Visual Effects Executive Producer: Furious FX
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Visual Effects Executive Producer: Furious FX
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Visual Effects Executive Producer: Furious FX
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects Executive Producer: Furious FX
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Visual Effects Executive Producer: Furious FX
Spy (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Visual Effects Executive Producer: Furious FX
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects Executive Producer: Furious FX - 1 Episode, 2014
Fargo (2014)
Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron
Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Furious FX
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' The Magical Place (2014)
Directed by: Kevin Hooks
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Seeds (2014)
Directed by: Kenneth Fink
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' T.R.A.C.K.S. (2014)
Directed by: Paul A. Edwards
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Yes Men (2014)
Directed by: John Terlesky
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Ragtag (2014)
Directed by: Roxann Dawson
Cinematography by: Feliks Parnell
Edited by: Conrad Smart
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Beginning of the End (2014)
Directed by: David Straiton
Cinematography by: Feliks Parnell
Edited by: David Crabtree
Visual Effects Executive Producer: Furious FX
'Fargo' Buridan's Ass (2014)
Directed by: Colin Bucksey
Cinematography by: Dana Gonzales
Edited by: Regis Kimble
Visual Effects Executive Producer: Furious FX
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Furious FX - 14 Episodes, 2013-2014
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Visual Effects Executive Producer: Furious FX
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Executive Producer: Furious FX
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Furious FX
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Pilot (2013)
Directed by: Joss Whedon
Cinematography by: David Boyd
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' The Asset (2013)
Directed by: Milan Cheylov
Cinematography by: Jeffrey C. Mygatt
Edited by: Joshua Charson
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Eye Spy (2013)
Directed by: Roxann Dawson
Cinematography by: Feliks Parnell
Edited by: Debby Germino
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Girl in the Flower Dress (2013)
Directed by: Jesse Bochco
Cinematography by: Jeffrey C. Mygatt
Edited by: Paul Trejo
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' The Hub (2013)
Directed by: Bobby Roth
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' The Well (2013)
Directed by: Jonathan Frakes
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' Repairs (2013)
Directed by: Billy Gierhart
Cinematography by: Jeffrey C. Mygatt
Edited by: Joshua Charson
Visual Effects Executive Producer: Furious FX
'Agents of S.H.I.E.L.D.' The Bridge (2013)
Directed by: Holly Dale
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Executive Producer: Furious FX
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Executive Producer: Furious FX
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Visual Effects Executive Producer: Furious FX
The Three Stooges (2012)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Visual Effects Executive Producer: Furious FX
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Visual Effects Executive Producer: Furious FX
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Visual Effects Executive Producer: Furious FX
The Magic of Belle Isle (2012)
Directed by: Rob Reiner
Cinematography by: Reed Morano
Edited by: Dorian Harris
Cameras: ARRI ALEXA Camera
Visual Effects Executive Producer: Furious FX
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Executive Producer: Furious FX
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Visual Effects Executive Producer: Furious FX
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Executive Producer: Furious FX
Vamps (2012)
Directed by: Amy Heckerling
Cinematography by: Tim Suhrstedt
Edited by: Debra Chiate
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Visual Effects Executive Producer: Furious FX
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Visual Effects Executive Producer: Furious FX
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Executive Producer: Furious FX
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Visual Effects Executive Producer: Furious FX
5 Days of War (2011)
Directed by: Renny Harlin
Cinematography by: Checco Varese
Edited by: Brian Berdan
Visual Effects Executive Producer: Furious FX
Furry Vengeance (2010)
Directed by: Roger Kumble
Cinematography by: Peter Lyons Collister
Edited by: Lawrence Jordan
Visual Effects Executive Producer: Furious FX
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Visual Effects Executive Producer: Furious FX
For Colored Girls (2010)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Visual Effects Executive Producer: Furious FX - 4 Episodes, 2010
No Ordinary Family (2010)
Visual Effects Executive Producer: Furious FX
'No Ordinary Family' No Ordinary Quake (2010)
Directed by: Timothy Busfield
Cinematography by: Oliver Bokelberg
Edited by: Anthony Scott
Visual Effects Executive Producer: Furious FX
'No Ordinary Family' No Ordinary Ring (2010)
Directed by: Terry McDonough
Cinematography by: Oliver Bokelberg
Edited by: Anthony Miller
Visual Effects Executive Producer: Furious FX
'No Ordinary Family' No Ordinary Vigilante (2010)
Directed by: Ron Underwood
Cinematography by: Oliver Bokelberg
Edited by: Tirsa Hackshaw
Visual Effects Executive Producer: Furious FX
'No Ordinary Family' No Ordinary Marriage (2010)
Directed by: David Semel
Cinematography by: Oliver Bokelberg
Edited by: Henk Van Eeghen
Executive Producer: Furious FX
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Visual Effects Executive Producer: Furious FX
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Visual Effects Executive Producer: Furious FX
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Executive Producer: Furious FX
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Visual Effects Executive Producer: Furious FX
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Visual Effects Executive Producer: Furious FX
Jonas Brothers: The 3D Concert Experience (2009)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Visual Effects Executive Producer: Furious FX
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Visual Effects Executive Producer: Furious FX
This Is It (2009)
Directed by: Kenny Ortega
Cameras: Red One Camera
Executive Producer: Furious FX
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Visual Effects Executive Producer: Furious FX
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Visual Effects Executive Producer: Furious FX
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Visual Effects Executive Producer: Furious FX
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Visual Effects Executive Producer: Furious FX
From Within (2008)
Directed by: Phedon Papamichael
Cinematography by: Rafael E. Sánchez
Edited by: Michael Matzdorff
Visual Effects Executive Producer: Furious FX
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Visual Effects Executive Producer: Furious FX
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Visual Effects Executive Producer: Furious FX
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Visual Effects Executive Producer: Furious FX
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Visual Effects Executive Producer: Furious FX
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Visual Effects Executive Producer: Furious FX
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Visual Effects Executive Producer: Furious FX
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Visual Effects Executive Producer: Furious FX
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Visual Effects Executive Producer: Furious FX
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Visual Effects Executive Producer: Furious FX
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Visual Effects Executive Producer: Furious FX
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Executive Producer: Furious FX
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Visual Effects Executive Producer: Furious FX
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Visual Effects Executive Producer: Furious FX
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Visual Effects Executive Producer: Furious FX
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Visual Effects Executive Producer: CG Models, Furious FX
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Executive Producer: Furious FX
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Head Of Production: The Farm / Visual Effects Executive Producer: The Farm
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Visual Effects Executive Producer: Doc Ock Vision, Furious FX
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Executive Producer: Cinesite
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Producer: Cinesite
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Visual Effects Producer: Cinesite
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Executive Producer: Cinesite
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Visual Effects Producer: Cinesite
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Executive Producer: Cinesite
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Executive Producer: Cinesite
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Digital Effects Producer: Cinesite
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Digital Effects Producer: Cinesite
Legally Blonde (2001)
Directed by: Robert Luketic
Cinematography by: Anthony B. Richmond
Executive Producer: Cinesite
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Visual Effects Producer: Cinesite
Amy's Orgasm (2001)
Directed by: Julie Davis
Cinematography by: Mark Mervis
Edited by: Julie Davis
Visual Effects Producer: Cinesite
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Visual Effects Producer: Cinesite
Where the Heart Is (2000)
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Visual Effects Producer: Cinesite
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Digital Effects Producer: Cinesite
Screwed (2000)
Cinematography by: Robert Brinkmann
Edited by: Michael Jablow
Visual Effects Producer: Cinesite
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Digital Effects Producer: Cinesite
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Visual Effects Producer: Cinesite
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Digital Effects Producer: Cinesite
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Visual Effects Producer: Cinesite
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Digital Effects Producer: Cinesite
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Visual Effects Producer: Cinesite
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Digital Effects Producer: Cinesite
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Digital Effects Producer: Cinesite
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Digital Effects Producer: Cinesite
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Visual Effects Producer: Cinesite
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Visual Effects Producer: Cinesite
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Visual Effects Associate Producer: Cinesite
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Visual Effects Producer: Cinesite
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Visual Effects Coordinator: Cinesite
Baby's Day Out (1994)
Directed by: Patrick Read Johnson
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Visual Effects Coordinator: Cinesite
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Post-production Coordinator
Blue Flame (1993)
Directed by: Cassian Elwes
Cinematography by: Daniele Massaccesi
Edited by: John Lafferty
Art Department Assistant
Deadfall (1993)
Directed by: Christopher Coppola
Cinematography by: Maryse Alberti
Edited by: Phillip Linson
Digital Restoration Producer: Cinesite
Airport (1970)
Cinematography by: Ernest Laszlo
Edited by: Stuart Gilmore
Cameras: Todd-AO 65mm Camera
Digital Restoration Producer: Cinesite
The Trouble with Harry (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: Alma Macrorie
Cameras: VistaVision Cameras
