Re-recording Mixer
Mank (2020)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Cameras: Red Digital Cinema Cameras
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Re-recording Mixer
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Re-recording Mixer
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Re-recording Mixer
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Re-recording Mixer
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Re-recording Mixer
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Re-recording Mixer
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Re-recording Mixer: Skywalker Sound
Lucy (2014)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Re-recording Mixer
'House of Cards' Chapter 17 (2014)
Directed by: James Foley
Cinematography by: Igor Martinovic
Edited by: Cindy Mollo
Re-recording Mixer - 1 Episode, 2014
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Additional Rerecording Mixer
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Re-recording Mixer
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Additional Sound Re-recording Mixer
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Re-recording Mixer
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Re-recording Mixer
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Re-recording Mixer
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Re-recording Mixer
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Additional Re-recording Mixer
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Re-recording Mixer
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Re-recording Mixer
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Additional Sound Re-recording Mixer
The Uninvited (2009)
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Re-recording Mixer
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Things We Lost in the Fire (2007)
Directed by: Susanne Bier
Cinematography by: Tom Stern
Re-recording Mixer
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Re-recording Mixer
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Re-recording Mixer
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Re-recording Mixer
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Re-recording Mixer
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Re-recording Mixer
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Re-recording Mixer
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Re-recording Mixer
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad
Re-recording Mixer
Finding Home (2003)
Directed by: Lawrence David Foldes
Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay
Re-recording Mixer
Swimfan (2002)
Directed by: John Polson
Cinematography by: Giles Nuttgens
Edited by: Sarah Flack
Re-recording Mixer
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Additional Re-recording, Fx Mixer
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Re-recording Mixer
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Re-Recording Mixer
The Pledge (2001)
Directed by: Sean Penn
Cinematography by: Chris Menges
Edited by: Jay Cassidy
Re-recording Mixer
Ghost World (2001)
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Re-recording Mixer
Lush (2000)
Directed by: Mark Gibson
Cinematography by: Caroline Champetier
Edited by: Sarah Flack
Re-recording Mixer
Finding Forrester (2000)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
Re-recording Mixer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer: Signature Edition
The Iron Giant (1999)
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Re-recording Mixer
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Rerecording Mixer
Pecker (1998)
Directed by: John Waters
Cinematography by: Robert M. Stevens
Edited by: Janice Hampton
Re-recording Mixer
Barney's Great Adventure (1998)
Directed by: Steve Gomer
Cinematography by: Sandi Sissel
Edited by: Richard Halsey
Recordist
The Apostle (1997)
Directed by: Robert Duvall
Cinematography by: Barry Markowitz
Edited by: Stephen Mack
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Re-recording Mixer
Masterminds (1997)
Directed by: Roger Christian
Cinematography by: Nic Morris
Edited by: Robin Russell
Dialogue Pre-dub Mixer
Passion in the Desert (1997)
Directed by: Lavinia Currier
Cinematography by: Aleksey Rodionov
Edited by: Nicolas Gaster
Re-recording Mixer / Remix Re-recording Engineer: Video Mastering
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Re-recording Mixer
Wounded (1997)
Directed by: Richard Martin
Cinematography by: Gregory Middleton
Edited by: Kerry Uchida
Supervising Sound Re-recording Mixer
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Re-recording Mixer
Amazon (1997)
Directed by: Kieth Merrill
Cinematography by: Mike Hoover
Edited by: Stephen L. Johnson
Re-recording Mixer
Fly Away Home (1996)
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Re-recording Mixer
To Die For (1995)
Directed by: Gus Van Sant
Cinematography by: Eric Alan Edwards
Edited by: Curtiss Clayton
Re-recording Mixer
Ed Wood (1994)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
The Jungle Book (1994)
Directed by: Stephen Sommers
Cinematography by: Juan Ruiz Anchía
Edited by: Bob Ducsay
Supervising Re-recording Mixer
Swimming with Sharks (1994)
Directed by: George Huang
Cinematography by: Steven Finestone
Edited by: Ed Marx
Cameras: Panavision Cameras
Re-recording Mixer
Gunmen (1993)
Directed by: Deran Sarafian
Cinematography by: Hiro Narita
Edited by: Bonnie Koehler
Re-recording Mixer
Amityville: A New Generation (1993)
Directed by: John Murlowski
Cinematography by: Wally Pfister
Edited by: Rick Finney
Re-recording Mixer
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Folks! (1992)
Directed by: Ted Kotcheff
Cinematography by: Larry Pizer
Edited by: Joan E. Chapman
Rerecording Mixer
A Midnight Clear (1992)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Don Brochu
Cameras: ARRIFLEX Camera
Sound Effects Mixer
Crooked Hearts (1991)
Directed by: Michael Bortman
Cinematography by: Tak Fujimoto
Edited by: Richard Francis-Bruce
Re-recording Mixer
Rambling Rose (1991)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Supervising Re-recording Mixer
Blood and Concrete (1991)
Directed by: Jeffrey Reiner
Cinematography by: Declan Quinn
Re-recording Mixer
Don't Tell Mom the Babysitter's Dead (1991)
Directed by: Stephen Herek
Cinematography by: Tim Suhrstedt
Edited by: Larry Bock
Re-recording Mixer
Cadillac Man (1990)
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Rerecording Mixer
Wild at Heart (1990)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Re-recording Mixer
Madhouse (1990)
Directed by: Tom Ropelewski
Cinematography by: Dennis C. Lewiston
Edited by: Michael Jablow
Re-recording Mixer
State of Grace (1990)
Cinematography by: Jordan Cronenweth
Edited by: Claire Simpson
Re-Recording Mixer - 1 Episode, 1989
Twin Peaks (1990)
Directed by: David Lynch, Lesli Linka Glatter, Caleb Deschanel, Duwayne Dunham, Tim Hunter, Todd Holland, Tina Rathborne, Graeme Clifford, Mark Frost, Uli Edel, James Foley, Stephen Gyllenhaal, Diane Keaton, Jonathan Sanger
Lenses: Panavision Lenses
Editing System: Steenbeck Editing System
Re-recording Mixer
Checking Out (1989)
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: Lee Percy
Re-recording Mixer
The Fly II (1989)
Directed by: Chris Walas
Cinematography by: Robin Vidgeon
Edited by: Sean Barton
Effects Mixer
Winter People (1989)
Directed by: Ted Kotcheff
Cinematography by: François Protat
Edited by: Thom Noble
Cameras: Panavision Cameras
Re-Recording Mixer
'Twin Peaks' Episode #1.1 (1989)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Duwayne Dunham
Re-recording Mixer
The Unbearable Lightness of Being (1988)
Directed by: Philip Kaufman
Cinematography by: Sven Nykvist
Re-recording Mixer
Heart of Midnight (1988)
Directed by: Matthew Chapman
Cinematography by: Ray Rivas
Edited by: Penelope Shaw
Re-recording Mixer
Ernest Saves Christmas (1988)
Directed by: John R. Cherry III
Cinematography by: Peter Stein
Edited by: Sharyn L. Ross
Cameras: Panavision Cameras
Supervising Sound Re-recording Mixer
Young Einstein (1988)
Directed by: Yahoo Serious
Cinematography by: Jeff Darling
Cameras: Panavision Cameras
Re-recording Mixer
Blue Velvet (1986)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Rerecording Mixer
The Mosquito Coast (1986)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Re-recording Mixer
Pray for Death (1985)
Directed by: Gordon Hessler
Cinematography by: Roy H. Wagner
Assistant Sound Re-recording Mixer
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Location And Sound Effects Mixer, Sound Effects Recordist / Sound Recordist
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
Re-recording Mixer
Android (1982)
Directed by: Aaron Lipstadt
Cinematography by: Tim Suhrstedt
Edited by: Andy Horvitch
Cameras: ARRI Cameras
Staff Member
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Staff: Omni Zoetrope Studios
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
