recording Mixer

Munich (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Moviola Editing System

Batman Begins | ShotOnWhat?

Re-recording Mixer

Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Matador | ShotOnWhat?

Re-recording Mixer

The Matador (2005)

Directed by: Richard Shepard

Cinematography by: David Tattersall

Edited by: Carole Kravetz Aykanian

Rent | ShotOnWhat?

Additional Re-recording Mixer

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Fahrenheit 9/11 | ShotOnWhat?

Re-recording Mixer & Supervising Sound Editor

Fahrenheit 9/11 (2004)

Directed by: Michael Moore

Edited by: Kurt Engfehr, Woody Richman, Christopher Seward

Starship Troopers 2: Hero of the Federation | ShotOnWhat?

Re-Recording Mixer

Starship Troopers 2: Hero of the Federation (2004)

Direct to Video

Directed by: Phil Tippett

Cinematography by: Christian Sebaldt

Edited by: Louise Rubacky

Cameras: Panasonic AJ-HDC27 Varicam Camera

The Incredibles | ShotOnWhat?

Re-recording Mixer

The Incredibles (2004)

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Hellboy | ShotOnWhat?

Supervising Sound Mixer

Hellboy (2004)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson

Spin | ShotOnWhat?

Re-recording Mixer

Spin (2003)

Directed by: James Redford

Cinematography by: Paul Ryan

Edited by: Nick Smith

Cameras: Panavision Cameras

Editing System: Autodesk Smoke Editing System

My Boss's Daughter | ShotOnWhat?

Re-recording Mixer

My Boss's Daughter (2003)

Directed by: David Zucker

Cinematography by: Martin McGrath

Edited by: Samuel Craven, Patrick Lussier

Darkness Falls | ShotOnWhat?

Re-recording Mixer

Darkness Falls (2003)

Directed by: Jonathan Liebesman

Cinematography by: Dan Laustsen

Edited by: Timothy Alverson, Steve Mirkovich

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Additional Re-recording Mixer

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

O | ShotOnWhat?

Re-recording Mixer

O (2001)

Directed by: Tim Blake Nelson

Cinematography by: Russell Lee Fine

Edited by: Kate Sanford

The Grey Zone | ShotOnWhat?

Re-recording Mixer

The Grey Zone (2001)

Directed by: Tim Blake Nelson

Cinematography by: Russell Lee Fine

Edited by: Michelle Botticelli, Tim Blake Nelson

Black Hawk Down | ShotOnWhat?

Additional Sound Re-recording Mixer

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Jay and Silent Bob Strike Back | ShotOnWhat?

Re-recording Mixer

Jay and Silent Bob Strike Back (2001)

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

The Yards | ShotOnWhat?

Re-recording Mixer

The Yards (2000)

Directed by: James Gray

Cinematography by: Harris Savides

Edited by: Jeffrey Ford

Vulgar | ShotOnWhat?

Re-recording Mixer

Vulgar (2000)

Directed by: Bryan Johnson

Cinematography by: David Klein

Edited by: Bryan Johnson, Scott Mosier

The Legend of Bagger Vance | ShotOnWhat?

Additional Re-recording Mixer

The Legend of Bagger Vance (2000)

Directed by: Robert Redford

Cinematography by: Michael Ballhaus

Edited by: Hank Corwin

The Talented Mr. Ripley | ShotOnWhat?

Additional Re-recording Mixer

The Talented Mr. Ripley (1999)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Anywhere But Here | ShotOnWhat?

Re-recording Mixer

Anywhere But Here (1999)

Directed by: Wayne Wang

Cinematography by: Roger Deakins

Edited by: Nicholas C. Smith

Dogma | ShotOnWhat?

Re-recording Mixer

Dogma (1999)

Directed by: Kevin Smith

Cinematography by: Robert D. Yeoman

Edited by: Scott Mosier, Kevin Smith

Office Space | ShotOnWhat?

Re-Recording Mixer

Office Space (1999)

Directed by: Mike Judge

Cinematography by: Tim Suhrstedt

Edited by: David Rennie

A Bug's Life | ShotOnWhat?

Mix Technician

A Bug's Life (1998)

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

Great Expectations | ShotOnWhat?

Re-recording Mixer

Great Expectations (1998)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Steven Weisberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Halloween H20: 20 Years Later | ShotOnWhat?

Re-recording Mixer

Halloween H20: 20 Years Later (1998)

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Patrick Lussier

54 | ShotOnWhat?

Re-recording Mixer

54 (1998)

Directed by: Mark Christopher

Cinematography by: Alexander Gruszynski

Edited by: Lee Percy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Armageddon | ShotOnWhat?

Foley Predubbing Mixer

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Newton Boys | ShotOnWhat?

Re-Recording Mixer

The Newton Boys (1998)

Directed by: Richard Linklater

Cinematography by: Peter James

Edited by: Sandra Adair

Titanic | ShotOnWhat?

Mix Technician

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Contact | ShotOnWhat?

Additional Re-Recording Mixer

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

The Lost World: Jurassic Park | ShotOnWhat?

Mike Technician , Mix Technician

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Game | ShotOnWhat?

Re-recording Mixer

The Game (1997)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

A Better Place | ShotOnWhat?

Dialogue Mixer - 5.1 Dolby Digital Remix / Re-recording Mixer - 5.1 Dolby Digital Remix

A Better Place (1997)

Directed by: Vincent Pereira

Cinematography by: Ian Dudley

Edited by: Vincent Pereira

Cameras: ARRIFLEX 16SR Camera

James and the Giant Peach | ShotOnWhat?

Mix Assistant

James and the Giant Peach (1996)

Directed by: Henry Selick

Cinematography by: Pete Kozachik, Hiro Narita

Edited by: Stan Webb

Wedding Bell Blues | ShotOnWhat?

Re-recording Mixer

Wedding Bell Blues (1996)

Directed by: Dana Lustig

Cinematography by: Kent L. Wakeford

Edited by: Caroline Ross

One Fine Day | ShotOnWhat?

Mix Technician

One Fine Day (1996)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Romeo + Juliet | ShotOnWhat?

Mix Technician: Skywalker Sound

Romeo + Juliet (1996)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Separate Lives | ShotOnWhat?

Sound Re-recording Assistant

Separate Lives (1995)

Directed by: David Madden

Cinematography by: Kees Van Oostrum

Edited by: Janice Hampton

Strange Days | ShotOnWhat?

Mix Assistant

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

The Mask | ShotOnWhat?

Re-recording Assistant

The Mask (1994)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Series Cameras

Lenses: Zeiss Lenses

The Terminator | ShotOnWhat?

Re-recording Mixer: Audio Restoration

The Terminator (1984)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Digital Mix Technician: 1997 Special Edition

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Digital Mix Technician - 1997 Special Version

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Digital Mix Technician - 1997 Special Version

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

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