Peter Staubli

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Pearl | ShotOnWhat?

Re-recording Mixer / Sound Designer

Pearl (2022)

Directed by: Ti West

Cinematography by: Eliot Rockett

Edited by: Ti West

Cameras: Sony CineAlta VENICE Camera

Lenses: Hawk MiniHawk Hybrid Anamorphic Lenses

The Saint of the Impossible | ShotOnWhat?

Sound Designer

The Saint of the Impossible (2020)

Directed by: Marc Raymond Wilkins

Cinematography by: A. Burak Turan

Edited by: Jann Anderegg

Cameras: Sony CineAlta VENICE Camera

Lenses: Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Optica Elite 35 Anamorphic 100 mm T2.1 Lens, Optica Elite 35 Anamorphic 40 mm T2.1 Lens, Optica Elite 35 Anamorphic 75 mm T2.1 Lens

Skyscraper | ShotOnWhat?

Sound Designer

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

Sound Designer: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

The Accountant | ShotOnWhat?

Sound Effects Editor

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Child 44 | ShotOnWhat?

Sound Designer

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

San Andreas | ShotOnWhat?

Sound Designer

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spectre | ShotOnWhat?

Sound Designer

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Dracula Untold | ShotOnWhat?

Sound Designer

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Lost River | ShotOnWhat?

Sound Effects Editor

Lost River (2014)

Directed by: Ryan Gosling

Cinematography by: Benoît Debie

Edited by: Nico Leunen, Valdís Óskarsdóttir

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Sabotage | ShotOnWhat?

Sound Effects Editor

Sabotage (2014)

Directed by: David Ayer

Cinematography by: Bruce McCleery

Edited by: Dody Dorn

RoboCop | ShotOnWhat?

Sound Designer

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Sound Designer

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Furious 6 | ShotOnWhat?

Sound Designer

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Carrie | ShotOnWhat?

Sound Designer

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

Safe House | ShotOnWhat?

Sound Designer

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Bourne Legacy | ShotOnWhat?

Sound Designer

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Sound Designer

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

What to Expect When You're Expecting | ShotOnWhat?

Sound Editor

What to Expect When You're Expecting (2012)

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Guilt Trip | ShotOnWhat?

Sound Effects Editor

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

I Am Number Four | ShotOnWhat?

Sound Effects Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

What's Your Number? | ShotOnWhat?

Sound Effects Editor

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Fast Five | ShotOnWhat?

Sound Designer / Sound Effects Editor

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Green Lantern | ShotOnWhat?

Sound Designer / Sound Effects Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Love Ranch | ShotOnWhat?

Sound Effects Editor

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

London Boulevard | ShotOnWhat?

Sound Effects Editor

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Salt | ShotOnWhat?

Sound Effects Editor

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Life as We Know It | ShotOnWhat?

Sound Effects Editor

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Wolfman | ShotOnWhat?

Sound Effects Editor: Sound Designer

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

17 Again | ShotOnWhat?

Sound Effects Editor

17 Again (2009)

Directed by: Burr Steers

Cinematography by: Tim Suhrstedt

Edited by: Padraic McKinley

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Halloween II | ShotOnWhat?

Sound Designer , Sound Effects Editor: EarCandy

Halloween II (2009)

Directed by: Rob Zombie

Cinematography by: Brandon Trost

Edited by: Glenn Garland, Joel T. Pashby

Cameras: ARRI Cameras

Shrink | ShotOnWhat?

Sound Editor

Shrink (2009)

Directed by: Jonas Pate

Cinematography by: Lukas Ettlin, Isaac Phillips

Edited by: Luis Carballar

Cameras: Panavision Cameras

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Sound Effects Editor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Defiance | ShotOnWhat?

Sound Editor

Defiance (2008)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Disaster Movie | ShotOnWhat?

Sound Effects Editor

Disaster Movie (2008)

Directed by: Jason Friedberg, Aaron Seltzer

Cinematography by: Shawn Maurer

Edited by: Peck Prior

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Days of Wrath | ShotOnWhat?

Sound Effects Editor

Days of Wrath (2008)

Directed by: Celia Fox

Cinematography by: Steven Fierberg

Edited by: Anne Goursaud, Michael Schultz

Eagle Eye | ShotOnWhat?

Sound Effects Editor

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Never Back Down | ShotOnWhat?

Sound Editor

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Thomas Kinkade's Christmas Cottage | ShotOnWhat?

Adr Editor / Dialogue Editor / Re-recording Mixer

Thomas Kinkade's Christmas Cottage (2008)

Directed by: Michael Campus

Cinematography by: Robert Brinkmann

Edited by: Don Brochu

Last Chance Harvey | ShotOnWhat?

Sound Effects Editor

Last Chance Harvey (2008)

Directed by: Joel Hopkins

Cinematography by: John de Borman

Edited by: Robin Sales

Body of Lies | ShotOnWhat?

Sound Effects Editor

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

My Best Friend's Girl | ShotOnWhat?

Sound Effects Editor

My Best Friend's Girl (2008)

Directed by: Howard Deutch

Cinematography by: Jack N. Green

Edited by: Seth Flaum

The Bourne Ultimatum | ShotOnWhat?

Sound Effects Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Good Luck Chuck | ShotOnWhat?

Sound Effects Editor

Good Luck Chuck (2007)

Directed by: Mark Helfrich

Cinematography by: Anthony B. Richmond

Edited by: Julia Wong

Things We Lost in the Fire | ShotOnWhat?

Sound Effects Editor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

American Gangster | ShotOnWhat?

Sound Effects Editor

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Step Up | ShotOnWhat?

Sound Effects Editor

Step Up (2006)

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Bobby | ShotOnWhat?

Dialogue Editor

Bobby (2006)

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

A Good Year | ShotOnWhat?

Sound Effects Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Poseidon | ShotOnWhat?

Sound Effects Editor

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Eight Below | ShotOnWhat?

Sound Effects Editor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

Kingdom of Heaven | ShotOnWhat?

Sound Editor - Director's Cut, Sound Effects Editor

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

The Island | ShotOnWhat?

Sound Effects Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Bourne Supremacy | ShotOnWhat?

Sound Effects Editor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Van Helsing | ShotOnWhat?

Sound Effects Editor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Clearing | ShotOnWhat?

Sound Effects Editor

The Clearing (2004)

Directed by: Pieter Jan Brugge

Cinematography by: Denis Lenoir

Edited by: Kevin Tent

Ray | ShotOnWhat?

Sound Effects Editor

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Matchstick Men | ShotOnWhat?

Sound Editor

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

High Tension | ShotOnWhat?

Sound Effects Editor: United States Version

High Tension (2003)

Directed by: Alexandre Aja

Cinematography by: Maxime Alexandre

Edited by: Baxter, Al Rundle, Sophie Vermersch

Paycheck | ShotOnWhat?

Sound Effects Editor

Paycheck (2003)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Seabiscuit | ShotOnWhat?

Sound Effects Editor

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Maid in Manhattan | ShotOnWhat?

Sound Editor

Maid in Manhattan (2002)

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

High Crimes | ShotOnWhat?

Sound Effects Editor

High Crimes (2002)

Directed by: Carl Franklin

Cinematography by: Theo van de Sande

Edited by: Carole Kravetz Aykanian

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Adaptation. | ShotOnWhat?

Sound Effects Editor

Adaptation. (2002)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

CQ | ShotOnWhat?

Sound Effects Editor

CQ (2001)

Directed by: Roman Coppola

Cinematography by: Robert D. Yeoman

Edited by: Leslie Jones

The Shipping News | ShotOnWhat?

Sound Fx Editor

The Shipping News (2001)

Directed by: Lasse Hallström

Cinematography by: Oliver Stapleton

Edited by: Andrew Mondshein

Evolution | ShotOnWhat?

Foley Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Hannibal | ShotOnWhat?

Foley Editor

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Black Hawk Down | ShotOnWhat?

Sound Effects Editor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Proof of Life | ShotOnWhat?

Sound Editor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Bait | ShotOnWhat?

Sound Effects Editor

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

The Patriot | ShotOnWhat?

Sound Effects Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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