Digital Intermediate Colorist: Fotokem Creative Services
The Creator (2023)
Directed by: Gareth Edwards
Cameras: Sony ILME-FX3 Camera
Digital Preview Colorist.
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Digital Intermediate Colorist
The Other Side of the Wind (2018)
Directed by: Orson Welles
Cinematography by: Gary Graver
Cameras: Éclair NPR Camera
Digital Intermediate Colorist
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Digital Intermediate Colorist
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Digital Intermediate Colorist
Kubo and the Two Strings (2016)
Directed by: Travis Knight
Cinematography by: Frank Passingham
Edited by: Christopher Murrie
Digital Intermediate Colorist
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Supervising Digital Intermediate Colorist: Technicolor
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Digital Intermediate Colorist
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Digital Intermediate Colorist
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Digital Intermediate Colorist
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Digital Intermediate Colorist
Walking with Dinosaurs 3D (2013)
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Digital Intermediate Colorist
Diary of a Wimpy Kid: Dog Days (2012)
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Digital Intermediate Colorist
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Intermediate Colorist
Step Up Revolution (2012)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Cameras: Red Epic Camera
Digital Intermediate Colorist
Glee: The 3D Concert Movie (2011)
Cameras: ARRI ALEXA Camera, Red Epic Camera
Digital Preview Timer
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Senior Digital Intermediate Colorist
Justin Bieber: Never Say Never (2011)
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Digital Intermediate Colorist
Big Mommas: Like Father, Like Son (2011)
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Digital Preview Timer
Furry Vengeance (2010)
Directed by: Roger Kumble
Cinematography by: Peter Lyons Collister
Edited by: Lawrence Jordan
Digital Intermediate Colorist
Vampires Suck (2010)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Digital Preview Timer
Extraordinary Measures (2010)
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Digital Intermediate Color Timer / Digital Preview Timer
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Digital Intermediate Colorist
My Sister's Keeper (2009)
Directed by: Nick Cassavetes
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Platinum Camera
Digital Preview Timer
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Digital Intermediate Color Timer
Black Dynamite (2009)
Directed by: Scott Sanders
Cinematography by: Shawn Maurer
Edited by: Adrian Younge
Digital Intermediate Colorist
Bride Wars (2009)
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Digital Preview Timer
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Digital Timer / Digital Color Timer - 6 Episodes, 2009
The Good Wife (2009)
Directed by: Rosemary Rodriguez, Michael Zinberg, Brooke Kennedy, James Whitmore Jr., Félix Enríquez Alcalá, Jim McKay, Frederick E.O. Toye, Robert King, Matt Shakman, Nelson McCormick, Rod Holcomb, Roxann Dawson, Griffin Dunne, Josh Charles, Paris Barclay, Charles McDougall, Christopher Misiano, Dean Parisot, Kevin Hooks, David Dworetzky, Scott Ellis, Daniel Minahan, Gloria Muzio, John Polson, John Gallagher, Lesli Linka Glatter, Julie Hébert, Peter O'Fallon, Steve Shill, Alex Zakrzewski, Phil Abraham, Tom DiCillo, Joshua Marston, David Platt, Ted Humphrey, Craig Zisk, Phil Alden Robinson
Edited by: Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Digital Timer
'The Good Wife' Conjugal (2009)
Directed by: Rod Holcomb
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Digital Timer
'The Good Wife' Crash (2009)
Directed by: Gloria Muzio
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Digital Timer
'The Good Wife' Fixed (2009)
Directed by: Daniel Minahan
Cinematography by: Fred Murphy
Edited by: David C. Cook
Digital Timer
'The Good Wife' Home (2009)
Directed by: Scott Ellis
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Digital Timer
'The Good Wife' Stripped (2009)
Directed by: Charles McDougall
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Digital Color Timer
'The Good Wife' Pilot (2009)
Directed by: Charles McDougall
Cinematography by: M. David Mullen
Digital Color Timer - 1 Episode, 2009
Hawthorne (2009)
Directed by: Jeff Bleckner, Ed Bianchi, Mike Robe, Rosemary Rodriguez, Andy Wolk, Tricia Brock, Arvin Brown, Roxann Dawson, Mikael Salomon, Tony Goldwyn, Stephen Gyllenhaal, Adam Kane, Seith Mann, Michael Schultz, Peter Werner
Edited by: Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork
Cameras: ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera
Lenses: ARRI Lenses, Panavision Lenses
Digital Color Timer
'Hawthorne' Pilot (2009)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Edited by: Alan Baumgarten
Digital Preview Timer
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Digital Intermediate Colorist
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Digital Preview Timer
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Digital Intermediate Color Timer
Disaster Movie (2008)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Digital Intermediate Colorist
Youth Without Youth (2007)
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Edited by: Walter Murch
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Digital Intermediate Color Timer: Laser Pacific Media
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Colorist
The Nines (2007)
Directed by: John August
Cinematography by: Nancy Schreiber
Edited by: Douglas Crise
Color Timer
Sinner (2007)
Directed by: Marc Benardout
Cinematography by: David Kerr
Edited by: Nicholas Wayman-Harris
Digital Intermediate Colorist: Laserpacific Media Corporation
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Digital Intermediate Color Timer
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Color Timer
Big Momma's House 2 (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly
Digital Color Timer: Laser Pacific
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Digital Intermediate Color Timer
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Color Timer
For Your Consideration (2006)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera
Digital Preview Colorist
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Digital Color Timer
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Digital Preview Timer
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Digital Color Timer
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Digital Color Timer
A Thousand Roads (2005)
Directed by: Chris Eyre
Cinematography by: Claudio Miranda
Edited by: Harry B. Miller III
Digital Intermediate Colorist: Laser Pacific Media
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Digital Intermediate Colorist
Loverboy (2005)
Directed by: Kevin Bacon
Cinematography by: Nancy Schreiber
Edited by: David Ray
Digital Preview Timer
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Digital Intermediate Color Timer - 1 Episode, 2005
Supernatural (2005)
Directed by: Robert Singer, Philip Sgriccia, John F. Showalter, Thomas J. Wright, Kim Manners, Charles Beeson, Guy Norman Bee, Mike Rohl, Richard Speight Jr., Steve Boyum, John Badham, Amyn Kaderali, Jensen Ackles, Tim Andrew, Nina Lopez-Corrado, Jeannot Szwarc, P.J. Pesce, J. Miller Tobin, James L. Conway, John MacCarthy, Stefan Pleszczynski, Eduardo Sánchez, Amanda Tapping, Jerry Wanek, Serge Ladouceur, Robert Duncan McNeill, Peter Ellis, David Nutter, Eric Kripke, Ben Edlund, Kevin Parks, Rashaad Ernesto Green, Matt Cohen, Ken Girotti, David Jackson, Tim Iacofano, Allan Kroeker, Chris Long, Whitney Ransick, Paul Shapiro, Tony Wharmby, Cliff Bole, Bradford May, Rachel Talalay, Adam Kane, Rick Bota, Jan Eliasberg, Rod Hardy, Jeff Woolnough, David Barrett, Charles Robert Carner, Nick Copus, Paul A. Edwards, Kevin Hooks, Rob Spera, Misha Collins, Darren Grant, John Fitzpatrick
Edited by: Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
Digital Intermediate Color Timer
'Supernatural' Pilot (2005)
Directed by: David Nutter
Cinematography by: Aaron Schneider
Edited by: Paul Karasick
Digital Preview Timer
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Preview Timer
Man on Fire (2004)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Preview Colorist
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Digital Preview Timer
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Digital Color Timer, Digital Mastering Colorist
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Colorist
Two Soldiers (2003)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Cameras: Panavision Panaflex Gold II Camera
Digital Preview Timer
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Color Timer
Gods and Generals (2003)
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Digital Mastering Color Timer
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Color Timer
Masked and Anonymous (2003)
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Digital Preview Timer
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Digital Preview Timer
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Digital Preview Timer
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Digital Color Timer , Digital Mastering Colorist
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Digital Color Timer: Mastering
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Digital Preview Timer
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Digital Color Timer
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Digital Color Timer
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Digital Color Timer: Mastering
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
High-definition Color Timer
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Digital Color Timer
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Digital Color Timer
China Strike Force (2000)
Directed by: Stanley Tong
Cinematography by: Jeffrey C. Mygatt
Digital Mastering Colorist
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Digital Color Timer
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Digital Color Timer , Digital Mastering Colorist
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Color Timer: Mastering
Election (1999)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Color Timer
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Digital Color Timer
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Color Timer
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Color Timer
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Digital Color Timer
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Color Timer
The Night Flier (1997)
Directed by: Mark Pavia
Cinematography by: David Connell
Edited by: Elizabeth Schwartz
Digital Color Timer
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Color Timer
Roseanna's Grave (1997)
Directed by: Paul Weiland
Cinematography by: Henry Braham
Edited by: Martin Walsh
Digital Color Timer
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
Digital Color Timer
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Restoration Colorist
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Digital Color Timer , Digital Timer
Police Story 4: First Strike (1996)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Digital Color Timer
Killing Zoe (1993)
Directed by: Roger Avary
Cinematography by: Tom Richmond
Edited by: Kathryn Himoff
Cameras: Moviecam Compact MK2 Camera
Editing System: K.E.M. Editing System
Restoration Colorist
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Digital Color Timer
El Norte (1983)
Directed by: Gregory Nava
Cinematography by: James Glennon
Edited by: Betsy Blankett Milicevic
Digital Colorist
The Bad News Bears Go to Japan (1978)
Directed by: John Berry
Cameras: Panavision Cameras
