Dan Sharp

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Hacksaw Ridge | ShotOnWhat?

Mix Technician

Hacksaw Ridge (2016)

Directed by: Mel Gibson

Cinematography by: Simon Duggan

Edited by: John Gilbert

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

The 5th Wave | ShotOnWhat?

Re-recording Mix Technician

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Miracles from Heaven | ShotOnWhat?

Re-recording Mix Technician

Miracles from Heaven (2016)

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Emma E. Hickox

Cameras: ARRI Cameras

Lenses: ARRI Lenses

The Hateful Eight | ShotOnWhat?

Mix Technician

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Pitch Perfect 2 | ShotOnWhat?

Sound Re-recordist

Pitch Perfect 2 (2015)

Directed by: Elizabeth Banks

Cinematography by: Jim Denault

Edited by: Craig Alpert

Cameras: ARRI ALEXA Plus Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Think Like a Man Too | ShotOnWhat?

Sound Re-recordist

Think Like a Man Too (2014)

Directed by: Tim Story

Cinematography by: Christopher Duskin

Edited by: Peter S. Elliot

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Super Speed Lenses

The Interview | ShotOnWhat?

Sound Re-recordist

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Sound Re-recordist

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Host | ShotOnWhat?

Re-recordist

The Host (2013)

Directed by: Andrew Niccol

Cinematography by: Roberto Schaefer

Edited by: Thomas J. Nordberg

Cameras: ARRI ALEXA Camera

The Lone Ranger | ShotOnWhat?

Re-recordist: Sony Pictures Studios

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

The Amazing Spider-Man | ShotOnWhat?

Sound Re-recordist

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Chasing Mavericks | ShotOnWhat?

Sound Re-recordist

Chasing Mavericks (2012)

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

Total Recall | ShotOnWhat?

Sound Re-recordist

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Re-recordist: Sony Pictures Studios Cary Grant Theatre

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Rango | ShotOnWhat?

Re-recordist: Sony Pictures Studios Cary Grant Theatre

Rango (2011)

Directed by: Gore Verbinski

Cinematography by: Roger Deakins

Edited by: Craig Wood

Editing System: Avid Editing System

Real Steel | ShotOnWhat?

Re-recordist

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

In Time | ShotOnWhat?

Sound Re-recordist

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Knight and Day | ShotOnWhat?

Sound Re-recordist

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Robin Hood | ShotOnWhat?

Sound Recordist

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Confessions of a Shopaholic | ShotOnWhat?

Recordist

Confessions of a Shopaholic (2009)

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

It's Complicated | ShotOnWhat?

Dubbing Recordist

It's Complicated (2009)

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

Transformers: Revenge of the Fallen | ShotOnWhat?

Sound Re-recordist

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

This Is It | ShotOnWhat?

Sound Re-recordist

This Is It (2009)

Directed by: Kenny Ortega

Cinematography by: Sandrine Orabona, Tim Patterson

Edited by: Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt

Cameras: Red One Camera

The Life Before Her Eyes | ShotOnWhat?

Sound Recordist

The Life Before Her Eyes (2007)

Directed by: Vadim Perelman

Cinematography by: Pawel Edelman

Edited by: David Baxter, David Baxter

Spider-Man 3 | ShotOnWhat?

Sound Re-recordist

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Transformers | ShotOnWhat?

National Treasure: Book of Secrets | ShotOnWhat?

Sound Mixing Technician

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Sound Re-recordist

Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Deja Vu | ShotOnWhat?

Re-recordist

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

The Da Vinci Code | ShotOnWhat?

Sound Re-recordist

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Memoirs of a Geisha | ShotOnWhat?

Sound Re-recordist

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Bewitched | ShotOnWhat?

Sound Re-recordist

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

The Island | ShotOnWhat?

Sound Re-recordist

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Spider-Man 2 | ShotOnWhat?

Sound Re-recordist

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

National Treasure | ShotOnWhat?

Sound Re-recordist

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Spanglish | ShotOnWhat?

Sound Re-recordist

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

Man on Fire | ShotOnWhat?

Sound Re-recordist

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Dreamcatcher | ShotOnWhat?

Sound Re-recordist

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Kangaroo Jack | ShotOnWhat?

Sound Re-recordist

Kangaroo Jack (2003)

Directed by: David McNally

Cinematography by: Peter Menzies Jr.

Edited by: William Goldenberg, Jim May, John Murray

Cameras: Panavision Cameras

Bad Boys II | ShotOnWhat?

Sound Re-recordist

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Terminator 3: Rise of the Machines | ShotOnWhat?

Sound Re-recordist

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

House of Sand and Fog | ShotOnWhat?

Sound Re-recordist

House of Sand and Fog (2003)

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Big Fish | ShotOnWhat?

Sound Re-recordist

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Dragonfly | ShotOnWhat?

Sound Re-recordist

Dragonfly (2002)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Don Zimmerman

Spider-Man | ShotOnWhat?

Sound Re-recordist

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Company | ShotOnWhat?

Sound Re-recordist

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

Men in Black II | ShotOnWhat?

Sound Re-recordist

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pearl Harbor | ShotOnWhat?

Re-recordist

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Spy Game | ShotOnWhat?

Sound Re-recordist

Spy Game (2001)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Coyote Ugly | ShotOnWhat?

Sound Re-recordist

Coyote Ugly (2000)

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

The Patriot | ShotOnWhat?

Sound Re-recordist

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Little Nicky | ShotOnWhat?

Sound Re-recordist

Little Nicky (2000)

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Gone in Sixty Seconds | ShotOnWhat?

Sound Re-recordist

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Story of Us | ShotOnWhat?

Sound Re-recordist

The Story of Us (1999)

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

Enemy of the State | ShotOnWhat?

Sound Re-recordist

Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

The Mask of Zorro | ShotOnWhat?

Sound Re-recordist

The Mask of Zorro (1998)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

Armageddon | ShotOnWhat?

Re-recordist

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Godzilla | ShotOnWhat?

Sound Re-recordist

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Lolita | ShotOnWhat?

Sound Re-recordist

Lolita (1997)

Directed by: Adrian Lyne

Cinematography by: Howard Atherton

Edited by: David Brenner, Julie Monroe

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Starship Troopers | ShotOnWhat?

Recordist

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Con Air | ShotOnWhat?

Sound Re-recordist

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

The Rock | ShotOnWhat?

Sound Recordist

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Bad Boys | ShotOnWhat?

Sound Re-recordist

Bad Boys (1995)

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Crimson Tide | ShotOnWhat?

Sound Recordist

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

The American President | ShotOnWhat?

Sound Recordist

The American President (1995)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

North | ShotOnWhat?

Sound Recordist

North (1994)

Directed by: Rob Reiner

Cinematography by: Adam Greenberg

Edited by: Robert Leighton

Wyatt Earp | ShotOnWhat?

Sound Re-recordist

Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

Last Action Hero | ShotOnWhat?

Sound Re-recordist

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Rudy | ShotOnWhat?

Sound Re-recordist

Rudy (1993)

Directed by: David Anspaugh

Cinematography by: Oliver Wood

Edited by: David Rosenbloom

Basic Instinct | ShotOnWhat?

Re-recordist: Los Angeles

Basic Instinct (1992)

Directed by: Paul Verhoeven

Cinematography by: Jan de Bont

Edited by: Frank J. Urioste

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Of Mice and Men | ShotOnWhat?

Sound Re-recordist

Of Mice and Men (1992)

Directed by: Gary Sinise

Cinematography by: Kenneth MacMillan

Edited by: Robert L. Sinise

Hoffa | ShotOnWhat?

Re-recordist

Hoffa (1992)

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman, Ronald Roose

Queens Logic | ShotOnWhat?

Sound Re-recordist

Queens Logic (1991)

Directed by: Steve Rash

Cinematography by: Amir Mokri

Edited by: Patrick Kennedy

Total Recall | ShotOnWhat?

Re-recordist

Total Recall (1990)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Carlos Puente, Frank J. Urioste

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

Narrow Margin | ShotOnWhat?

Sound Recordist

Narrow Margin (1990)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: James Mitchell

Lock Up | ShotOnWhat?

Sound Re-recordist

Lock Up (1989)

Directed by: John Flynn

Cinematography by: Donald E. Thorin

Edited by: Don Brochu, Robert A. Ferretti, Michael N. Knue, Barry B. Leirer

Cameras: Panavision Cameras

Dead Poets Society | ShotOnWhat?

Re-Recordist

Dead Poets Society (1989)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: William M. Anderson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Born on the Fourth of July | ShotOnWhat?

Sound Re-recordist

Born on the Fourth of July (1989)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Cameras: Panavision Cameras, Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Moviola Editing System

The War of the Roses | ShotOnWhat?

Recordist: Lorimar Studios

The War of the Roses (1989)

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman

Cameras: Panavision Cameras

RoboCop | ShotOnWhat?

Sound Re-recordist

RoboCop (1987)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano, Sol Negrin

Edited by: Frank J. Urioste

Cameras: ARRIFLEX 35 BL Camera

Lenses: Zeiss Super Speed Lenses

Rocky IV | ShotOnWhat?

Sound Re-recordist

Rocky IV (1985)

Directed by: Sylvester Stallone

Cinematography by: Bill Butler

Edited by: John W. Wheeler, Don Zimmerman

Cameras: Panavision Panaflex Gold Camera

2010 | ShotOnWhat?

Sound Re-recordist

2010: The Year We Make Contact (1984)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Mia Goldman, James Mitchell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

WarGames | ShotOnWhat?

Re-recordist

WarGames (1983)

Directed by: John Badham

Cinematography by: William A. Fraker

Edited by: Tom Rolf

Cameras: Panavision Cameras

Heaven's Gate | ShotOnWhat?

Sound Re-recordist

Heaven's Gate (1980)

Directed by: Michael Cimino

Cinematography by: Vilmos Zsigmond

Edited by: Lisa Fruchtman, Gerald B. Greenberg, William Reynolds, Tom Rolf

The Lord of the Rings | ShotOnWhat?

Assistant Sound Editor

The Lord of the Rings (1978)

Directed by: Ralph Bakshi

Cinematography by: Timothy Galfas

Edited by: Donald W. Ernst, Peter Kirby

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