Jennifer C. Bell

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Us | ShotOnWhat?

Visual Effects Executive: Universal

Us (2019)

Directed by: Jordan Peele

Cinematography by: Mike Gioulakis

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Fast 8 | ShotOnWhat?

Visual Effects Executive: Universal

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Jason Bourne | ShotOnWhat?

Visual Effects Executive: Universal

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Huntsman: Winter's War | ShotOnWhat?

Visual Effects Executive: Universal

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Hail, Caesar! | ShotOnWhat?

Visual Effects Executive: Universal

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Ted 2 | ShotOnWhat?

Visual Effects Executive: Universal

Ted 2 (2015)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Furious 7 | ShotOnWhat?

Visual Effects Executive: Universal

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Unbroken | ShotOnWhat?

Visual Effects Executive: Universal

Unbroken (2014)

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

A Million Ways to Die in the West | ShotOnWhat?

Visual Effects Executive: Universal

A Million Ways to Die in the West (2014)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

2 Guns | ShotOnWhat?

Visual Effects Executive: Universal

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Furious 6 | ShotOnWhat?

Visual Effects Executive: Universal

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

47 Ronin | ShotOnWhat?

Visual Effects Executive: Universal

47 Ronin (2013)

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Visual Effects Executive: Universal

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cowboys & Aliens | ShotOnWhat?

Visual Effects Executive: Universal

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Fast Five | ShotOnWhat?

Visual Effects Executive: Universal

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Your Highness | ShotOnWhat?

Visual Effects Executive: Universal

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Repo Men | ShotOnWhat?

Visual Effects Executive: Universal

Repo Men (2010)

Directed by: Miguel Sapochnik

Cinematography by: Enrique Chediak

Edited by: Richard Francis-Bruce

The Wolfman | ShotOnWhat?

Visual Effects Executive: Universal

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Robin Hood | ShotOnWhat?

Visual Effects Executive: Universal

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Charlie St. Cloud | ShotOnWhat?

Visual Effects Executive: Universal

Charlie St. Cloud (2010)

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

Visual Effects Executive: Universal

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Green Zone | ShotOnWhat?

Visual Effects Executive: Universal

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Love Happens | ShotOnWhat?

Visual Effects Executive: Universal

Love Happens (2009)

Directed by: Brandon Camp

Cinematography by: Eric Alan Edwards

Edited by: Dana E. Glauberman

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Visual Effects Executive: Universal

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Land of the Lost | ShotOnWhat?

Visual Effects Executive: Universal

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Leatherheads | ShotOnWhat?

Visual Effects Executive: Universal

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

The Express | ShotOnWhat?

Visual Effects Executive: Universal

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

Hellboy II: The Golden Army | ShotOnWhat?

Visual Effects Executive: Universal

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Wanted | ShotOnWhat?

Visual Effects Executive: Universal

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Visual Effects Executive: Universal

I Now Pronounce You Chuck & Larry (2007)

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Knocked Up | ShotOnWhat?

Visual Effects Executive: Universal

Knocked Up (2007)

Directed by: Judd Apatow

Cinematography by: Eric Alan Edwards

Edited by: Craig Alpert, Brent White

Cameras: Panavision Cameras

The Bourne Ultimatum | ShotOnWhat?

Visual Effects Executive: Universal

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Charlie Wilson's War | ShotOnWhat?

Visual Effects Executive: Universal

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

American Gangster | ShotOnWhat?

Visual Effects Executive: Universal

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Evan Almighty | ShotOnWhat?

Visual Effects Executive: Universal

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

The Kingdom | ShotOnWhat?

Visual Effects Executive: Universal

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Smokin' Aces | ShotOnWhat?

Visual Effects Executive: Universal

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Miami Vice | ShotOnWhat?

Visual Effects Executive: Universal

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

The Good Shepherd | ShotOnWhat?

Visual Effects Executive: Universal

The Good Shepherd (2006)

Directed by: Robert De Niro

Cinematography by: Robert Richardson

Edited by: Tariq Anwar

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Lightworks Editing System

Children of Men | ShotOnWhat?

Visual Effects Executive: Universal

Children of Men (2006)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Alex Rodríguez

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Jarhead | ShotOnWhat?

Visual Effects Executive: Universal / Visual Effects Producer

Jarhead (2005)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Walter Murch

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Van Helsing | ShotOnWhat?

Visual Effects Producer

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Mummy Returns | ShotOnWhat?

Visual Effects Producer

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Nutty Professor II: The Klumps | ShotOnWhat?

Visual Effects Producer

Nutty Professor II: The Klumps (2000)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

The Mummy | ShotOnWhat?

Visual Effects Producer

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Batman & Robin | ShotOnWhat?

Visual Effects Production Supervisor

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

The Cable Guy | ShotOnWhat?

Visual Effects Producer: SPI

The Cable Guy (1996)

Directed by: Ben Stiller

Cinematography by: Robert Brinkmann

Edited by: Steven Weisberg

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Batman Forever | ShotOnWhat?

Visual Effects Associate Production Supervisor

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Clifford | ShotOnWhat?

Visual Effects Production Coordinator

Clifford (1994)

Directed by: Paul Flaherty

Cinematography by: John A. Alonzo

Edited by: Tim Board, Pembroke J. Herring

Batman Returns | ShotOnWhat?

Production Coordinator: 4-Ward Productions

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Terminator 2: Judgment Day | ShotOnWhat?

Effects Coordinator: 4-Ward Productions

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Ghost | ShotOnWhat?

Visual Effects Coordinator

Ghost (1990)

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

Cameras: ARRI ARRIFLEX Series Cameras

The Abyss | ShotOnWhat?

Production Secretary

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

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