Re-recording Mixer
It (2017)
Directed by: Andy Muschietti
Cinematography by: Chung-hoon Chung
Edited by: Jason Ballantine
Cameras: ARRI ALEXA Mini Camera
Re-recording Mixer
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Re-recording Mixer
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Re-recording Mixer
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Re-recording Mixer
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Additional Re-recording Mixer
That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
Re-recording Mixer
Heaven Is for Real (2014)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Cameras: Panavision Genesis Camera
Re-recording Mixer
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Re-recording Mixer
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Re-Recording Mixer
Too Big to Fail (2011)
Directed by: Curtis Hanson
Cinematography by: Kramer Morgenthau
Re-recording Mixer
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Re-recording Mixer
Sucker Punch (2011)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Re-recording Mixer
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Re-recording Mixer
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Re-recording Mixer
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Re-recording Mixer
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Re-recording Mixer
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Supervising Sound Re-recording Mixer
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Re-recording Mixer
Resident Evil: Extinction (2007)
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Re-recording Mixer
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Re-recording Mixer
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Supervising Sound Mixer
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Supervising Sound Mixer
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Supervising Sound Mixer
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Re-recording Mixer
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Re-recording Mixer
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Supervising Sound Mixer
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Re-recording Mixer
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Re-recording Mixer
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Re-recording Mixer
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Re-recording Mixer
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Re-recording Mixer
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Re-recording Mixer
In the Bedroom (2001)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Frank Reynolds
Re-recording Mixer
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Re-recording Mixer
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Re-recording Mixer
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Re-recording Mixer
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Re-recording Mixer
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Re-recording Mixer
Random Hearts (1999)
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Re-recording Mixer
Flawless (1999)
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Re-recording Mixer
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Re-recording Mixer
Meet Joe Black (1998)
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Re-recording Mixer
Sliding Doors (1998)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: John Smith
Re-recording Mixer
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Re-recording Mixer
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Re-recording Mixer
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Re-recording Mixer
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Re-recording Mixer
Fear (1996)
Directed by: James Foley
Cinematography by: Thomas Kloss
Edited by: David Brenner
Re-recording Mixer
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Re-recording Mixer
A Time to Kill (1996)
Directed by: Joel Schumacher
Cinematography by: Peter Menzies Jr.
Edited by: William Steinkamp
Cameras: Panavision Panaflex Platinum Camera
Additional Mixing
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Re-recording Mixer - 2 Episodes, 1995
Children of the Dust (1995)
Directed by: David Greene
Cinematography by: Ron Orieux
Edited by: Tod Feuerman
Re-recording Mixer
Rob Roy (1995)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Re-recording Mixer
Moonlight and Valentino (1995)
Directed by: David Anspaugh
Cinematography by: Julio Macat
Edited by: David Rosenbloom
Re-recording Mixer
'Children of the Dust' Episode #1.1 (1995)
Directed by: David Greene
Cinematography by: Ron Orieux
Edited by: Tod Feuerman
Re-recording Mixer
'Children of the Dust' Episode #1.2 (1995)
Directed by: David Greene
Cinematography by: Ron Orieux
Edited by: Tod Feuerman
Re-recording Mixer
Blue Chips (1994)
Directed by: William Friedkin
Cinematography by: Tom Priestley Jr.
Re-recording Mixer
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Re-recording Mixer
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Re-recording Mixer
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Sound Re-recordist
Renaissance Man (1994)
Directed by: Penny Marshall
Cinematography by: Adam Greenberg
Re-recording Mixer
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Re-recording Mixer
The Real McCoy (1993)
Directed by: Russell Mulcahy
Cinematography by: Denis Crossan
Edited by: Peter Honess
Re-recording Mixer
And the Band Played On (1993)
Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox
Re-recording Mixer
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Re-recording Mixer
Man Trouble (1992)
Directed by: Bob Rafelson
Cinematography by: Stephen H. Burum
Edited by: William Steinkamp
Re-recording Mixer
Kuffs (1992)
Directed by: Bruce A. Evans
Cinematography by: Thomas Del Ruth
Edited by: Stephen Semel
Re-recording Mixer
Scent of a Woman (1992)
Directed by: Martin Brest
Cinematography by: Donald E. Thorin
Re-recording By
A League of Their Own (1992)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Re-recording Mixer
Oscar (1991)
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Re-Recording Mixer
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Re-recording Mixer
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Re-recording Mixer: Todd-AO/Glen Glenn Studios , Sound Re-recordist: Todd-AO/Glen Glenn Studios
RoboCop 2 (1990)
Directed by: Irvin Kershner
Cinematography by: Mark Irwin
Re-recording Mixer
L.A. Takedown (1989)
Directed by: Michael Mann
Cinematography by: Ronald Víctor García
Edited by: Dov Hoenig
Re-recording Mixer
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Re-recording Mixer
Say Anything... (1989)
Directed by: Cameron Crowe
Cinematography by: László Kovács
Edited by: Richard Marks
Cameras: Panavision Cameras
Re-recording Mixer
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
Re-recording Mixer
Everybody's All-American (1988)
Directed by: Taylor Hackford
Cinematography by: Stephen Goldblatt
Edited by: Don Zimmerman
Re-recording Mixer
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Re-recording Mixer
Distant Thunder (1988)
Directed by: Rick Rosenthal
Cinematography by: Ralf D. Bode
Edited by: Dennis Virkler
Re-recording Mixer
The Pick-up Artist (1987)
Directed by: James Toback
Cinematography by: Gordon Willis
Re-recording Mixer
Rampage (1987)
Directed by: William Friedkin
Cinematography by: Robert D. Yeoman
Edited by: Jere Huggins
Cameras: Panavision Cameras
Sound Re-recordist
Raw Deal (1986)
Directed by: John Irvin
Cinematography by: Alex Thomson
Edited by: Anne V. Coates
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: Cooke Xtal Express Lenses
Re-recording Mixer
Band of the Hand (1986)
Directed by: Paul Michael Glaser
Cinematography by: Reynaldo Villalobos
Edited by: Jack Hofstra
Re-recording Mixer
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Swing Shift (1984)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Re-recording Mixer
The Woman in Red (1984)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Re-recording Mixer
Against All Odds (1984)
Directed by: Taylor Hackford
Cinematography by: Donald E. Thorin
Re-recording Mixer
The Natural (1984)
Directed by: Barry Levinson
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Thief of Hearts (1984)
Directed by: Douglas Day Stewart
Cinematography by: Andrew Laszlo
Edited by: Tom Rolf
Cameras: Panavision Cameras
Re-recording Mixer
Flicks (1983)
Cinematography by: Scott Miller
Edited by: Barbara Pokras
Cameras: Panavision Cameras
Sound Re-recordist
Eddie and the Cruisers (1983)
Directed by: Martin Davidson
Cinematography by: Fred Murphy
Edited by: Priscilla Nedd-Friendly
Cameras: Panavision Cameras
Re-recording Mixer
Jinxed! (1982)
Directed by: Don Siegel
Cinematography by: Vilmos Zsigmond
Edited by: Douglas Stewart
Cameras: Panavision Cameras
Re-recording Mixer
Diner (1982)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Cameras: Panavision Cameras
Re-recording Mixer
Body Heat (1981)
Directed by: Lawrence Kasdan
Cinematography by: Richard H. Kline
Edited by: Carol Littleton
Re-recording Mixer
Thief (1981)
Directed by: Michael Mann
Cinematography by: Donald E. Thorin
Edited by: Dov Hoenig
Cameras: Panavision Cameras
Re-recording Mixer
The Private Eyes (1980)
Directed by: Lang Elliott
Cinematography by: Jacques Haitkin
Edited by: Patrick M. Crawford
Re-recording Mixer
Heaven's Gate (1980)
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Re-recording Mixer
Used Cars (1980)
Directed by: Robert Zemeckis
Cinematography by: Donald M. Morgan
Edited by: Michael Kahn
Sound Re-recordist
Cruising (1980)
Directed by: William Friedkin
Cinematography by: James A. Contner
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
1941 (1979)
Directed by: Steven Spielberg
Cinematography by: William A. Fraker
Edited by: Michael Kahn
Cameras: Panavision Panaflex Series Cameras
