Christopher Scarabosio

68 Titles

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Elemental | ShotOnWhat?

Re-recording Mixer - Rumored

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

The French Dispatch | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The French Dispatch (2021)

Movie

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4/i Lenses

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Re-recording Mixer

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Marriage Story | ShotOnWhat?

Re-recording Mixer / Sound: Design / Supervising Sound Editor

Marriage Story (2019)

Directed by: Noah Baumbach

Cinematography by: Robbie Ryan

Edited by: Jennifer Lame

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Vice | ShotOnWhat?

Re-recording Mixer

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Isle of Dogs | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Isle of Dogs (2018)

Directed by: Wes Anderson

Cinematography by: Tristan Oliver

Edited by: Edward Bursch, Ralph Foster, Andrew Weisblum

Cameras: Canon EOS-1DX Camera

Ralph Breaks the Internet | ShotOnWhat?

Sound: Role TBA

Ralph Breaks the Internet (2018)

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Solo: A Star Wars Story | ShotOnWhat?

Re-recording Mixer

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Phantom Thread | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

The Mummy | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Additional Voices, Re-Recording Mixer / Sound Designer / Supervising Sound Editor

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

The BFG | ShotOnWhat?

Additional Re-recording Mixer / Additional Sound Designer

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Chappie | ShotOnWhat?

Re-recording Mixer

Chappie (2015)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Additional Sound Design , Additional Voices, Re-Recording Mixer

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

The Grand Budapest Hotel | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Grand Budapest Hotel (2014)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Editing System: Avid Editing System

Inherent Vice | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

Inherent Vice (2014)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Captain America: The Winter Soldier | ShotOnWhat?

Additional Re-Recording Mixer

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Thor: The Dark World | ShotOnWhat?

Additional Re-recording Mixer

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Epic | ShotOnWhat?

Additional Voices

Epic (2013)

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

Despicable Me 2 | ShotOnWhat?

Additional Re-recording Mixer / Sound Designer, Supervising Sound Editor

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

Elysium | ShotOnWhat?

Re-Recording Mixer

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

People Like Us | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

People Like Us (2012)

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Moonrise Kingdom | ShotOnWhat?

Re-recording Mixer

Moonrise Kingdom (2012)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Aaton A-Minima Camera, Aaton Xterà Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

The Master | ShotOnWhat?

Re-recording Mixer / Sound Designer / Supervising Sound Editor

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Sound Design: Shredder

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hanna | ShotOnWhat?

Re-recording MIxer

Hanna (2011)

Directed by: Joe Wright

Cinematography by: Alwin H. Küchler

Edited by: Paul Tothill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Additional Re-Recording Mixer

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Tree of Life | ShotOnWhat?

Additional Re-recording Mixer

The Tree of Life (2011)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Super 8 | ShotOnWhat?

Additional Re-recording Mixer: Skywalker Sound

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

Sound Effects Editor

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Whip It | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Whip It (2009)

Directed by: Drew Barrymore

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sound Effects Editor

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Soloist | ShotOnWhat?

Re-recording Mixer

The Soloist (2009)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Additional Sound Design / Re-recording Mixer

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Additional Sound Design

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

The Simpsons Movie | ShotOnWhat?

Additional Re-recording Mixer, Co-sound Designer / Sound: Design / Supervising Sound Editor / Temp Re-recording Mixer

The Simpsons Movie (2007)

Directed by: David Silverman

Edited by: John Carnochan

Editing System: Final Cut Pro Editing System

There Will Be Blood | ShotOnWhat?

Additional Re-recording Mixer , Sound Designer

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Eragon | ShotOnWhat?

Additional Re-recording Mixer

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Deja Vu | ShotOnWhat?

Special Sound Effects Design

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Magnificent Desolation: Walking on the Moon 3D | ShotOnWhat?

Fx Editor

Magnificent Desolation: Walking on the Moon 3D (2005)

Directed by: Mark Cowen

Cinematography by: Sean MacLeod Phillips

Edited by: Billy Schinski

Munich | ShotOnWhat?

Re-recording Mixer / Sound Effects Editor

Munich (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Moviola Editing System

Star Wars: Episode III - Revenge of the Sith | ShotOnWhat?

Dialogue Editor / Dialogue Re-recording Mixer, Sound Designer

Star Wars: Episode III - Revenge of the Sith (2005)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

The Island | ShotOnWhat?

Additional Sound Designer

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Hellboy | ShotOnWhat?

Sound Effects Editor

Hellboy (2004)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson

Bad Boys II | ShotOnWhat?

Special Sound Effects

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Peter Pan | ShotOnWhat?

Sound Designer

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Additional Sound FX / Sound Effects Editor , Sound FU

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Punch-Drunk Love | ShotOnWhat?

Sound Designer

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Lilo & Stitch | ShotOnWhat?

Additional Sound Effects , Sound Effects Editor

Lilo & Stitch (2002)

Directed by: Dean DeBlois, Chris Sanders

Edited by: Darren T. Holmes

Bandits | ShotOnWhat?

Sound Designer

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

A.I. Artificial Intelligence | ShotOnWhat?

Sound Effects Editor

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

Pearl Harbor | ShotOnWhat?

Sound Design Editor , Sound Editor

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Rules of Engagement | ShotOnWhat?

Sound Designer , Sound Editor

Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Neumodian Senator, Sound Effects Editor

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

The 13th Warrior | ShotOnWhat?

Assistant Sound Design

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Fight Club | ShotOnWhat?

Additional Adr Editor

Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Stepmom | ShotOnWhat?

Sound Effects Editor

Stepmom (1998)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Halloween H20: 20 Years Later | ShotOnWhat?

Sound Effects Editor

Halloween H20: 20 Years Later (1998)

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Patrick Lussier

Armageddon | ShotOnWhat?

Sound Editor

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Titanic | ShotOnWhat?

Sound Effects Editor

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mimic | ShotOnWhat?

Sound Effects Editor

Mimic (1997)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Peter Devaney Flanagan, Patrick Lussier

Speed 2: Cruise Control | ShotOnWhat?

Assistant Sound Design

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Campfire Tales | ShotOnWhat?

Sound Designer , Supervising Sound Editor

Campfire Tales (1997)

Directed by: Matt Cooper, Martin Kunert, David Semel

Cinematography by: John Peters

Edited by: Luis Colina, Rick Fields, Steven Nevius, Martin Kunert

Volcano | ShotOnWhat?

Sound Effects Editor

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

One Fine Day | ShotOnWhat?

Foley Editor

One Fine Day (1996)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Mission: Impossible | ShotOnWhat?

Sound Effects Editor

Mission: Impossible (1996)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Camera, Wescam Cameras

Editing System: Lightworks Editing System

Casper | ShotOnWhat?

Assistant Dialogue Editor

Casper (1995)

Directed by: Brad Silberling

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Cameras

Radioland Murders | ShotOnWhat?

Sound Editor

Radioland Murders (1994)

Directed by: Mel Smith

Cinematography by: David Tattersall

Edited by: Paul Trejo

Cameras: ARRI ARRIFLEX Series Cameras

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