David Parker

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Cameras: Red Digital Cinema Cameras

Lenses: Leica Summilux-C Series Lenses

Re-recording Mixer

Knives Out (2019)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Re-recording Mixer

Solo: A Star Wars Story (2018)

| USA

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Re-recording Mixer

Rogue One (2016)

| USA

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Re-recording Mixer

Tomorrowland (2015)

| USA, Spain, France, UK

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Re-recording Mixer: Skywalker Sound

Lucy (2014)

| France, Germany, Taiwan

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens

Re-recording Mixer

'House of Cards' Chapter 17 (2014)

Television Episode

| USA

Directed by: James Foley

Cinematography by: Igor Martinovic

Edited by: Cindy Mollo

Re-recording Mixer

Maleficent (2014)

| USA

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Re-recording Mixer

Gone Girl (2014)

| USA

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Re-recording Mixer

Now You See Me (2013)

| USA, France

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Re-recording Mixer

Her (2013)

Lenses: Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

| USA

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Re-recording Mixer - 1 Episode, 2014

House of Cards (2013)

Television Series

| USA

Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives

Edited by: Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Cameras: Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Additional Rerecording Mixer

The Avengers (2012)

| USA

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Re-recording Mixer

The Bourne Legacy (2012)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

| USA, Japan

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Additional Re-recording Mixer

Ice Age: Continental Drift (2012)

| USA

Directed by: Steve Martino, Mike Thurmeier

Cinematography by: Renato Falcão

Edited by: Christopher Campbell, James Palumbo, David Ian Salter

Re-recording Mixer

Captain America: The First Avenger (2011)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Additional Sound Re-recording Mixer

Season of the Witch (2011)

| USA

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

Re-recording Mixer

The Girl with the Dragon Tattoo (2011)

| USA, Sweden, Norway

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

Additional Re-recording Mixer

Iron Man 2 (2010)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Re-recording Mixer

The Back-up Plan (2010)

| USA

Directed by: Alan Poul

Cinematography by: Xavier Grobet

Edited by: Priscilla Nedd-Friendly

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Re-recording Mixer

The Social Network (2010)

| USA

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

Re-recording Mixer

Love Ranch (2010)

| USA, Germany

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

Re-recording Mixer

The Tourist (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, France, Italy, UK

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Re-recording Mixer

Funny People (2009)

| USA

Directed by: Judd Apatow

Cinematography by: Janusz Kaminski

Edited by: Craig Alpert, Brent White

Lenses: Panavision Primo Anamorphic Lenses

Re-recording Mixer

G.I. Joe: The Rise of Cobra (2009)

| USA, Czech Republic

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Re-recording Mixer

Nine (2009)

| UK, USA

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Additional Sound Re-recording Mixer

The Uninvited (2009)

| USA, Canada, Germany

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

Re-recording Mixer

Semi-Pro (2008)

| USA

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

Re-recording Mixer

The Curious Case of Benjamin Button (2008)

| USA

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Re-recording Mixer

Revolutionary Road (2008)

| USA, UK

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Re-recording Mixer

Knocked Up (2007)

| USA

Directed by: Judd Apatow

Cinematography by: Eric Alan Edwards

Edited by: Craig Alpert, Brent White

Cameras: Panavision Cameras

Re-recording Mixer

Things We Lost in the Fire (2007)

| USA, UK, Canada

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

Re-recording Mixer

Zodiac (2007)

| USA

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: Angus Wall

Cameras: Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Re-recording Mixer

The Bourne Ultimatum (2007)

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

| USA, Germany, France, Spain

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Re-recording Mixer

Dark Water (2005)

| USA

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Re-recording Mixer

Jarhead (2005)

| USA, UK, Germany

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Re-recording Mixer

The Skeleton Key (2005)

| USA, Germany

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Re-recording Mixer

Team America: World Police (2004)

| USA, Germany

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Re-recording Mixer

Hidalgo (2004)

| USA, Morocco

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Re-recording Mixer

Van Helsing (2004)

| USA, Czech Republic, Romania

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Re-recording Mixer

The Singing Detective (2003)

| USA

Directed by: Keith Gordon

Cinematography by: Tom Richmond

Edited by: Jeff Wishengrad

Re-recording Mixer

Finding Home (2003)

| USA

Directed by: Lawrence David Foldes

Cinematography by: Jeffrey Seckendorf

Edited by: Todd C. Ramsay

Re-recording Mixer

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

| USA

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Editing System: Avid Editing System

Re-recording Mixer

Panic Room (2002)

| USA

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Re-recording Mixer

Swimfan (2002)

| USA

Directed by: John Polson

Cinematography by: Giles Nuttgens

Edited by: Sarah Flack

Additional Re-recording, Fx Mixer

K-19: The Widowmaker (2002)

| UK, Germany, Canada, USA

Directed by: Kathryn Bigelow

Cinematography by: Jeff Cronenweth

Edited by: Walter Murch

Re-recording Mixer

The Mothman Prophecies (2002)

| USA

Directed by: Mark Pellington

Cinematography by: Fred Murphy

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lenses

Re-recording Mixer

The Deep End (2001)

| USA

Directed by: Scott McGehee, David Siegel

Cinematography by: Giles Nuttgens

Edited by: Lauren Zuckerman

Re-Recording Mixer

The Pledge (2001)

| USA

Directed by: Sean Penn

Cinematography by: Chris Menges

Edited by: Jay Cassidy

Re-recording Mixer

The Mummy Returns (2001)

| USA

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Re-recording Mixer

Ghost World (2001)

| USA, UK, Germany

Directed by: Terry Zwigoff

Cinematography by: Affonso Beato

Edited by: Carole Kravetz Aykanian, Michael R. Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Re-recording Mixer

Finding Forrester (2000)

| USA

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Valdís Óskarsdóttir

Re-recording Mixer

Lush (2000)

| USA

Directed by: Mark Gibson

Cinematography by: Caroline Champetier

Edited by: Sarah Flack

Re-recording Mixer: Signature Edition

The Iron Giant (1999)

| USA

Directed by: Brad Bird

Cinematography by: Steven Wilzbach

Edited by: Darren T. Holmes

Re-recording Mixer

Fight Club (1999)

| USA, Germany

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Re-recording Mixer

The Talented Mr. Ripley (1999)

| USA

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Re-recording Mixer

Barney's Great Adventure (1998)

| Canada, USA

Directed by: Steve Gomer

Cinematography by: Sandi Sissel

Edited by: Richard Halsey

Rerecording Mixer

Pecker (1998)

| USA

Directed by: John Waters

Cinematography by: Robert M. Stevens

Edited by: Janice Hampton

Recordist

The Apostle (1997)

| USA

Directed by: Robert Duvall

Cinematography by: Barry Markowitz

Edited by: Stephen Mack

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Re-recording Mixer

Wounded (1997)

| Canada

Directed by: Richard Martin

Cinematography by: Gregory Middleton

Edited by: Kerry Uchida

Re-recording Mixer

Amazon (1997)

Documentary

| USA

Directed by: Kieth Merrill

Cinematography by: Mike Hoover

Edited by: Stephen L. Johnson

Re-recording Mixer / Remix Re-recording Engineer: Video Mastering

The Game (1997)

| USA

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

Supervising Re-recording Mixer

Masterminds (1997)

| USA

Directed by: Roger Christian

Cinematography by: Nic Morris

Edited by: Robin Russell

Dialogue Pre-dub Mixer

Passion in the Desert (1997)

| USA

Directed by: Lavinia Currier

Cinematography by: Aleksey Rodionov

Edited by: Nicolas Gaster

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses: Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

Supervising Sound Re-recording Mixer

Boogie Nights (1997)

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Re-recording Mixer

The English Patient (1996)

| USA, UK

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Re-recording Mixer

Fly Away Home (1996)

| USA

Directed by: Carroll Ballard

Cinematography by: Caleb Deschanel

Edited by: Nicholas C. Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Re-recording Mixer

To Die For (1995)

| USA, UK, Canada

Directed by: Gus Van Sant

Cinematography by: Eric Alan Edwards

Edited by: Curtiss Clayton

Rerecording Mixer

Serial Mom (1994)

| USA

Directed by: John Waters

Cinematography by: Robert M. Stevens

Edited by: Janice Hampton, Erica Huggins

Re-recording Mixer

The Jungle Book (1994)

| USA

Directed by: Stephen Sommers

Cinematography by: Juan Ruiz Anchía

Edited by: Bob Ducsay

Supervising Re-recording Mixer

Swimming with Sharks (1994)

| USA

Directed by: George Huang

Cinematography by: Steven Finestone

Edited by: Ed Marx

Cameras: Panavision Cameras

Re-recording Mixer

Ed Wood (1994)

| USA

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Re-recording Mixer

Amityville: A New Generation (1993)

Direct to Video

| USA

Directed by: John Murlowski

Cinematography by: Wally Pfister

Edited by: Rick Finney

Re-recording Mixer

Gunmen (1993)

| USA

Directed by: Deran Sarafian

Cinematography by: Hiro Narita

Edited by: Bonnie Koehler

Re-recording Mixer

Folks! (1992)

| USA

Directed by: Ted Kotcheff

Cinematography by: Larry Pizer

Edited by: Joan E. Chapman

Re-recording Mixer

Twin Peaks: Fire Walk with Me (1992)

| USA, France

Directed by: David Lynch

Cinematography by: Ronald Víctor García

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold Camera

Rerecording Mixer

A Midnight Clear (1992)

| USA

Directed by: Keith Gordon

Cinematography by: Tom Richmond

Edited by: Don Brochu

Cameras: ARRIFLEX Camera

Sound Effects Mixer

Crooked Hearts (1991)

| USA

Directed by: Michael Bortman

Cinematography by: Tak Fujimoto

Edited by: Richard Francis-Bruce

Re-recording Mixer

Rambling Rose (1991)

| USA

Directed by: Martha Coolidge

Cinematography by: Johnny E. Jensen

Edited by: Steven Cohen

Supervising Re-recording Mixer

Blood and Concrete (1991)

| USA

Directed by: Jeffrey Reiner

Cinematography by: Declan Quinn

Edited by: Richard LaBrie, Jeffrey Reiner

Re-recording Mixer

Don't Tell Mom the Babysitter's Dead (1991)

| USA

Directed by: Stephen Herek

Cinematography by: Tim Suhrstedt

Edited by: Larry Bock

Re-recording Mixer

State of Grace (1990)

| UK, USA

Directed by: Phil Joanou, Michael Lee Baron

Cinematography by: Jordan Cronenweth

Edited by: Claire Simpson

Rerecording Mixer

Wild at Heart (1990)

| USA

Directed by: David Lynch

Cinematography by: Frederick Elmes

Edited by: Duwayne Dunham

Re-Recording Mixer - 1 Episode, 1989

Twin Peaks (1990)

Television Series

| USA

Directed by: David Lynch, Lesli Linka Glatter, Caleb Deschanel, Duwayne Dunham, Tim Hunter, Todd Holland, Tina Rathborne, Graeme Clifford, Mark Frost, Uli Edel, James Foley, Stephen Gyllenhaal, Diane Keaton, Jonathan Sanger

Cinematography by: Frank Byers, Ronald Víctor García

Edited by: Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney

Cameras: ARRIFLEX Camera, Panavision Panaflex Camera

Lenses: Panavision Lenses

Re-recording Mixer

Madhouse (1990)

| USA

Directed by: Tom Ropelewski

Cinematography by: Dennis C. Lewiston

Edited by: Michael Jablow

Re-recording Mixer

Cadillac Man (1990)

| USA

Directed by: Roger Donaldson

Cinematography by: David Gribble

Edited by: Richard Francis-Bruce

Re-recording Mixer

The Fly II (1989)

| USA

Directed by: Chris Walas

Cinematography by: Robin Vidgeon

Edited by: Sean Barton

Re-recording Mixer

Checking Out (1989)

| UK

Directed by: David Leland

Cinematography by: Ian Wilson

Edited by: Lee Percy

Effects Mixer

Winter People (1989)

| USA

Directed by: Ted Kotcheff

Cinematography by: François Protat

Edited by: Thom Noble

Cameras: Panavision Cameras

Re-Recording Mixer

'Twin Peaks' Episode #1.1 (1989)

Television Episode

| USA

Directed by: David Lynch

Cinematography by: Ronald Víctor García

Edited by: Duwayne Dunham

Re-recording Mixer

Ernest Saves Christmas (1988)

| USA

Directed by: John R. Cherry III

Cinematography by: Peter Stein

Edited by: Sharyn L. Ross

Cameras: Panavision Cameras

Re-recording Mixer

Heart of Midnight (1988)

| USA

Directed by: Matthew Chapman

Cinematography by: Ray Rivas

Edited by: Penelope Shaw

Supervising Sound Re-recording Mixer

Young Einstein (1988)

| Australia

Directed by: Yahoo Serious

Cinematography by: Jeff Darling

Edited by: David Roach, Amanda Robson, Neil Thumpston, Peter Whitmore

Cameras: Panavision Cameras

Re-recording Mixer

The Unbearable Lightness of Being (1988)

| USA

Directed by: Philip Kaufman

Cinematography by: Sven Nykvist

Edited by: Vivien Hillgrove Gilliam, Michael Magill, Walter Murch, B.J. Sears

Re-recording Mixer

Blue Velvet (1986)

| USA

Directed by: David Lynch

Cinematography by: Frederick Elmes

Edited by: Duwayne Dunham

Rerecording Mixer

The Mosquito Coast (1986)

| USA

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: Thom Noble

Re-recording Mixer

Pray for Death (1985)

| USA

Directed by: Gordon Hessler

Cinematography by: Roy H. Wagner

Edited by: Bill Butler, Stephen Butler

Assistant Sound Re-recording Mixer

Amadeus (1984)

| USA, France, Czechoslovakia

Directed by: Milos Forman

Cinematography by: Miroslav Ondrícek

Edited by: Michael Chandler, T.M. Christopher, Nena Danevic

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Sound Mixer

Never Cry Wolf (1983)

| USA

Directed by: Carroll Ballard

Cinematography by: Hiro Narita

Edited by: Michael Chandler, Peter Parasheles

Boom Operator

Star Wars: Episode VI - Return of the Jedi (1983)

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

| USA

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Location And Sound Effects Mixer, Sound Effects Recordist / Sound Recordist

The Right Stuff (1983)

| USA

Directed by: Philip Kaufman

Cinematography by: Caleb Deschanel

Edited by: Glenn Farr, Lisa Fruchtman, Tom Rolf, Stephen A. Rotter, Douglas Stewart

Re-recording Mixer

Android (1982)

| USA

Directed by: Aaron Lipstadt

Cinematography by: Tim Suhrstedt

Edited by: Andy Horvitch

Cameras: ARRI Cameras

Staff Member

One from the Heart (1981)

| USA

Directed by: Francis Ford Coppola

Cinematography by: Ronald Víctor García, Vittorio Storaro

Edited by: Rudi Fehr, Anne Goursaud, Randy Roberts

Cameras: ARRIFLEX 35 BL Camera

Lenses: Cooke Super Cine Varotal 25-250mm f2.8 Lens

Staff: Omni Zoetrope Studios

Apocalypse Now (1979)