Aerial Director Of Photography
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Aerial Director Of Photography
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Aerial Director Of Photography
The Guilt Trip (2012)
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Aerial Camera Operator / Aerial Director Of Photography
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Aerial Director Of Photography: Atlanta
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Aerial Director Of Photography
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Director Of Photography: Aerial Unit
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Director Of Photography: Aerial
She's Out of My League (2010)
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Aerial Camera Operator: Italy
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Director Of Photography: Aerial Unit
Meet the Browns (2008)
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Spacecam Operator
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Director Of Photography: Aerial Unit
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Aerial Director Of Photography
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Aerial Director Of Photography
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Aerial Director Of Photography
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Operator: SpaceCam
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Aerial Director Of Photography
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Aerial Director Of Photography
Hoot (2006)
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Camera Operator: SpaceCam
Rumor Has It... (2005)
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Camera Operator: Aerial Unit
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Aerial Director Of Photography
Saving Face (2004)
Directed by: Alice Wu
Cinematography by: Harlan Bosmajian
Camera Operator: Wescam Camera
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Camera Operator: Wescam Camera
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Camera Operator: Wescam Camera
Double zéro (2004)
Directed by: Gérard Pirès
Cinematography by: Denis Rouden
Edited by: Véronique Lange
Camera Operator: Wescam Camera
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Camera Operator: Wescam Camera
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Camera Operator: Wescam
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Camera Operator: Wescam Camera
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Camera Operator: Wescam Camera, USA
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Camera Operator: Wescam Camera
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Additional Camera Operator: Wescam Camera
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Camera Operator: Wescam Camera
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Wescam Camera
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Camera Operator: Wescam Camera
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Camera Operator: Wescam Camera
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Wescam Camera Operator: ILM
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Camera Operator: Wescam Camera
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator: Wescam Camera
Sweet Home Alabama (2002)
Directed by: Andy Tennant
Cinematography by: Andrew Dunn
Camera Operator: Wescam Camera
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Camera Operator: Wescam Camera
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Camera Operator: Wescam Camera
Maid in Manhattan (2002)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Camera Operator: Wescam, ILM
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Camera Operator: Wescam Camera
City by the Sea (2002)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Camera Operator: Wescam Camera, Detroit, Toronto And Montreal
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Camera Operator: Wescam Camera
Domestic Disturbance (2001)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Camera Operator: Wescam Camera
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Aerial Director Of Photography / Camera Operator: Wescam Camera
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: Wescam Camera
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Camera Operator: Wescam Camera
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Camera Operator: Wescam
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Wescam Camera Operator: ILM
Space Cowboys (2000)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Wescam Camera
The Crew (2000)
Directed by: Michael Dinner
Cinematography by: Juan Ruiz Anchía
Edited by: Nicholas C. Smith
Camera Operator: Wescam Camera
Longitude (2000)
Directed by: Charles Sturridge
Cinematography by: Peter Hannan
Edited by: Peter Coulson
Camera Operator: Wescam Camera
Passion of Mind (2000)
Directed by: Alain Berliner
Cinematography by: Eduardo Serra
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Camera Operator: Wescam, New York
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Camera Operator: Wescam Camera
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Camera Operator: Wescam Camera
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Camera Operator: Wescam Camera, Utah
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Camera Operator: Wescam Camera
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Camera Operator: Wescam Camera
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Camera Operator: Wescam Camera
Random Hearts (1999)
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Camera Operator: Wescam Camera
The Out-of-Towners (1999)
Directed by: Sam Weisman
Cinematography by: John Bailey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Camera Operator: Wescam Camera
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Wescam Camera Operator: ILM
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Camera Operator: Wescam Camera
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Camera Operator: Wescam Camera, Niagara Falls
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Camera Operator: Wescam Camera, New York
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Camera Operator: Wescam Camera, Florida
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Camera Operator: Wescam Camera
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Aerial Director Of Photography
He Got Game (1998)
Directed by: Spike Lee
Edited by: Barry Alexander Brown
Camera Operator: Wescam Camera
How Stella Got Her Groove Back (1998)
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Camera Operator: Wescam Camera
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Camera Operator: Wescam Camera
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Camera Operator: Wescam Camera
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Camera Operator: Wescam Camera
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Wescam Camera
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Camera Operator: Wescam Camera
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Camera Operator: Wescam Camera
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Wescam Camera, Closing Credit Sequence
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Camera Technician: Wescam Camera
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Camera Operator: Wescam
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Wescam Camera
Private Parts (1997)
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Camera Operator: Wescam Camera
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Camera Operator: Wescam Camera
Eddie (1996)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Richard Halsey
Camera Technician: Wescam Camera, San Francisco
Down Periscope (1996)
Directed by: David S. Ward
Cinematography by: Victor Hammer
Camera Technician: Wescam Camera
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Camera Operator: Wescam Camera, Atlantic City And Toronto
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Camera Technician: Wescam Camera
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Camera Operator: Wescam
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Camera Operator: Aerial Unit, Wescam Camera
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Operator: Wescam
Alaska (1996)
Directed by: Fraser C. Heston
Cinematography by: Tony Westman
Edited by: Rob Kobrin
Camera Operator: Wescam Camera
Heat (1995)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Camera Operator: Wescam Camera, Cape Canaveral
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Camera Technician: Wescam Camera
Murder in the First (1995)
Directed by: Marc Rocco
Cinematography by: Fred Murphy
Edited by: Russell Livingstone
Camera Technician: Wescam Camera
Money Train (1995)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Camera Technician: Wescam Camera
Just Cause (1995)
Directed by: Arne Glimcher
Cinematography by: Lajos Koltai
Camera Technician: Wescam Camera
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Wescam Camera
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Camera Operator: Wescam Camera
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Camera Technician: Wescam Camera
Maverick (1994)
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Camera Operator: Wescam Camera
Blankman (1994)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Camera Technician: Wescam Camera
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Camera Technician: Wescam Camera
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Camera Technician: Wescam Camera
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Camera Operator: Wescam "b" Camera, Florida
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Camera Technician: Wescam Camera
Nell (1994)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Camera Technician: Wescam Camera
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Camera Operator: Wescam Camera
The Real McCoy (1993)
Directed by: Russell Mulcahy
Cinematography by: Denis Crossan
Edited by: Peter Honess
Camera Technician: Wescam Camera
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Camera Technician: Wescam Camera
For Love or Money (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Oliver Wood
Edited by: Jim Miller
Camera Technician: Wescam Camera
Sleepless in Seattle (1993)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Additional Camera Operator: Wescam Camera / Camera Technician: Wescam Camera
Map of the Human Heart (1992)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Camera Operator: Wescam Camera, Camera Technician: Wescam Camera
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Camera Technician: Wescam Camera
Hoffa (1992)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Camera Operator: Wescam Camera
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Camera Operator: Wescam Camera
Rush (1991)
Directed by: Lili Fini Zanuck
Cinematography by: Kenneth MacMillan
Edited by: Mark Warner
Camera Operator: Wescam Camera
The Butcher's Wife (1991)
Directed by: Terry Hughes
Cinematography by: Frank Tidy
Edited by: Donn Cambern
