Aerial Director Of Photography
War for the Planet of the Apes (2017)
| USA, Canada, New Zealand
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Aerial Director Of Photography
10 Cloverfield Lane (2016)
| USA
Directed by: Dan Trachtenberg
Cinematography by: Jeff Cutter
Edited by: Stefan Grube
Cameras: Red Epic Dragon Camera
Aerial Director Of Photography: New York Unit
Doctor Strange (2016)
| USA
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Aerial Director Of Photography: Second Unit
Ghostbusters (2016)
| USA, Australia
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Aerial Director Of Photography: VFX Unit Miami
Live by Night (2016)
| USA
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Aerial Director Of Photography
Terminator Genisys (2015)
| USA
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Aerial Director Of Photography
22 Jump Street (2014)
| USA
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Aerial Director Of Photography
Godzilla (2014)
| USA, Japan
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Aerial Director Of Photography
When the Game Stands Tall (2014)
| USA
Directed by: Thomas Carter
Cinematography by: Michael Lohmann
Edited by: Scott Richter
Cameras: Red Epic Camera
Lenses: Cooke 5/i Lenses
Aerial Director Of Photography
Non-Stop (2014)
| UK, France, USA, Canada
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Aerial Director Of Photography
The Amazing Spider-Man 2 (2014)
| USA
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Aerial Director Of Photography
G.I. Joe: Retaliation (2013)
| USA
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Aerial Director Of Photography
After Earth (2013)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Aerial Director Of Photography
The Internship (2013)
| USA
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Aerial Director Of Photography
The Last Stand (2013)
| USA
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Director Of Photography: Palo Alto, Second Unit, Aerials
Jobs (2013)
| USA, Switzerland
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Aerial Director Of Photography
Star Trek Into Darkness (2013)
| USA
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Aerial Director Of Photography: Los Angeles
This Means War (2012)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Aerial Director Of Photography
The Bourne Legacy (2012)
| USA, Japan
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
The Guilt Trip (2012)
| USA
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Aerial Director Of Photography
Mission: Impossible - Ghost Protocol (2011)
| USA, United Arab Emirates, Czech Republic, Russia, India, Canada
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, Imax MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
Alvin and the Chipmunks: Chipwrecked (2011)
| USA
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Aerial Camera Operator
Extremely Loud & Incredibly Close (2011)
| USA
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Aerial Director Of Photography: San Francisco
Rise of the Planet of the Apes (2011)
| USA, UK, Canada
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Aerial Director Of Photography
Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Aerial Director Of Photography
The Last Song (2010)
| USA
Directed by: Julie Anne Robinson
Cinematography by: John Lindley
Edited by: Nancy Richardson
Aerial Director Of Photography: New Mexico
Due Date (2010)
| USA
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Aerial Director Of Photography
Morning Glory (2010)
| USA
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Aerial Director Of Photography: Philadelphia
Devil (2010)
| USA
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Director Of Photography: Plate Unit
The Last Airbender (2010)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Aerial Director Of Photography
The A-Team (2010)
| USA, UK
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Aerial Director Of Photography
Wall Street: Money Never Sleeps (2010)
| USA
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Aerial Director Of Photography
Going the Distance (2010)
| USA
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Aerial Director Of Photography
Grown Ups (2010)
| USA
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Aerial Director Of Photography
Old Dogs (2009)
| USA
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Aerial Director Of Photography
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Aerial Director Of Photography: Aerial Unit
The Day the Earth Stood Still (2008)
| USA, Canada
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Aerial Director Of Photography
The Curious Case of Benjamin Button (2008)
| USA
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Aerial Director Of Photography
The Happening (2008)
| USA, India
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Aerial Director Of Photography
Four Christmases (2008)
| Germany, USA
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Aerial Director Of Photography
'CSI: Miami' No Man's Land (2007)
| USA
Directed by: Scott Lautanen
Cinematography by: Charles Mills
Edited by: James Wilcox
Photographer: Aerial Unit
The Reaping (2007)
| USA
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Aerial Director Of Photography
'CSI: Miami' Burned (2007)
| USA
Directed by: Anthony Hemingway
Cinematography by: Charles Mills
Edited by: Joshua Charson
Operator: Wescam
Aliens vs. Predator: Requiem (2007)
| USA
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Aerial Director Of Photography
The Brave One (2007)
| USA
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Director Of Photography: Helicopter
The Heartbreak Kid (2007)
| USA
Cinematography by: Matthew F. Leonetti
Aerial Director Of Photography
The Fast and the Furious: Tokyo Drift (2006)
| USA, Germany, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Aerial Director Of Photography
'CSI: Miami' Driven (2006)
| USA
Directed by: Eagle Egilsson
Cinematography by: Cynthia Pusheck
Edited by: Mark C. Baldwin
Aerial Director Of Photography
Failure to Launch (2006)
| USA
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Aerial Director Of Photography
'CSI: Miami' Free Fall (2006)
| USA
Directed by: Scott Lautanen
Cinematography by: Charles Mills
Edited by: Joshua Charson
Aerial Director Of Photography
'CSI: Miami' Rio (2006)
| USA
Directed by: Joe Chappelle
Cinematography by: Eagle Egilsson
Edited by: Joshua Charson
Aerial Director Of Photography: Pennslyvania
Charlotte's Web (2006)
| USA, Germany, Australia
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Aerial Director Of Photography
'CSI: Miami' Collision (2006)
| USA
Directed by: Sam Hill
Cinematography by: Eagle Egilsson
Edited by: Joshua Charson
Aerial Director Of Photography
Click (2006)
| USA
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Aerial Director Of Photography
'CSI: Miami' Vengeance (2005)
| USA
Directed by: Norberto Barba
Cinematography by: Charles Mills
Edited by: Edward R. Abroms
Aerial Director Of Photography
Be Cool (2005)
| USA
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Aerial Director Of Photography
'CSI: Miami' Shootout (2005)
| USA
Directed by: Norberto Barba
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Aerial Director Of Photography
House of Wax (2005)
| Australia, USA
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Aerial Director Of Photography
'CSI: Miami' Blood in the Water (2005)
| USA
Directed by: Duane Clark
Cinematography by: Charles Mills
Edited by: Edward R. Abroms
Aerial Director Of Photography
'CSI: Miami' Money Plane (2005)
| USA
Directed by: Scott Lautanen
Cinematography by: Eagle Egilsson
Edited by: John Refoua
Aerial Director Of Photography
'CSI: Miami' Shattered (2005)
| USA
Directed by: Scott Lautanen
Cinematography by: Charles Mills
Edited by: Mark C. Baldwin
Aerial Director Of Photography
Bee Season (2005)
| USA, Germany
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Aerial Director Of Photography
Hide and Seek (2005)
| USA, Germany
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Aerial Director Of Photography: Second Unit, New Orleans
The Skeleton Key (2005)
| USA, Germany
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Aerial Director Of Photography
'CSI: Miami' Game Over (2005)
| USA
Directed by: Jonathan Glassner
Cinematography by: Charles Mills
Edited by: Mark C. Baldwin
Aerial Director Of Photography
xXx: State of the Union (2005)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Aerial Director Of Photography
Wedding Crashers (2005)
| USA
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Aerial Director Of Photography
Transporter 2 (2005)
| France, USA
Directed by: Louis Leterrier
Cinematography by: Mitchell Amundsen
Spacecam Operator
The Day After Tomorrow (2004)
| USA
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Aerial Director Of Photography
Spanglish (2004)
| USA
Directed by: James L. Brooks
Cinematography by: John Seale
Aerial Director Of Photography
'CSI: Miami' Slow Burn (2004)
| USA
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Aerial Director Of Photography
'CSI: Miami' Not Landing (2004)
| USA
Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Aerial Director Of Photography / Director Of Photography: Spacecam
The Matrix Revolutions (2003)
| USA
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Aerial Director Of Photography
'CSI: Miami' Blood Brothers (2003)
Directed by: Danny Cannon
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Aerial Director Of Photography
Master and Commander: The Far Side of the World (2003)
| USA
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Aerial Director Of Photography
The Lord of the Rings: The Return of the King (2003)
| New Zealand, USA
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Aerial Director Of Photography
'CSI: Miami' Hurricane Anthony (2003)
| USA
Directed by: Joe Chappelle
Edited by: Scott Lerner
Aerial Director Of Photography
Paycheck (2003)
| USA, Canada
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Aerial Director Of Photography
Cradle 2 the Grave (2003)
| USA
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Aerial Director Of Photography
'CSI: Miami' Tinder Box (2003)
Directed by: Charles Correll
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Aerial Camera Operator
Dragonfly (2002)
| USA, Germany
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Aerial Camera Operator
xXx (2002)
| USA
Directed by: Rob Cohen
Cinematography by: Dean Semler
Aerial Director Of Photography
Collateral Damage (2002)
| USA
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Aerial Director Of Photography: San Francisco
High Crimes (2002)
| USA
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Aerial Director Of Photography
The Lord of the Rings: The Two Towers (2002)
| New Zealand, USA
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Aerial Director Of Photography
I Spy (2002)
| USA
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Aerial Director Of Photography - 17 Episodes, 2003-2007
CSI: Miami (2002)
| USA
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Aerial Camera Operator / Aerial Director Of Photography
Hardball (2001)
| Germany, USA
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
Director Of Photography: Aerial Unit
The Lord of the Rings: The Fellowship of the Ring (2001)
| New Zealand, USA
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
The Wedding Planner (2001)
| Germany, USA
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Aerial Director Of Photography
Crocodile Dundee in Los Angeles (2001)
| Australia, USA
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Aerial Director Of Photography: Hong Kong
Spy Game (2001)
| Germany, USA, Japan, France
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Aerial Director Of Photography
Mission: Impossible II (2000)
| USA, Germany
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Camera Operator: Wescam, Second Unit
The Matrix (1999)
| USA
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras
Lenses: Panavision Lenses
Aerial Camera Operator: Second Unit
Edtv (1999)
| USA
Directed by: Ron Howard
Cinematography by: John Schwartzman
Aerial Director Of Photography
Varsity Blues (1999)
| USA
Directed by: Brian Robbins
Cinematography by: Chuck Cohen
Edited by: Ned Bastille
Camera Operator: Wescam Camera
Deep Blue Sea (1999)
| USA, Mexico
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Helicopter Camera Operator: Additional Photography Unit
Homegrown (1998)
| USA
Directed by: Stephen Gyllenhaal
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Aerial Director Of Photography
Meet Joe Black (1998)
| USA
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Aerial Director Of Photography: Chicago
The Negotiator (1998)
| Germany, USA
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Aerial Director Of Photography
Deep Impact (1998)
| USA
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Aerial Director Of Photography
The X Files (1998)
| USA
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Aerial Director Of Photography
Face/Off (1997)
| USA
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Camera Operator: Aerial Unit
Heaven's Prisoners (1996)
| USA, UK
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Gyrosphere Camera: USA
White Squall (1996)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Aerial Camera Operator
Cutthroat Island (1995)
| France, Italy, Germany, USA
Directed by: Renny Harlin
Cinematography by: Peter Levy
Camera Operator: Aerial Unit
Congo (1995)
| USA
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Aerial Supervisor, Camera Operator: Aerial Unit
The Rescue (1988)
| USA
Directed by: Ferdinand Fairfax
Cinematography by: Russell Boyd
Additional Photographer
The Living Daylights (1987)
| UK
Directed by: John Glen
Cinematography by: Alec Mills
Cameras: ARRI Cameras
Parachute Stunts
The Right Stuff (1983)
| USA
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
