Stage Engineer: Newman
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Dolby Engineer
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
Dolby Consultant
Parasite (2019)
Directed by: Bong Joon Ho
Cinematography by: Kyung-pyo Hong
Edited by: Jinmo Yang
Cameras: ARRI ALEXA 65 Camera
Editing System: Apple Final Cut Pro 7
Dolby Consultant
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Dolby Sound Consultant
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Dolby Consultant
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Consultant: Dolby
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Dolby Sound Consultant
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Dolby Engineer
My Big Fat Greek Wedding 2 (2016)
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Dolby Engineer
The Boy (2016)
Directed by: William Brent Bell
Cinematography by: Daniel Pearl
Edited by: Brian Berdan
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk Vantage One Lenses
Dolby Consultant
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Dolby Sound Consultant
La La Land (2016)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Dolby Sound Consultant
Fifty Shades of Grey (2015)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Dolby Sound Consultant
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Dolby Sound Consultant
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Dolby Sound Consultant
About Last Night (2014)
Directed by: Steve Pink
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Lenses: Leitz Summilux-C Series Lenses
Dolby Sound Consultant
The November Man (2014)
Directed by: Roger Donaldson
Cinematography by: Romain Lacourbas
Edited by: John Gilbert
Cameras: ARRI ALEXA Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Sound Consultant: Dolby
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Dolby Engineer
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Dolby Sound Consultant
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Engineer: Dolby
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Dolby Sound Consultant
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Dolby Sound Consultant
Seeking a Friend for the End of the World (2012)
Directed by: Lorene Scafaria
Cinematography by: Tim Orr
Edited by: Zene Baker
Cameras: ARRI ALEXA Plus Camera
Dolby Sound Consultant
Madea's Witness Protection (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
Ted (2012)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera
Editing System: Avid Editing System
Dolby Sound Consultant
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
Step Up Revolution (2012)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Cameras: Red Epic Camera
Dolby Sound Consultant
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Dolby Sound Consultant
Crooked Arrows (2012)
Directed by: Steve Rash
Cinematography by: Dan Stoloff
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Dolby Sound Consultant
Scream 4 (2011)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Dolby Sound Consultant
Circumstance (2011)
Directed by: Maryam Keshavarz
Cinematography by: Brian Rigney Hubbard
Edited by: Andrea Chignoli
Dolby Sound Consultant
Madea's Big Happy Family (2011)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Dolby Sound Consultant
The Darkest Hour (2011)
Directed by: Chris Gorak
Cinematography by: Scott Kevan
Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Dolby Sound Consultant
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Dolby Sound Consultant
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Dolby Sound Consultant
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Dolby Sound Consultant
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Dolby Sound Consultant
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Dolby Sound Consultant
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Dolby Sound Consultant
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Dolby Sound Consultant
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Sound Consultant: Dolby
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Dolby Sound Consultant
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Sound Consultant: Dolby
Drillbit Taylor (2008)
Directed by: Steven Brill
Cinematography by: Fred Murphy
Sound Consultant: Dolby
Never Back Down (2008)
Directed by: Jeff Wadlow
Cinematography by: Lukas Ettlin
Dolby Sound Consultant
Nothing Like the Holidays (2008)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: Scott Kevan
Dolby Sound Consultant
Yonkers Joe (2008)
Directed by: Robert Celestino
Cinematography by: Michael Fimognari
Sound Consultant: Dolby
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Sound Consultant: Dolby
The Wackness (2008)
Directed by: Jonathan Levine
Cinematography by: Petra Korner
Edited by: Josh Noyes
Sound Consultant: Dolby
Religulous (2008)
Directed by: Larry Charles
Cinematography by: Anthony Hardwick
Sound Consultant: Dolby
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Dolby Supervisor
Under the Same Moon (2007)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Aleshka Ferrero
Sound Consultant: Dolby
All the Days Before Tomorrow (2007)
Directed by: François Dompierre
Cinematography by: Gavin Kelly
Sound Consultant: Dolby
The Air I Breathe (2007)
Directed by: Jieho Lee
Cinematography by: Walt Lloyd
Edited by: Robert Hoffman
Audio Mastering: Dolby
J-ok'el (2007)
Directed by: Benjamin Williams
Cinematography by: Andrew Waruszewski
Edited by: Slater Dixon
Sound Consultant: Dolby
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Dolby Sound Consultant / Sound Consultant: Dolby
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Sound Consultant: Dolby
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Consultant: Dolby Surround
Seraphim Falls (2006)
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Sound Consultant: Dolby
Bug (2006)
Directed by: William Friedkin
Cinematography by: Michael Grady
Edited by: Darrin Navarro
Consultant: Dolby Sound
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Sound Consultant: Dolby
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Sound Consultant: Dolby
Hoot (2006)
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Sound Engineer: Dolby
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Sound Consultant: Dolby
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by: Larry Charles
Cameras: Panasonic AJ-HDC27 Varicam Camera
Consultant: Dolby Surround
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Sound Consultant: Dolby
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Sound Consultant: Dolby
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Consultant: Dolby Film Sound
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Sound Engineer: Dolby
Brick (2005)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Rian Johnson
Consultant: Dolby Sound
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Sound Consultant: Dolby
Duck (2005)
Directed by: Nicole Bettauer
Cinematography by: Anne Etheridge
Edited by: Marcus Taylor
Dolby Sound Consultant
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby Stereo
Pretty Persuasion (2005)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Nicholas Erasmus
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby Stereo
Against the Ropes (2004)
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stereo Sound Consultant: Dolby Stereo
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Sound Consultant: Dolby
Maria Full of Grace (2004)
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Sound Consultant: Dolby
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Stereo Sound Consultant: Dolby
Spartan (2004)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Dolby Sound Consultant
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Sound Consultant: Dolby
Walking Tall (2004)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Sound Consultant: Dolby
Shade (2003)
Directed by: Damian Nieman
Cinematography by: Anthony B. Richmond
Sound Consultant: Dolby
Two Soldiers (2003)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Cameras: Panavision Panaflex Gold II Camera
Sound Consultant: Dolby
Where the Red Fern Grows (2003)
Cinematography by: James Jansen
Edited by: Paul Trejo
Dolby Consultant
The Fighting Temptations (2003)
Directed by: Jonathan Lynn
Cinematography by: Affonso Beato
Edited by: Paul Hirsch
Stereo Sound Consultant: Dolby
Sin (2003)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: Suzanne Fenn
Sound Consultant: Dolby
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Stereo Sound Consultant: Dolby
The Hunted (2003)
Directed by: William Friedkin
Cinematography by: Caleb Deschanel
Edited by: Augie Hess
Sound Consultant: Dolby
Northfork (2003)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Leo Trombetta
Stereo Sound Consultant: Dolby
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Stereo Sound Consultant: Dolby
My Big Fat Greek Wedding (2002)
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Consultant: Dolby
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Consultant: Dolby
Narc (2002)
Directed by: Joe Carnahan
Cinematography by: Alex Nepomniaschy
Edited by: John Gilroy
Lenses: Zeiss Super Speed Lenses
Consultant: Dolby Sound
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Consultant: Dolby Surround
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Stereo Sound Consultant: Dolby
Angel Eyes (2001)
Directed by: Luis Mandoki
Cinematography by: Piotr Sobocinski
Edited by: Gerald B. Greenberg
Stereo Sound Consultant: Dolby
Session 9 (2001)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Brad Anderson
Stereo Sound Consultant: Dolby
Snow in August (2001)
Directed by: Richard Friedenberg
Cinematography by: Serge Ladouceur
Edited by: Tatiana S. Riegel
Dolby Sound Consultant
Down to Earth (2001)
Cinematography by: Richard Crudo
Edited by: Priscilla Nedd-Friendly
Dolby Consultant
Uprising (2001)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Sabrina Plisco
Stereo Sound Consultant: Dolby
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Stereo Sound Consultant: Dolby
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Dolby Sound Consultant
Tigerland (2000)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Stereo Sound Consultant: Dolby
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Stereo Sound Consultant: Dolby
Passion of Mind (2000)
Directed by: Alain Berliner
Cinematography by: Eduardo Serra
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
The Contender (2000)
Directed by: Rod Lurie
Cinematography by: Denis Maloney
Edited by: Michael Jablow
Dolby Sound Consultant
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Dolby Sound Consultant
Buddy Boy (1999)
Directed by: Mark Hanlon
Cinematography by: Hubert Taczanowski
Stereo Sound Consultant: Dolby
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Consultant: Dolby
Double Jeopardy (1999)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stereo Sound Consultant: Dolby
A Slipping-Down Life (1999)
Directed by: Toni Kalem
Cinematography by: Michael F. Barrow
Edited by: Hughes Winborne
Cameras: Aaton 35-III Camera, ARRIFLEX 535 Camera
Consultant: Dolby
The Big Kahuna (1999)
Directed by: John Swanbeck
Cinematography by: Anastas N. Michos
Edited by: Peggy Davis
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
Polish Wedding (1998)
Directed by: Theresa Connelly
Cinematography by: Guy Dufaux
Sound Consultant: Dolby
Clay Pigeons (1998)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Sound Consultant: Dolby
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stereo Sound Consultant
Woo (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
Consultant: Dolby
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Stereo Sound Consultant: Dolby
Gods and Monsters (1998)
Directed by: Bill Condon
Cinematography by: Stephen M. Katz
Edited by: Virginia Katz
Cameras: ARRIFLEX Camera
Stereo Sound Consultant: Dolby Stereo
Permanent Midnight (1998)
Directed by: David Veloz
Cinematography by: Robert D. Yeoman
Consultant: Dolby
Very Bad Things (1998)
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Sound Consultant: Dolby
Buffalo '66 (1998)
Directed by: Vincent Gallo
Cinematography by: Lance Acord
Edited by: Curtiss Clayton
Lenses: Zeiss Super Speed Lenses
Sound Consultant: Dolby
There's Something About Mary (1998)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Stereo Sound Consultant: Dolby
Judas Kiss (1998)
Directed by: Sebastian Gutierrez
Cinematography by: James Chressanthis
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Sound Consultant: Dolby
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Sound Consultant: Dolby
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Stereo Sound Consultant: Dolby Stereo
Billy's Hollywood Screen Kiss (1998)
Directed by: Tommy O'Haver
Cinematography by: Mark Mervis
Edited by: Jeff Betancourt
Cameras: Panavision Silent Reflex PSR Camera
Sound Consultant: Dolby
Suicide Kings (1997)
Directed by: Peter O'Fallon
Cinematography by: Christopher Baffa
Edited by: Chris Peppe
Stereo Sound Consultant: Dolby
Menno's Mind (1997)
Directed by: Jon Kroll
Cinematography by: Gary Tieche
Edited by: Stephen R. Myers
Stereo Sound Consultant: Dolby
A Thousand Acres (1997)
Directed by: Jocelyn Moorhouse
Cinematography by: Tak Fujimoto
Edited by: Maryann Brandon
Sound Consultant: Dolby
Private Parts (1997)
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Consultant: Dolby
The Locusts (1997)
Directed by: John Patrick Kelley
Cinematography by: Phedon Papamichael
Consultant: Dolby Sound
She's So Lovely (1997)
Directed by: Nick Cassavetes
Cinematography by: Thierry Arbogast
Edited by: Petra von Oelffen
Stereo Sound Consultant: Dolby
The End of Violence (1997)
Directed by: Wim Wenders
Cinematography by: Pascal Rabaud
Edited by: Peter Przygodda
Dolby Sound Consultant: Dolby
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Stereo Sound Consultant: Dolby
Sling Blade (1996)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stereo Sound Consultant: Dolby
The Substitute (1996)
Directed by: Robert Mandel
Cinematography by: Bruce Surtees
Edited by: Alex Mackie
Stereo Sound Consultant: Dolby
The Whole Wide World (1996)
Directed by: Dan Ireland
Cinematography by: Claudio Rocha
Edited by: Luis Colina
Stereo Sound Consultant: Dolby
Thinner (1996)
Directed by: Tom Holland
Cinematography by: Kees Van Oostrum
Stereo Sound Consultant: Dolby
The Evening Star (1996)
Directed by: Robert Harling
Cinematography by: Don Burgess
Sound Consultant: Dolby
SubUrbia (1996)
Directed by: Richard Linklater
Cinematography by: Lee Daniel
Edited by: Sandra Adair
Stereo Sound Consultant: Dolby
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Stereo Sound Consultant: Dolby
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Stereo Sound Consultant: Dolby
Unhook the Stars (1996)
Directed by: Nick Cassavetes
Cinematography by: Phedon Papamichael
Edited by: Petra von Oelffen
Cameras: Panavision Cameras
