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Steve Newburn

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Special Effects Technician

Carrie  (2013)

| USA
Directed by: Kimberly Peirce
Cinematography by: Steve Yedlin

Special Makeup Effects Artist

Silent Hill: Revelation  (2012)

| Canada, France, USA
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Editing System:

Creature Shop Supervisor / Prosthetic Makeup Artist, Creature Shop Supervisor: Paul Jones FX Studio

Resident Evil: Afterlife  (2010)

| Germany, France, USA, Canada, UK
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System:

Carpenter / Set Construction: Additional Photography

Whiteout  (2009)

| USA, Canada, France, Turkey
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter

Special Effects Technician

Cirque du Freak: The Vampire's Assistant  (2009)

| USA
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones

Mold Department: Amalgamated Dynamics / Special Effects Technician

Race to Witch Mountain  (2009)

| USA
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie

Special Effects Makeup

Solomon Kane  (2009)

| Czech Republic, UK, France
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen

Special Effects Technician

Suck  (2009)

| Canada
Directed by: Rob Stefaniuk
Cinematography by: D. Gregor Hagey
Edited by: Michele Conroy

Special Makeup Effects Artist

100 Feet  (2008)

| USA
Directed by: Eric Red
Cinematography by: Ken Kelsch

Lead Model Maker

Far Cry  (2008)

| Germany, Canada
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter

Special Effects Makeup Technician: Steve Johnson's Edge FX, Inc.

Jarhead  (2005)

| USA, UK, Germany
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch

Lab Technician: Steve Johnson's Edge FX, Inc.

Daai zek lou  (2003)

| Hong Kong, China
Directed by: Johnnie To, Ka-Fai Wai
Cinematography by: Siu-Keung Cheng
Edited by: Wing-Cheong Law

Lab Technician: Amalgamated Dynamics

Looney Tunes: Back in Action  (2003)

| Germany, USA
Directed by: Joe Dante
Cinematography by: Dean Cundey

Moldmaker: Edge FX / Technician: Steve Johnson's Edge FX, Inc.

The Rundown  (2003)

| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson

Mold Department Technician: Steve Johnson's Edge FX, Inc.

The Cat in the Hat  (2003)

| USA
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman

Technician: Steve Johnson's Edge FX

The League of Extraordinary Gentlemen  (2003)

| USA, Germany, Czech Republic, UK
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell

Key Technician: Stan Winston Studio

The Time Machine  (2002)

| USA, United Arab Emirates
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Editing System:

Mold Department: Amalgamated Dynamics Inc.

The Santa Clause 2  (2002)

| USA
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer

Technician: Steve Johnson's XFX

Eye See You  (2002)

| Germany, USA
Directed by: Jim Gillespie
Cinematography by: Dean Semler

Technician: Steve Johnson's XFX

Blade II  (2002)

| Germany, USA
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson

Laboratory Technician: Stan Winston Studio

Jurassic Park III  (2001)

| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva

Mold Department: Steve Johnson's XFX

Monkeybone  (2001)

| USA
Directed by: Henry Selick
Cinematography by: Andrew Dunn

Key Technician: Stan Winston Studio, Puppeteer

A.I. Artificial Intelligence  (2001)

| USA, UK
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn

Mold Department: Steve Johnson's XFX

Red Planet  (2000)

| USA, Australia
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky

Mold Department: Amalgamated Dynamics, Inc.

Nutty Professor II: The Klumps  (2000)

| USA
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr

Mold Department: Amalgamated Dynamics, Inc.

Wonder Boys  (2000)

| USA, Germany, UK, Japan
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen

Mold Department: Amalgamated Dynamics, Inc.

Bedazzled  (2000)

| USA, Germany
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring

Mold Department: Amalgamated Dynamics

The 6th Day  (2000)

| USA, Canada
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot

Mold Department: Amalgamated Dynamics, Inc.

My Favorite Martian  (1999)

| USA
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell

Mold Department/technician: Amalgamated Dyanmics, Inc.

The Astronaut's Wife  (1999)

| USA
Directed by: Rand Ravich
Cinematography by: Allen Daviau

Mold Department: Steve Johnson's XFX, Inc.

Bicentennial Man  (1999)

| USA, Germany
Directed by: Chris Columbus
Cinematography by: Phil Meheux

Mold Department: Makeup & Monsters

Stigmata  (1999)

| USA
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball

Mold Department: Amalgamated Dynamics, Inc.

The X Files  (1998)

| USA
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark