Matchmove Supervisor: SPI
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Matchmove Supervisor: Image Engine
Kin (2018)
Cinematography by: Larkin Seiple
Edited by: Mark Day
Cameras: ARRI ALEXA Mini Camera
Matchmove Supervisor: Image Engine
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Matchmove Supervisor
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
Matchmove Supervisor: Image Engine
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Visual Effects: Image Engine
'Game of Thrones' Oathbreaker (2016)
Directed by: Daniel Sackheim
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Matchmove Supervisor: Image Engine
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Matchmove Supervisor: Image Engine
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Matchmove Supervisor: Image Engine
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Visual Effects: Image Engine
'Game of Thrones' The Winds of Winter (2016)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: Image Engine
'Game of Thrones' The Broken Man (2016)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker
Visual Effects: Image Engine
'Game of Thrones' Home (2016)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects: Image Engine
'Game of Thrones' The Red Woman (2016)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Matchmove Supervisor: Image Engine
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Matchmove Supervisor: Image Engine
'The X-Files' Mulder & Scully Meet the Were-Monster (2016)
Directed by: Darin Morgan
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Matchmove Supervisor: Image Engine
'The X-Files' My Struggle II (2016)
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Robert Komatsu
Matchmove Supervisor: Image Engine - 1 Episode, 2015
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Visual Effects: Image Engine
'Game of Thrones' Unbowed, Unbent, Unbroken (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Lead Matchmove Artist: Image Engine
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Matchmove Supervisor: Image Engine
'The Man in the High Castle' A Way Out (2015)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Lead Matchmove Artist: Image Engine
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Matchmove Supervisor
'The X-Files' My Struggle (2015)
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Lead Matchmove Artist
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Matchmove Supervisor: Image Engine
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Lead Matchmove Artist: Image Engine
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Visual Effects Team
How to Deal with an Axe Murderer (2014)
Directed by: Adam Estey
Cinematography by: Kevin Rigney
Edited by: Holly Pavlik
Cameras: ARRI ALEXA Camera
Matchmove Supervisor: Image Engine
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
On-set Data Wrangler
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lead Matchmove Artist: MPC
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Matchmove Artist: MPC
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Matchmove Artist: MPC
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Artist: MPC
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Lead Matchmove Technical Director: MPC
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Matchmove Artist: MPC
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Lead Matchmove Artist: MPC
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Visual Effects: Image Engine - 6 Episodes, 2015-2016
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Matchmove Artist: MPC
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Matchmove Artist: MPC
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Matchmove Artist: MPC
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Matchmove Artist: MPC
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Matchmove Artist: MPC
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Matchmove Artist: MPC
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Digital Artist: MPC
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Matchmove Artist: MPC
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Matchmove Artist: MPC
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Matchmove Artist: MPC
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Matchmove Artist: MPC
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Matchmove Artist: MPC
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Matchmove Artist: MPC
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Matchmove Artist: MPC
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Matchmove Artist: MPC
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Matchmove Artist: MPC
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Matchmove Artist: Framestore-CFC
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Matchmove Artist: MPC
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Matchmove Artist: Framestore-CFC
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Lead Matchmover: Framestore CFC
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Matchmover: Framestore CFC
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Matchmove Artist: Framestore-CFC
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Matchmove Artist: Framestore-CFC
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matchmove Artist: Framestore-CFC
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Matchmove Supervisor: Image Engine / Matchmove Supervisor - 3 Episodes, 2015-2016
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
