Re-recording Mixer
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Re-recording Mixer
Glass Onion (2022)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Mini LF Camera
Re-recording Mixer
Come Away (2020)
Directed by: Brenda Chapman
Cinematography by: Jules O'Loughlin
Edited by: Dody Dorn
Additional Re-recording Mixer
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Re-recording Mixer
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Re-recording Mixer
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Re-recording Mixer
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Re-recording Mixer
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Re-recording Mixer
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Re-recording Mixer
'House of Cards' Chapter 37 (2015)
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Re-recording Mixer
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Additional Re-recording Mixer
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Additional Re-recording Mixer
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Re-recording Mixer
'House of Cards' Chapter 36 (2015)
Directed by: Agnieszka Holland
Cinematography by: Martin Ahlgren
Re-recording Mixer
'House of Cards' Chapter 38 (2015)
Directed by: Robin Wright
Cinematography by: Peter Konczal
Edited by: Byron Smith
Re-recording Mixer
'House of Cards' Chapter 39 (2015)
Directed by: James Foley
Edited by: Lisa Bromwell
Re-recording Mixer
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Re-recording Mixer
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Re-recording Mixer
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Re-recording Mixer - 16 Episodes, 2013-2015
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Re-recording Mixer
'House of Cards' Chapter 1 (2013)
Directed by: David Fincher
Cinematography by: Eigil Bryld
Edited by: Kirk Baxter
Re-recording Mixer
'House of Cards' Chapter 2 (2013)
Directed by: David Fincher
Cinematography by: Eigil Bryld
Edited by: Kirk Baxter
Re-recording Mixer
'House of Cards' Chapter 3 (2013)
Directed by: James Foley
Cinematography by: Eigil Bryld
Edited by: Sidney Wolinsky
Re-recording Mixer
'House of Cards' Chapter 4 (2013)
Directed by: James Foley
Cinematography by: Eigil Bryld
Edited by: Sidney Wolinsky
Re-recording Mixer
'House of Cards' Chapter 5 (2013)
Directed by: Joel Schumacher
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Re-recording Mixer
'House of Cards' Chapter 6 (2013)
Directed by: Joel Schumacher
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Re-recording Mixer
'House of Cards' Chapter 7 (2013)
Directed by: Charles McDougall
Cinematography by: Eigil Bryld
Re-recording Mixer
'House of Cards' Chapter 8 (2013)
Directed by: Charles McDougall
Cinematography by: Eigil Bryld
Edited by: Sidney Wolinsky
Re-recording Mixer
'House of Cards' Chapter 9 (2013)
Directed by: James Foley
Cinematography by: Eigil Bryld
Edited by: Byron Smith
Re-recording Mixer
'House of Cards' Chapter 10 (2013)
Directed by: Carl Franklin
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Re-recording Mixer
'House of Cards' Chapter 11 (2013)
Directed by: Carl Franklin
Cinematography by: Eigil Bryld
Edited by: Michelle Tesoro
Re-recording Mixer
'House of Cards' Chapter 12 (2013)
Directed by: Allen Coulter
Cinematography by: Tim Ives
Edited by: Sidney Wolinsky
Re-recording Mixer
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Re-recording Mixer
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Re-recording Mixer
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Additional Re-Recording Mixer
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Re-recording Mixer
Rio (2011)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Additional Re-recording Mixer: Skywalker Sound
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Re-recording Mixer: Skywalker Sound
La Luna (2011)
Directed by: Enrico Casarosa
Edited by: Steve Bloom
Additional Mixer
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Additional Re-recording Mixer: Skywalker Sound
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Additional Re-recording Mixer
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Re-recording Mixer
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Re-recording Mixer
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Additional Re-recording Mixer: Skywalker Sound
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Sound Mixer
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Foley Editor, Re-recording Mixer
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Mix Technician
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Assistant Re-recording Mixer
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Assistant Re-Recording Mixer , Sound Mix Technician
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Re-recording Mixer
Sea of Dreams (2006)
Directed by: José Pepe Bojórquez
Cinematography by: Chris Chomyn
Edited by: Tia Nolan
Mix Technician
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Mix Technician
Bonneville (2006)
Directed by: Christopher N. Rowley
Cinematography by: Jeffrey L. Kimball
Assistant Re-recording Mixer , Mix Technician
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Assistant Re-recording Mixer , Mix Technician
Cars (2006)
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Mix Technician
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Assistant Re-recording Mixer , Mix Technician
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Assistant Re-recording Mixer , Mix Technician
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Assistant Re-recording Mixer / Dubbing Mixer , Mix Technician
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Assistant Re-recording Mixer , Re-recording Technician
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Re-recording Mixer
Somewhere (2004)
Directed by: Thomas Whelan
Cinematography by: Amit Bhattacharya
Edited by: Kyle Dean Jackson
Assistant Re-recording Mixer , Sound Mix Technician
The Incredibles (2004)
Directed by: Brad Bird
Edited by: Stephen Schaffer
Assistant Re-recording Mixer , Mix Technician
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Assistant Re-recording Mixer , Mix Technician
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Mix Technician
Spin (2003)
Directed by: James Redford
Cinematography by: Paul Ryan
Edited by: Nick Smith
Cameras: Panavision Cameras
Editing System: Autodesk Smoke Editing System
Assistant Re-recording Mixer , Sound Mix Technician: Skywalker Sound
Finding Nemo (2003)
Edited by: David Ian Salter
Assistant Re-recording Mixer , Mix Technician
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Mix Technician: Skywalker Premix Crew
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Assistant Re-recording Mixer , Mix Technician
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Assistant Re-recording Mixer , Mix Technician
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Assistant Re-recording Mixer , Mix Technician
Monsters, Inc. (2001)
Mix Technician
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Re-recording Mixer / Digital Mix Technician
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Mix Technician
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Mix Technician
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Mix Technician: Skywalker Sound
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Mix Technician
Komodo (1999)
Directed by: Michael Lantieri
Cinematography by: David Burr
Edited by: Michael Fallavollita
Assistant Re-recording Mixer , Digital Sound Mix Technician / Sound Mix Technician
Toy Story 2 (1999)
Cinematography by: Sharon Calahan
Sound Re-recording Assistant
Clay Pigeons (1998)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Sound Re-recording Assistant
Woo (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
Re-recording Assistant
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Re-recording Assistant
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Re-recording Mixer - 5.1 Dolby Digital Remix
A Better Place (1997)
Directed by: Vincent Pereira
Cinematography by: Ian Dudley
Edited by: Vincent Pereira
Cameras: ARRIFLEX 16SR Camera
Re-recording Assistant
Soul Food (1997)
Directed by: George Tillman Jr.
Cinematography by: Paul Elliott
Edited by: John Carter
