Michele Perrone

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Pokémon Detective Pikachu | ShotOnWhat?

Dialogue/ADR Supervisor, Dialogue/adr Supervisor: E2

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Meg | ShotOnWhat?

Supervising Dialogue Editor: E2

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Hacksaw Ridge | ShotOnWhat?

Additional Adr Editor: US

Hacksaw Ridge (2016)

Directed by: Mel Gibson

Cinematography by: Simon Duggan

Edited by: John Gilbert

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

My Big Fat Greek Wedding 2 | ShotOnWhat?

Supervising Dialogue/adr Editor

My Big Fat Greek Wedding 2 (2016)

Directed by: Kirk Jones

Cinematography by: Jim Denault

Edited by: Mark Czyzewski

Cameras: Red Epic Dragon Camera

Straight Outta Compton | ShotOnWhat?

Dialogue Supervisor

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

The Revenant | ShotOnWhat?

Adr Editor

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

Adr Editor / Dialogue Editor

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Adr Editor

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Lone Ranger | ShotOnWhat?

Loop Group Editor

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

The Amazing Spider-Man | ShotOnWhat?

Adr Editor

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Adr Editor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Red Riding Hood | ShotOnWhat?

Co-supervising Adr Editor

Red Riding Hood (2011)

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Change-Up | ShotOnWhat?

Adr Supervisor

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Justin Bieber: Never Say Never | ShotOnWhat?

Adr And Dialogue Supervisor

Justin Bieber: Never Say Never (2011)

Directed by: Jon M. Chu

Cinematography by: Reed Smoot

Edited by: Jay Cassidy, Jillian Moul, Avi Youabian

Cameras: ARRI ALEXA Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera

Diary of a Wimpy Kid | ShotOnWhat?

Adr Editor

Diary of a Wimpy Kid (2010)

Directed by: Thor Freudenthal

Cinematography by: Jack N. Green

Edited by: Wendy Greene Bricmont

Cameras: Panavision Cameras

Valentine's Day | ShotOnWhat?

Dialogue Editor

Valentine's Day (2010)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Wall Street: Money Never Sleeps | ShotOnWhat?

Adr Editor

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

Unstoppable | ShotOnWhat?

Adr Editor

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Sorcerer's Apprentice | ShotOnWhat?

Adr Editor

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

2012 | ShotOnWhat?

Adr Editor

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

This Is It | ShotOnWhat?

Supervising Dialogue Editor

This Is It (2009)

Directed by: Kenny Ortega

Cinematography by: Sandrine Orabona, Tim Patterson

Edited by: Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt

Cameras: Red One Camera

Made of Honor | ShotOnWhat?

Adr Editor

Made of Honor (2008)

Directed by: Paul Weiland

Cinematography by: Tony Pierce-Roberts

Edited by: Richard Marks

Cameras: Panavision Cameras

High School Musical 3: Senior Year | ShotOnWhat?

Supervising Dialogue Editor

High School Musical 3: Senior Year (2008)

Directed by: Kenny Ortega

Cinematography by: Daniel Aranyó

Edited by: Don Brochu

The American Mall | ShotOnWhat?

Supervising Dialogue Editor

The American Mall (2008)

Television Movie

Directed by: Shawn Ku

Cinematography by: Matthew Williams

Edited by: Don Brochu

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Drillbit Taylor | ShotOnWhat?

Adr Editor

Drillbit Taylor (2008)

Directed by: Steven Brill

Cinematography by: Fred Murphy

Edited by: Brady Heck, Thomas J. Nordberg

Pirates of the Caribbean: At World's End | ShotOnWhat?

Adr Editor

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

National Treasure: Book of Secrets | ShotOnWhat?

Adr Editor

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Miami Vice | ShotOnWhat?

Supervising Adr Editor

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Adr Editor

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Elizabethtown | ShotOnWhat?

Adr Editor

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

In Her Shoes | ShotOnWhat?

Adr Editor

In Her Shoes (2005)

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

Flight of the Phoenix | ShotOnWhat?

Adr Editor

Flight of the Phoenix (2004)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Walking Tall | ShotOnWhat?

Adr Editor

Walking Tall (2004)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: George Bowers, Robert Ivison

Welcome to Mooseport | ShotOnWhat?

Supervising Adr Editor

Welcome to Mooseport (2004)

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

How to Lose a Guy in 10 Days | ShotOnWhat?

Supervising Adr Editor

How to Lose a Guy in 10 Days (2003)

Directed by: Donald Petrie

Cinematography by: John Bailey

Edited by: Debra Neil-Fisher

The Italian Job | ShotOnWhat?

Adr Editor

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Bad Boys II | ShotOnWhat?

Adr Editor

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

The Lizzie McGuire Movie | ShotOnWhat?

Adr Editor

The Lizzie McGuire Movie (2003)

Directed by: Jim Fall

Cinematography by: Jerzy Zielinski

Edited by: Margaret Goodspeed

Cameras: Panavision Cameras

Riding in Cars with Boys | ShotOnWhat?

Adr Editor

Riding in Cars with Boys (2001)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Jurassic Park III | ShotOnWhat?

Supervising Adr Editor

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Osmosis Jones | ShotOnWhat?

Dialogue Editor

Osmosis Jones (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Lois Freeman-Fox, Stephen Schaffer, Sam Seig

Shanghai Noon | ShotOnWhat?

Adr Editor

Shanghai Noon (2000)

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

The Patriot | ShotOnWhat?

Adr Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Perfect Storm | ShotOnWhat?

Adr Editor

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

U-571 | ShotOnWhat?

Adr Editor

U-571 (2000)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

Pitch Black | ShotOnWhat?

Adr Editor

Pitch Black (2000)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Rick Shaine

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Dinosaur | ShotOnWhat?

Adr Supervisor

Dinosaur (2000)

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Miss Congeniality | ShotOnWhat?

Supervising Adr Editor

Miss Congeniality (2000)

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

Duets | ShotOnWhat?

Adr Editor

Duets (2000)

Directed by: Bruce Paltrow

Cinematography by: Paul Sarossy

Edited by: Gerald B. Greenberg

The Kid | ShotOnWhat?

Adr Editor

The Kid (2000)

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The 6th Day | ShotOnWhat?

Adr Editor

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

Mission: Impossible II | ShotOnWhat?

Adr Editor

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

My Favorite Martian | ShotOnWhat?

Adr Supervisor

My Favorite Martian (1999)

Directed by: Donald Petrie

Cinematography by: Thomas E. Ackerman

Edited by: Malcolm Campbell

Zero Effect | ShotOnWhat?

Adr Editor

Zero Effect (1998)

Directed by: Jake Kasdan

Cinematography by: Bill Pope

Edited by: Tara Timpone

The Parent Trap | ShotOnWhat?

Adr Editor

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Rush Hour | ShotOnWhat?

Supervising Adr Editor

Rush Hour (1998)

Directed by: Brett Ratner

Cinematography by: Adam Greenberg

Edited by: Mark Helfrich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Leave It to Beaver | ShotOnWhat?

Adr Editor

Leave It to Beaver (1997)

Directed by: Andy Cadiff

Cinematography by: Thomas Del Ruth

Edited by: Alan Heim

Money Talks | ShotOnWhat?

Adr Editor

Money Talks (1997)

Directed by: Brett Ratner

Cinematography by: Russell Carpenter, Robert Primes

Edited by: Mark Helfrich

Turbulence | ShotOnWhat?

Adr Editor

Turbulence (1997)

Directed by: Robert Butler

Cinematography by: Lloyd Ahern II

Edited by: John Duffy

Telling Lies in America | ShotOnWhat?

Adr Editor

Telling Lies in America (1997)

Directed by: Guy Ferland

Cinematography by: Reynaldo Villalobos

Edited by: Jill Savitt

The Associate | ShotOnWhat?

Supervising Adr Editor

The Associate (1996)

Directed by: Donald Petrie

Cinematography by: Alex Nepomniaschy

Edited by: Bonnie Koehler

The Cable Guy | ShotOnWhat?

Adr Editor

The Cable Guy (1996)

Directed by: Ben Stiller

Cinematography by: Robert Brinkmann

Edited by: Steven Weisberg

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Cutthroat Island | ShotOnWhat?

Adr Editor

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Clueless | ShotOnWhat?

Adr Editor

Clueless (1995)

Directed by: Amy Heckerling

Cinematography by: Bill Pope

Edited by: Debra Chiate

Cameras: Moviecam Compact Camera, Panavision Cameras

Lenses: Panavision Lenses, Zeiss Lenses

Disclosure | ShotOnWhat?

Adr Supervisor

Disclosure (1994)

Directed by: Barry Levinson

Cinematography by: Tony Pierce-Roberts

Edited by: Stu Linder

Terminal Velocity | ShotOnWhat?

Adr Editor

Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Sliver | ShotOnWhat?

Adr Editor

Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Judgment Night | ShotOnWhat?

Foley Editor

Judgment Night (1993)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

Body Snatchers | ShotOnWhat?

Adr Editor

Body Snatchers (1993)

Directed by: Abel Ferrara

Cinematography by: Bojan Bazelli

Edited by: Anthony Redman

White Men Can't Jump | ShotOnWhat?

Adr Editor

White Men Can't Jump (1992)

Directed by: Ron Shelton

Cinematography by: Russell Boyd

Edited by: Kimberly Ray, Paul Seydor

A League of Their Own | ShotOnWhat?

Adr Editor

A League of Their Own (1992)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Adam Bernardi, George Bowers

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Under Siege | ShotOnWhat?

Adr Editor

Under Siege (1992)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Robert A. Ferretti, Dov Hoenig, Dennis Virkler

Cameras: Panavision Cameras

Terminator 2: Judgment Day | ShotOnWhat?

Adr Editor

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Freddy's Dead: The Final Nightmare | ShotOnWhat?

Adr Editor

Freddy's Dead: The Final Nightmare (1991)

Directed by: Rachel Talalay

Cinematography by: Declan Quinn

Edited by: Janice Hampton

He Said, She Said | ShotOnWhat?

Adr Editor

He Said, She Said (1991)

Directed by: Ken Kwapis, Marisa Silver

Cinematography by: Stephen H. Burum

Edited by: Sidney Levin

Cameras: Panavision Cameras

Awakenings | ShotOnWhat?

Assistant Sound Editor

Awakenings (1990)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Battle Davis, Gerald B. Greenberg

Gardens of Stone | ShotOnWhat?

Assistant Sound Editor

Gardens of Stone (1987)

Directed by: Francis Ford Coppola

Cinematography by: Jordan Cronenweth

Edited by: Barry Malkin

The Mosquito Coast | ShotOnWhat?

Apprentice Editor

The Mosquito Coast (1986)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: Thom Noble

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