Lora Hirschberg

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Argentina, 1985 | ShotOnWhat?

Re-recording Mixer / Sound Mixing: Mezcla De Sonido

Argentina, 1985 (2022)

Directed by: Santiago Mitre

Cinematography by: Javier Julia

Edited by: Andrés Pepe Estrada

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses, Canon FD Series Lenses

The Lion King | ShotOnWhat?

Re-Recording Mixer

The Lion King (2019)

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Christopher Robin | ShotOnWhat?

Re-recording Mixer

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Only the Brave | ShotOnWhat?

Re-recording Mixer

Only the Brave (2017)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Billy Fox

Cameras: Sony CineAlta F65 Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses

Thor: Ragnarok | ShotOnWhat?

Re-recording Mixer

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Re-recording Mixer

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Ice Age: Collision Course | ShotOnWhat?

Re-recording Mixer

Ice Age: Collision Course (2016)

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

The Jungle Book | ShotOnWhat?

Re-recording Sound Mixer

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Avengers: Age of Ultron | ShotOnWhat?

Re-recording Mixer

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Crimson Peak | ShotOnWhat?

Re-recording Mixer

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Guardians of the Galaxy | ShotOnWhat?

Re-recording Mixer

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Rio 2 | ShotOnWhat?

Re-recording Mixer

Rio 2 (2014)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

The Best of Me | ShotOnWhat?

Re-recording Mixer: Wildfire Studios

The Best of Me (2014)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Matt Chesse

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

Thor: The Dark World | ShotOnWhat?

Re-recording Mixer

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Epic | ShotOnWhat?

Re-recording Mixer

Epic (2013)

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

World War Z | ShotOnWhat?

Re-recording Mixer

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Enough Said | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Enough Said (2013)

Directed by: Nicole Holofcener

Cinematography by: Xavier Grobet

Edited by: Robert Frazen

Cameras: ARRI ALEXA Studio Camera

Lenses: Leitz Summilux-C Series Lenses

How to Survive a Plague | ShotOnWhat?

Re-recording Mixer / Sound Editor / Sound Mixer

How to Survive a Plague (2012)

Directed by: David France

Cinematography by: Derek Wiesehahn

Edited by: Woody Richman, Tyler H. Walk

Hemingway & Gellhorn | ShotOnWhat?

Re-recording Mixer

Hemingway & Gellhorn (2012)

Television Movie

Directed by: Philip Kaufman

Cinematography by: Rogier Stoffers

Edited by: Walter Murch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

Ice Age: Continental Drift | ShotOnWhat?

Re-recording Mixer

Ice Age: Continental Drift (2012)

Directed by: Steve Martino, Mike Thurmeier

Cinematography by: Renato Falcão

Edited by: Christopher Campbell, James Palumbo, David Ian Salter

Emperor | ShotOnWhat?

Re-recording Mixer

Emperor (2012)

Directed by: Peter Webber

Cinematography by: Stuart Dryburgh

Edited by: Chris Plummer

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

The Avengers | ShotOnWhat?

Re-recording Mixer

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Cinema Verite | ShotOnWhat?

Re-recording Mixer

Cinema Verite (2011)

Television Movie

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Affonso Beato

Edited by: Sarah Flack, Robert Pulcini

Thin Ice | ShotOnWhat?

Re-recording Mixer

Thin Ice (2011)

Directed by: Jill Sprecher

Cinematography by: Dick Pope

Edited by: Lee Percy

The Beaver | ShotOnWhat?

Re-recording Mixer

The Beaver (2011)

Directed by: Jodie Foster

Cinematography by: Hagen Bogdanski

Edited by: Lynzee Klingman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses

Machine Gun Preacher | ShotOnWhat?

Re-recording Mixer

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

Cowboys & Aliens | ShotOnWhat?

Re-recording Mixer

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Rio | ShotOnWhat?

Re-recording Mixer

Rio (2011)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Iron Man 2 | ShotOnWhat?

Re-recording Mixer

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Extra Man | ShotOnWhat?

Re-recording Mixer

The Extra Man (2010)

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Terry Stacey

Edited by: Robert Pulcini

Inception | ShotOnWhat?

Leaves of Grass | ShotOnWhat?

Re-recording Mixer

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

Ice Age: Dawn of the Dinosaurs | ShotOnWhat?

Re-recording Mixer

Ice Age: Dawn of the Dinosaurs (2009)

Directed by: Carlos Saldanha, Mike Thurmeier

Edited by: Harry Hitner, James Palumbo

Iron Man | ShotOnWhat?

Re-recording Mixer

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

The Dark Knight | ShotOnWhat?

Re-recording Mixer

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Lions for Lambs | ShotOnWhat?

Re-recording Mixer

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Additional Sound Mixer: Skywalker Sound

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

The Kite Runner | ShotOnWhat?

Re-recording Mixer

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Into the Wild | ShotOnWhat?

Re-recording Mixer

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

Stranger Than Fiction | ShotOnWhat?

Supervising Sound Mixer

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Prestige | ShotOnWhat?

Re-recording Mixer

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Shortbus | ShotOnWhat?

Re-recording Mixer

Shortbus (2006)

Directed by: John Cameron Mitchell

Cinematography by: Frank G. DeMarco

Edited by: Brian A. Kates

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | ShotOnWhat?

Re-recording Mixer: Todd-AO

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Directed by: Larry Charles

Cinematography by: Luke Geissbuhler, Anthony Hardwick

Edited by: Craig Alpert, Peter Teschner, James Thomas

Cameras: Panasonic AJ-HDC27 Varicam Camera

Rent | ShotOnWhat?

Supervising Sound Mixer

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Batman Begins | ShotOnWhat?

Re-recording Mixer

Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Finding Neverland | ShotOnWhat?

Re-Recording Mixer

Finding Neverland (2004)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Editing System: Avid Editing System

The Lord of the Rings: The Return of the King | ShotOnWhat?

Additional Re-recording Mixer

The Lord of the Rings: The Return of the King (2003)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Adaptation. | ShotOnWhat?

Re-recording Mixer

Adaptation. (2002)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Ring | ShotOnWhat?

Re-recording Mixer

The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Panic Room | ShotOnWhat?

Re-recording Mixer

Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Maid in Manhattan | ShotOnWhat?

Re-recording Mixer

Maid in Manhattan (2002)

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

Monkeybone | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Monkeybone (2001)

Directed by: Henry Selick

Cinematography by: Andrew Dunn

Edited by: Jon Poll, Nicholas C. Smith, Mark Warner

Bandits | ShotOnWhat?

Re-recording Mixer

Bandits (2001)

Directed by: Barry Levinson

Cinematography by: Dante Spinotti

Edited by: Stu Linder

The Grey Zone | ShotOnWhat?

Re-recording Mixer

The Grey Zone (2001)

Directed by: Tim Blake Nelson

Cinematography by: Russell Lee Fine

Edited by: Michelle Botticelli, Tim Blake Nelson

O | ShotOnWhat?

Re-recording Mixer

O (2001)

Directed by: Tim Blake Nelson

Cinematography by: Russell Lee Fine

Edited by: Kate Sanford

All the Pretty Horses | ShotOnWhat?

Re-recording Mixer

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Quills | ShotOnWhat?

Re-recording Mixer

Quills (2000)

Directed by: Philip Kaufman

Cinematography by: Rogier Stoffers

Edited by: Peter Boyle

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Pitch Black | ShotOnWhat?

Re-recording Mixer

Pitch Black (2000)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Rick Shaine

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Yards | ShotOnWhat?

Re-recording Mixer

The Yards (2000)

Directed by: James Gray

Cinematography by: Harris Savides

Edited by: Jeffrey Ford

Titus | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Titus (1999)

Directed by: Julie Taymor

Cinematography by: Luciano Tovoli

Edited by: Françoise Bonnot

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

A Midsummer Night's Dream | ShotOnWhat?

Re-recording Mixer

A Midsummer Night's Dream (1999)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Galaxy Quest | ShotOnWhat?

Re-recording Mixer

Galaxy Quest (1999)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Anywhere But Here | ShotOnWhat?

Re-recording Mixer

Anywhere But Here (1999)

Directed by: Wayne Wang

Cinematography by: Roger Deakins

Edited by: Nicholas C. Smith

The Newton Boys | ShotOnWhat?

Re-recording Mixer

The Newton Boys (1998)

Directed by: Richard Linklater

Cinematography by: Peter James

Edited by: Sandra Adair

The Horse Whisperer | ShotOnWhat?

Re-recording Mixer

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

54 | ShotOnWhat?

Re-recording Mixer

54 (1998)

Directed by: Mark Christopher

Cinematography by: Alexander Gruszynski

Edited by: Lee Percy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Sphere | ShotOnWhat?

Re-recording Mixer

Sphere (1998)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

Halloween H20: 20 Years Later | ShotOnWhat?

Re-recording Mixer

Halloween H20: 20 Years Later (1998)

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Patrick Lussier

The Faculty | ShotOnWhat?

Re-recording Mixer

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

B*A*P*S | ShotOnWhat?

Re-recording Mixer

BAP*S (1997)

Directed by: Robert Townsend

Cinematography by: Bill Dill

Edited by: Patrick Kennedy

Titanic | ShotOnWhat?

Re-recording Mixer: Movie And Deleted Scenes

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wag the Dog | ShotOnWhat?

Re-recording Mixer

Wag the Dog (1997)

Directed by: Barry Levinson

Cinematography by: Robert Richardson

Edited by: Stu Linder

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Mimic | ShotOnWhat?

Re-recording Mixer

Mimic (1997)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Peter Devaney Flanagan, Patrick Lussier

Amazon | ShotOnWhat?

Re-recording Mixer: Skywalker Sound

Amazon (1997)

Directed by: Kieth Merrill

Cinematography by: Mike Hoover

Edited by: Stephen L. Johnson

Hercules | ShotOnWhat?

Re-recording Mixer

Hercules (1997)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

Sleepers | ShotOnWhat?

Re-recording Mixer

Sleepers (1996)

Directed by: Barry Levinson

Cinematography by: Michael Ballhaus

Edited by: Stu Linder

One Fine Day | ShotOnWhat?

Re-recording Mixer

One Fine Day (1996)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Strange Days | ShotOnWhat?

Assistant Sound Designer / Re-recording Mixer

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

Home for the Holidays | ShotOnWhat?

Re-recording Mixer

Home for the Holidays (1995)

Directed by: Jodie Foster

Cinematography by: Lajos Koltai

Edited by: Lynzee Klingman

Disclosure | ShotOnWhat?

Re-recording Mixer

Disclosure (1994)

Directed by: Barry Levinson

Cinematography by: Tony Pierce-Roberts

Edited by: Stu Linder

The Secret Garden | ShotOnWhat?

Re-recording Mixer

The Secret Garden (1993)

Directed by: Agnieszka Holland

Cinematography by: Roger Deakins

Edited by: Isabelle Lorente

Cameras: Panavision Cameras

Mrs. Doubtfire | ShotOnWhat?

Assistant Sound Designer

Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Toys | ShotOnWhat?

Assistant Sound Designer

Toys (1992)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

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