Aurora Shannon

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"Stranger Things" Chapter One: The Hellfire Club | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter One: The Hellfire Club (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Dean Zimmerman

"Stranger Things" Chapter Two: Vecna's Curse | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Two: Vecna's Curse (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Four: Dear Billy | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Four: Dear Billy (2022)

Television Episode

Directed by: Shawn Levy

Cinematography by: Brett Jutkiewicz

Edited by: Dean Zimmerman

"Stranger Things" Chapter Nine: The Piggyback | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Nine: The Piggyback (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Katheryn Naranjo, Dean Zimmerman

"Stranger Things" Chapter Three: The Monster and the Superhero | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Three: The Monster and the Superhero (2022)

Television Episode

Directed by: Shawn Levy

Cinematography by: Brett Jutkiewicz

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Five: The Nina Project | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Five: The Nina Project (2022)

Television Episode

Directed by: Nimród Antal

Cinematography by: Caleb Heymann

Edited by: Casey Cichocki, Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Six: The Dive | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Six: The Dive (2022)

Television Episode

Directed by: Nimród Antal

Cinematography by: Caleb Heymann

Edited by: Katheryn Naranjo, Dean Zimmerman

"Stranger Things" Chapter Seven: The Massacre at Hawkins Lab | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Nat Fuller, Dean Zimmerman

"Stranger Things" Chapter Eight: Papa | ShotOnWhat?

Senior Visual Effects Colourist

'Stranger Things' Chapter Eight: Papa (2022)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Caleb Heymann

Edited by: Katheryn Naranjo

The Matrix Resurrections | ShotOnWhat?

Senior Visual Effects Colourist

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Dune | ShotOnWhat?

Senior Colourist: Visual Effects, Senior Visual Effects Colourist

Dune (2021)

Directed by: Denis Villeneuve

Cinematography by: Greig Fraser

Edited by: Joe Walker

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

F9 | ShotOnWhat?

Senior Colourist: DNEG London

F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

"Westworld" The Mother of Exiles | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' The Mother of Exiles (2020)

Television Episode

Directed by: Paul Cameron

Cinematography by: John Grillo

Edited by: Anna Hauger

"Westworld" Parce Domine | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Parce Domine (2020)

Television Episode

Directed by: Jonathan Nolan

Cinematography by: Paul Cameron

Edited by: Stephen Semel

"Westworld" The Winter Line | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' The Winter Line (2020)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: John Grillo

Edited by: Andrew Seklir

"Westworld" The Absence of Field | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' The Absence of Field (2020)

Television Episode

Directed by: Amanda Marsalis

Cinematography by: Zoë White

Edited by: Ali Comperchio

"Westworld" Genre | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Genre (2020)

Television Episode

Directed by: Anna Foerster

Cinematography by: Zoë White

Edited by: Andrew Seklir

"Westworld" Decoherence | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Decoherence (2020)

Television Episode

Directed by: Jennifer Getzinger

Cinematography by: John Grillo

Edited by: Ali Comperchio

"Westworld" Passed Pawn | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Passed Pawn (2020)

Television Episode

Directed by: Helen Shaver

Cinematography by: Matt Flannery

Edited by: Anna Hauger

"Westworld" Crisis Theory | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Crisis Theory (2020)

Television Episode

Directed by: Jennifer Getzinger

Cinematography by: John Grillo

Edited by: Andrew Seklir

Wonder Woman 1984 | ShotOnWhat?

Senior Colourist: Visual Effects

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Tenet | ShotOnWhat?

Visual Effects Production/technical Support: DNEG

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

"Westworld" Reunion | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Reunion (2018)

Television Episode

Directed by: Vincenzo Natali

Cinematography by: John Grillo

Edited by: David Eisenberg

First Man | ShotOnWhat?

Colourist: Visual Effects

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

"Westworld" Journey into Night | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Journey into Night (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Andrew Seklir

"Westworld" Virtù e Fortuna | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Virtù e Fortuna (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Anna Hauger

Bad Times at the El Royale | ShotOnWhat?

Colourist: Visual Effects

Bad Times at the El Royale (2018)

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Meg | ShotOnWhat?

Visual Effects Colourist

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Annihilation | ShotOnWhat?

Colourist: Visual Effects

Annihilation (2018)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Barney Pilling

Cameras: Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

"Westworld" The Passenger | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' The Passenger (2018)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: John Grillo

Edited by: Anna Hauger, Mako Kamitsuna, Andrew Seklir

"Westworld" Vanishing Point | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Vanishing Point (2018)

Television Episode

Directed by: Stephen Williams

Cinematography by: Darran Tiernan

Edited by: Ron Rosen

"Westworld" Les Écorchés | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Les Écorchés (2018)

Television Episode

Directed by: Nicole Kassell

Cinematography by: M. David Mullen

Edited by: Anna Hauger

"Westworld" Phase Space | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Phase Space (2018)

Television Episode

Directed by: Tarik Saleh

Cinematography by: John Grillo

Edited by: Ron Rosen

"Westworld" Akane no Mai | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Akane no Mai (2018)

Television Episode

Directed by: Craig Zobel

Cinematography by: Darran Tiernan

Edited by: David Eisenberg

"Westworld" The Riddle of the Sphinx | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' The Riddle of the Sphinx (2018)

Television Episode

Directed by: Lisa Joy

Cinematography by: John Grillo

Edited by: Andrew Seklir

"Westworld" Kiksuya | ShotOnWhat?

Senior Visual Effects Colourist

'Westworld' Kiksuya (2018)

Television Episode

Directed by: Uta Briesewitz

Cinematography by: Darran Tiernan

Edited by: David Eisenberg

Wonder Woman | ShotOnWhat?

Colourist: Visual Effects

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

The Mummy | ShotOnWhat?

Visual Effects Colourist: DNEG

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Fast 8 | ShotOnWhat?

Colourist: Visual Effects

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Stranger Things | ShotOnWhat?

Senior Visual Effects Colourist - 9 Episodes, 2022

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Huntsman: Winter's War | ShotOnWhat?

Visual Effects Colorist

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Star Trek Beyond | ShotOnWhat?

Colourist: Visual Effects

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Anthropoid | ShotOnWhat?

Colourist: Dallies, Dailies Colourist

Anthropoid (2016)

Directed by: Sean Ellis

Cinematography by: Sean Ellis

Edited by: Richard Mettler

Cameras: ARRIFLEX 416 Camera

Lenses: Hawk V-Lite 16 Lens

Westworld | ShotOnWhat?

Senior Visual Effects Colourist - 18 Episodes, 2018-2020

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

Mission: Impossible - Rogue Nation | ShotOnWhat?

Colour Assist, Colour Assistant: Company 3

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Amy | ShotOnWhat?

Colour Assist

Amy (2015)

Directed by: Asif Kapadia

Cinematography by: Rafael Bettega, Jake Clennell, Ernesto Herrmann

Edited by: Chris King

Cinderella | ShotOnWhat?

Colourist: Visual Effects

Cinderella (2015)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Martian | ShotOnWhat?

Colour Assist

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Spectre | ShotOnWhat?

Colour Assist

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Paddington | ShotOnWhat?

Colourist: Visual Effects

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

The Imitation Game | ShotOnWhat?

Visual Effects Colorist

The Imitation Game (2014)

Directed by: Morten Tyldum

Cinematography by: Oscar Faura

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Hercules | ShotOnWhat?

Colour Assist

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Exodus: Gods and Kings | ShotOnWhat?

3d Convergence

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Jack Ryan: Shadow Recruit | ShotOnWhat?

Digital Intermediate Assistant, Visual Effects Colorist

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Rush | ShotOnWhat?

Digital Intermediate Assistant: Company 3 London

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

World War Z | ShotOnWhat?

3d Convergence

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Furious 6 | ShotOnWhat?

Colourist: Visual Effects

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Captain Phillips | ShotOnWhat?

Digital Intermediate Assistant

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

The World's End | ShotOnWhat?

Digital Intermediate Assistant: Company 3 London

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

The Counselor | ShotOnWhat?

Digital Intermediate Assistant

The Counselor (2013)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Philomena | ShotOnWhat?

Digital Intermediate Assistant

Philomena (2013)

Directed by: Stephen Frears

Cinematography by: Robbie Ryan

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Camera

Les Misérables | ShotOnWhat?

Additional Colourist / Digital Intermediate Assistant

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Wrath of the Titans | ShotOnWhat?

Digital Intermediate Assistant

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Marley | ShotOnWhat?

Additional Colourist / Digital Intermediate Assistant, Digital Intermediate Assistant

Marley (2012)

Directed by: Kevin Macdonald

Cinematography by: Mike Eley, Alwin H. Küchler, Wally Pfister

Edited by: Dan Glendenning

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, Canon EOS-5D Mark II Camera

Contraband | ShotOnWhat?

Digital Intermediate Assistant

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

Frankenweenie | ShotOnWhat?

Digital Intermediate Assistant

Frankenweenie (2012)

Directed by: Tim Burton

Cinematography by: Peter Sorg

Edited by: Chris Lebenzon, Mark Solomon

Cameras: Canon EOS-5D Mark II Camera

Editing System: Avid Editing System

Anna Karenina | ShotOnWhat?

Digital Intermediate Assistant

Anna Karenina (2012)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Melanie Oliver

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Snow White and the Huntsman | ShotOnWhat?

Colourist: Visual Effects

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Skyfall | ShotOnWhat?

Digital Intermediate Assistant: Company 3 London

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Seven Psychopaths | ShotOnWhat?

Digital Intermediate Assistant: Company 3 London

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Hyde Park on Hudson | ShotOnWhat?

Digital Intermediate Assistant

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Room on the Broom | ShotOnWhat?

Colour Assist

Room on the Broom (2012)

Short Film, Television Movie

Directed by: Jan Lachauer, Max Lang

Edited by: Robin Sales

The Woman in Black | ShotOnWhat?

Digital Intermediate Assistant

The Woman in Black (2012)

Directed by: James Watkins

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

The Veteran | ShotOnWhat?

Digital Intermediate Assistant

The Veteran (2011)

Directed by: Matthew Hope

Cinematography by: Philipp Blaubach

Edited by: Emma Gaffney

360 | ShotOnWhat?

Digital Intermediate Assistant

360 (2011)

Directed by: Fernando Meirelles

Cinematography by: Adriano Goldman

Edited by: Daniel Rezende

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

The Decoy Bride | ShotOnWhat?

Digital Intermediate Assistant

The Decoy Bride (2011)

Directed by: Sheree Folkson

Cinematography by: Nanu Segal

Edited by: Dan Farrell

Wuthering Heights | ShotOnWhat?

Digital Intermediate Assistant

Wuthering Heights (2011)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

The Inbetweeners Movie | ShotOnWhat?

Digital Intermediate Assistant

The Inbetweeners Movie (2011)

Directed by: Ben Palmer

Cinematography by: Ben Wheeler

Edited by: Charlie Fawcett, William Webb

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Eagle | ShotOnWhat?

Digital Intermediate Assistant

The Eagle (2011)

Directed by: Kevin Macdonald

Cinematography by: Anthony Dod Mantle

Edited by: Justine Wright

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-1D Mark IV Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Tyrannosaur | ShotOnWhat?

Digital Intermediate Assistant

Tyrannosaur (2011)

Directed by: Paddy Considine

Cinematography by: Erik Wilson

Edited by: Pia Di Ciaula

Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses: Cooke Speed Panchro Lenses

One Day | ShotOnWhat?

Digital Intermediate Assistant

One Day (2011)

Directed by: Lone Scherfig

Cinematography by: Benoît Delhomme

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Iron Lady | ShotOnWhat?

Digital Intermediate Assistant: Deluxe 142

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Best Exotic Marigold Hotel | ShotOnWhat?

Digital Intermediate Assistant

The Best Exotic Marigold Hotel (2011)

Directed by: John Madden

Cinematography by: Ben Davis

Edited by: Chris Gill

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Exit Through the Gift Shop | ShotOnWhat?

Digital Intermediate Assistant

Exit Through the Gift Shop (2010)

Directed by: Banksy

Edited by: Tom Fulford, Chris King

Morning Glory | ShotOnWhat?

Digital Intermediate Assistant

Morning Glory (2010)

Directed by: Roger Michell

Cinematography by: Alwin H. Küchler

Edited by: Dan Farrell, Nick Moore, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

L'illusionniste | ShotOnWhat?

Digital Intermediate Assistant

L'illusionniste (2010)

Directed by: Sylvain Chomet

Edited by: Sylvain Chomet

The Special Relationship | ShotOnWhat?

Digital Intermediate Assistant

The Special Relationship (2010)

Television Movie

Directed by: Richard Loncraine

Cinematography by: Barry Ackroyd

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

Digital Intermediate Assistant

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Nutcracker in 3D | ShotOnWhat?

Digital Intermediate Assistant

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Never Let Me Go | ShotOnWhat?

Digital Intermediate Assistant

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Green Zone | ShotOnWhat?

Digital Intermediate Assistant

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Nanny McPhee Returns | ShotOnWhat?

Digital Intermediate Assistant

Nanny McPhee Returns (2010)

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Prince of Persia: The Sands of Time | ShotOnWhat?

Digital Intermediate Assistant Colorist

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Beyond Biba: A Portrait of Barbara Hulanicki | ShotOnWhat?

Digital Intermediate Assistant

Beyond Biba: A Portrait of Barbara Hulanicki (2009)

Directed by: Louis Price

Cinematography by: Thomas Walters

Edited by: Kant Pan

Vampire Killers | ShotOnWhat?

Digital Intermediate Assistant

Vampire Killers (2009)

Directed by: Phil Claydon

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: Red One Camera

Nine | ShotOnWhat?

Digital Intermediate Assistant

Nine (2009)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Disappearance of Alice Creed | ShotOnWhat?

Digital Intermediate Assistant

The Disappearance of Alice Creed (2009)

Directed by: J Blakeson

Cinematography by: Philipp Blaubach

Edited by: Mark Eckersley

Glorious 39 | ShotOnWhat?

Digital Intermediate Assistant

Glorious 39 (2009)

Directed by: Stephen Poliakoff

Cinematography by: Danny Cohen

Edited by: Jason Krasucki

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fish Tank | ShotOnWhat?

Digital Intermediate Assistant Colorist

Fish Tank (2009)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

44 Inch Chest | ShotOnWhat?

Digital Intermediate Assistant

44 Inch Chest (2009)

Directed by: Malcolm Venville

Cinematography by: Daniel Landin

Edited by: Rick Russell

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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