Recording Engineer/score Mix Engineer
Ambulance (2022)
Directed by: Michael Bay
Cinematography by: Roberto De Angelis
Cameras: Red Epic Helium Camera, Red Komodo Camera
Score Recordist
A Hidden Life (2019)
Directed by: Terrence Malick
Cinematography by: Jörg Widmer
Cameras: Red Epic Dragon Camera
Score Recordist
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Score Recording Engineer
The Aeronauts (2019)
Directed by: Tom Harper
Cinematography by: George Steel
Edited by: Mark Eckersley
Cameras: Red Monstro 8K Camera
Additional Score Recording Engineer
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Digital Recordist
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Score Recordist
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Score Recordist
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Score Recordist
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Score Mixer
Phantom Thread (2017)
Directed by: Paul Thomas Anderson
Cinematography by: Paul Thomas Anderson
Edited by: Dylan Tichenor
Scoring Protools Engineer
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Score Recordist
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Digital Recordist
Goodbye Christopher Robin (2017)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Victoria Boydell
Score Recordist
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Score Recordist
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Music Mix Assistant: On-set
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Mix Assistant Engineer
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Digital Score Recordist
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Score Mix Assistant Engineer
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Studio Assistant: Protools
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Abbey Road Scoring Engineer
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Score Mix Assistant Engineer
The Danish Girl (2015)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Music Scoring Engineer
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Assistant Score Mixing Engineer , Protools Recordist
A Most Wanted Man (2014)
Directed by: Anton Corbijn
Cinematography by: Benoît Delhomme
Edited by: Claire Simpson
Cameras: ARRI ALEXA M Camera
Lenses: Zeiss Super Speed Lenses
Assistant To Score Mixing Engineer / Protools Scoring Engineer
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Assistant Scoring Engineer
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Protools Operator
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Assistant Engineer, Scoring Protools Engineer
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Scoring Second Engineer
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Scoring Protools Engineer
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Score Engineering / Pro-tools
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Protools Scoring Engineer
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Additional Score Engineering / Assistant Score Mixing Engineer / Protools Scoring Engineer / Scoring Second Engineer
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Score Pro Tools Recordist
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Assistant Score Mixing Engineer / Protools Engineer
Cloclo (2012)
Directed by: Florent-Emilio Siri
Cinematography by: Giovanni Fiore Coltellacci
Edited by: Olivier Gajan
Technical Score Engineer
The Impossible (2012)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Lenses: Zeiss Master Prime Lenses
Assistant Score Mixing Engineer / Scoring Pro Tools Engineer
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Protools Engineer
The Magic of Belle Isle (2012)
Directed by: Rob Reiner
Cinematography by: Reed Morano
Edited by: Dorian Harris
Cameras: ARRI ALEXA Camera
Assistant Score Engineer: Abbey Road
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Assistant Score Mixing Engineer
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Protools Engineer
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Assistant Scoring Engineer
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Assistant Score Mixing Engineer
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Scoring Protools Engineer
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Protools Engineer
La fille du puisatier (2011)
Directed by: Daniel Auteuil
Cinematography by: Jean-François Robin
Edited by: Joëlle Hache
Assistant Music Recording & Mixing, Scoring Protools Engineer
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Assistant Score Mixing Engineer / Scoring Pro Tools Engineer
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Score Pro Tools Recordist
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Score Pro Tools Recordist
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Assistant Score Mixing Engineer
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Technical Score Engineer
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Assistant Engineer
Texas Killing Fields (2011)
Directed by: Ami Canaan Mann
Cinematography by: Stuart Dryburgh
Edited by: Cindy Mollo
Cameras: Panavision Genesis Camera
Music Recording Engineer Assistant
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Score Pro Tools Recordist
La femme du Vème (2011)
Directed by: Pawel Pawlikowski
Cinematography by: Ryszard Lenczewski
Edited by: David Charap
Score Recording Engineer
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Pro Tools Operator
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Assistant Score Mixing Engineer
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Assistant Score Mixing Engineer / Assistant Scoring Engineer
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Score Pro Tools Recordist
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Assistant Scoring Engineer
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Assistant Scoring Engineer
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Music Recording And Mixing Assistant
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Pro Tools Operator
Noruwei no mori (2010)
Directed by: Anh Hung Tran
Cinematography by: Ping Bin Lee
Edited by: Mario Battistel
Assistant Scoring Engineer
Red Riding: The Year of Our Lord 1980 (2009)
Directed by: James Marsh
Cinematography by: Igor Martinovic
Edited by: Jinx Godfrey
Assistant Scoring Engineer
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Assistant Score Mixing Engineer / Assistant Scoring Engineer
Coco Before Chanel (2009)
Directed by: Anne Fontaine
Cinematography by: Christophe Beaucarne
Edited by: Luc Barnier
Assistant Scoring Engineer
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Assistant Score Mixing Engineer / Assistant Scoring Engineer
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Pro Tools Operator
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Assistant Score Mixing Engineer
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Assistant Score Mixing Engineer
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Assistant Scoring Engineer
Adam Resurrected (2008)
Directed by: Paul Schrader
Cinematography by: Sebastian Edschmid
Edited by: Sandy Saffeels
Assistant Score Mixing Engineer
The Heir Apparent: Largo Winch (2008)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Richard Marizy
Assistant Scoring Engineer
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
