Compositor
'Pandora' Shelter from the Storm (2019)
Directed by: Steve Hughes
Cinematography by: Maximilian Schmige
Edited by: Devon Greene
Compositor
'Pandora' Chimes of Freedom (2019)
Directed by: Steve Hughes
Cinematography by: Maximilian Schmige
Edited by: Dana Gasparine
Compositor
'Pandora' Masters of War (2019)
Directed by: Christian Gossett
Cinematography by: Maximilian Schmige
Compositor
'Pandora' I Shall Be Released (2019)
Directed by: Brett Simmons
Cinematography by: Maximilian Schmige
Compositor
'Pandora' Most Likely to Go Your Way (And I'll Go Mine) (2019)
Directed by: Brett Simmons
Cinematography by: Maximilian Schmige
Edited by: Devon Greene
Compositor
'Pandora' What Was It You Wanted (2019)
Directed by: Jenn Wexler
Cinematography by: Maximilian Schmige
Edited by: Dana Gasparine
Compositor
'Pandora' Time Out of Mind (2019)
Directed by: Michael Hurst
Cinematography by: Maximilian Schmige
Compositor
'Pandora' Under the Red Sky (2019)
Directed by: Tirsa Hackshaw
Cinematography by: Maximilian Schmige
Edited by: Devon Greene
Compositor
'Pandora' Hurricane (2019)
Directed by: Brett Simmons
Cinematography by: Maximilian Schmige
Compositor
'Pandora' I'll Be Your Baby Tonight (2019)
Directed by: Brea Grant
Cinematography by: Maximilian Schmige
Edited by: Devon Greene
Compositor
'Pandora' Knocking on Heaven's Door (2019)
Directed by: Chris LeDoux
Cinematography by: Maximilian Schmige
Edited by: Heather Taylor
Compositor
'Pandora' Simple Twist of Fate (2019)
Directed by: Mark A. Altman
Cinematography by: Maximilian Schmige
Edited by: Dana Gasparine
Vfx Supervisor
'The Walking Dead' Still Gotta Mean Something (2018)
Directed by: Michael E. Satrazemis
Edited by: Evan Schrodek
Vfx Supervisor
'The Walking Dead' Do Not Send Us Astray (2018)
Directed by: Jeffrey F. January
Cinematography by: Stephen Campbell
Edited by: Alan Cody
Vfx Supervisor
'The Walking Dead' The Key (2018)
Directed by: Greg Nicotero
Cinematography by: Paul Varrieur
Vfx Supervisor
'The Walking Dead' Dead or Alive Or (2018)
Directed by: Michael E. Satrazemis
Cinematography by: Stephen Campbell
Edited by: Evan Schrodek
Vfx Supervisor
'The Walking Dead' The Lost and the Plunderers (2018)
Directed by: David Boyd
Edited by: Alan Cody
Vfx Supervisor
'The Walking Dead' Honor (2018)
Directed by: Greg Nicotero
Cinematography by: Duane Manwiller
Edited by: Dan Liu
Visual Effects Artist
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Visual Effects Supervisor
'The Librarians' And the Wrath of Chaos (2017)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Tom McQuade
Visual Effects Supervisor
'The Librarians' And the Fatal Separation (2017)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Visual Effects Supervisor
'The Librarians' And the Eternal Question (2017)
Directed by: Noah Wyle
Cinematography by: David Connell
Edited by: Ron Stanik
Visual Effects Supervisor
'The Librarians' And the Curse of Cindy (2017)
Directed by: Nina Lopez-Corrado
Cinematography by: David Connell
Edited by: Tom McQuade
Vfx Supervisor
'The Walking Dead' How It's Gotta Be (2017)
Directed by: Michael E. Satrazemis
Edited by: Evan Schrodek
Vfx Supervisor
'The Walking Dead' Time for After (2017)
Directed by: Larry Teng
Cinematography by: Duane Manwiller
Edited by: Alan Cody
Vfx Supervisor
'The Walking Dead' The King, the Widow and Rick (2017)
Directed by: John Polson
Cinematography by: Duane Manwiller
Edited by: Evan Schrodek
Vfx Supervisor
'The Walking Dead' The Big Scary U (2017)
Directed by: Michael E. Satrazemis
Cinematography by: Paul Varrieur
Edited by: Dan Liu
Vfx Supervisor
'The Walking Dead' Some Guy (2017)
Directed by: Dan Liu
Cinematography by: Michael E. Satrazemis
Edited by: Sarah C. Reeves
Vfx Supervisor
'The Walking Dead' Monsters (2017)
Directed by: Greg Nicotero
Cinematography by: Michael E. Satrazemis
Edited by: Alan Cody
Vfx Supervisor
'The Walking Dead' The Damned (2017)
Directed by: Rosemary Rodriguez
Cinematography by: Michael E. Satrazemis
Edited by: Evan Schrodek
Vfx Supervisor
'The Walking Dead' Mercy (2017)
Directed by: Greg Nicotero
Cinematography by: Michael E. Satrazemis
Edited by: Dan Liu
Visual Effects: EXODUSFX
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Visual Effects Supervisor
'The Librarians' And the Self-Fulfilling Prophecy (2016)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Ron Stanik
Visual Effects Supervisor
'The Librarians' And the Rise of Chaos (2016)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Tom McQuade
Visual Effects Supervisor
'The Librarians' And the Trial of the Triangle (2016)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Visual Effects Supervisor
'The Librarians' And the Reunion of Evil (2016)
Directed by: Noah Wyle
Cinematography by: David Connell
Edited by: Tom McQuade
Visual Effects Supervisor
'The Librarians' And the Fangs of Death (2016)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Ron Stanik
Visual Effects Supervisor
'The Librarians' And the Tears of a Clown (2016)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Visual Effects Supervisor
'The Librarians' And the Final Curtain (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Ron Stanik
Visual Effects Supervisor
'The Librarians' And the Point of Salvation (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Ron Stanik
Visual Effects Supervisor
'The Librarians' And the Image of Image (2015)
Directed by: Emile B. Levisetti
Cinematography by: David Connell
Visual Effects Supervisor
'The Librarians' And the Infernal Contract (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Tom McQuade
Visual Effects Supervisor
'The Librarians' And the Hollow Men (2015)
Directed by: Noah Wyle
Cinematography by: David Connell
Visual Effects Supervisor
'The Librarians' And the Cost of Education (2015)
Directed by: Courtney Rowe
Cinematography by: David Connell
Edited by: Ron Stanik
Visual Effects Supervisor
'The Librarians' And What Lies Beneath the Stones (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Tom McQuade
Visual Effects Supervisor
'The Librarians' And the Broken Staff (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Ron Stanik
Visual Effects Supervisor
'The Librarians' And the Drowned Book (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Ron Stanik
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Loom of Fate (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the City of Light (2015)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Chris A. Peterson
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Heart of Darkness (2015)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Chris A. Peterson
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Rule of Three (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Fables of Doom (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Chris A. Peterson
Visual Effects Supervisor / Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX - 29 Episodes, 2014-2017
The Librarians (2014)
Directed by: Marc Roskin, Jonathan Frakes, Dean Devlin, Noah Wyle, Rod Hardy, John Harrison, Emile B. Levisetti, Tawnia McKiernan, Courtney Rowe, Eriq La Salle, Nina Lopez-Corrado, Lindy Booth, Valerie Weiss
Cinematography by: David Connell
Cameras: Red Epic Dragon Camera, Red One MX Camera
Editing System: Final Cut Pro Editing System
Visual Effects Artist
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Apple of Discord (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And Santa's Midnight Run (2014)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Horns of a Dilemma (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Sword in the Stone (2014)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Vendor: EXODUSFX / Visual Effects Supervisor: Electric Entertainment VFX
'The Librarians' And the Crown of King Arthur (2014)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Supervisor: LOOKFX
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
Compositor: Look Effects
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Compositor: Look Effects
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Compositor: Look Effects
End of Watch (2012)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Digital Artist: LOOK! Effects
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Visual Effects: EXODUSFX
'Leverage' The Toy Job (2012)
Directed by: Jonathan Frakes
Edited by: Brian Gonosey
Visual Effects: EXODUSFX
'Leverage' The Corkscrew Job (2012)
Directed by: Marc Roskin
Edited by: Brian Gonosey
Visual Effects: EXODUSFX
'Leverage' The Blue Line Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Visual Effects: EXODUSFX
'Leverage' The (Very) Big Bird Job (2012)
Directed by: John Rogers
Cinematography by: David Connell
Edited by: Brian Gonosey
2d Supervisor: Look FX
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Compositing Supervisor: Look Effects
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
2D Supervisor: LOOK Effects / Digital Supervisor: LOOKFX
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Compositing Supervisor: Look Effects
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Visual Effects: EXODUSFX
'Leverage' The Office Job (2011)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Visual Effects: EXODUSFX
'Leverage' The Long Way Down Job (2011)
Directed by: Dean Devlin
Cinematography by: Alan Caso
Edited by: Sonny Baskin
Compositing Supervisor: LOOK Effects
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
2d Supervisor: Look Effects
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Digital Supervisor: LOOKFX
Tekken (2010)
Directed by: Dwight H. Little
Cinematography by: Brian J. Reynolds
Edited by: David Checel
Vfx Supervisor - 16 Episodes, 2017-2018
The Walking Dead (2010)
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Visual Effects: EXODUSFX
'Leverage' The Big Bang Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Visual Effects: EXODUSFX
'Leverage' The Jailhouse Job (2010)
Directed by: Dean Devlin
Cinematography by: David Connell
Compositor: Rainmaker
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Compositing Supervisor: LOOK Effects
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Compositing Supervisor: Look Effects
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Supervisor: Look Effects
Law Abiding Citizen (2009)
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Compositor: Rainmaker
Snow Buddies (2008)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Digital Supervisor: LOOKFX
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Compositing Supervisor: LookFX
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Digital Compositor: Digital Domain
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Visual Effects: EXODUSFX - 9 Episodes, 2010-2012
Leverage (2008)
Directed by: Marc Roskin, Dean Devlin, Jonathan Frakes, John Harrison, Arvin Brown, John Rogers, Jeremiah S. Chechik, Peter Winther, Rod Hardy, P.J. Pesce, Tawnia McKiernan, Craig R. Baxley, Tony Bill, Rob Minkoff, Peter O'Fallon, Millicent Shelton, Frank Oz
Editing System: Final Cut Pro Editing System
Compositing Supervisor: LOOK FX
'Bones' The Crank in the Shaft (2008)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Compositing Supervisor: LOOK FX
'Bones' The Perfect Pieces in the Purple Pond (2008)
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Compositing Supervisor: LOOK FX
'Bones' The Man in the Outhouse (2008)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Compositing Supervisor: LOOK FX
'Bones' The Yanks in the U.K.: Parts 1 and 2 (2008)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Compositing Supervisor: LOOK FX
'Bones' The Pain in the Heart (2008)
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Previz Artist: Persistence Of Vision
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Lead Senior Compositor: Rainmaker Studios
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Digital Compositor: CafeFX
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Digital Compositor: Flash Film Works
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Compositor: Cafe FX
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Digital Compositor: ILM
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Digital Compositor
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Digital Compositor / Particle Effects
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Boujou Tracking / Digital Compositor
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Compositor / Particle Effects
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Digital Compositor
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Compositing Supervisor: LOOK FX - 5 Episodes, 2008
Bones (2005)
Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi
Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli
Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera
Digital Compositor: Pacific Title
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Compositor: CIS Hollywood
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Compositor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Digital Compositor / Digital Effects Artist
Torque (2004)
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Digital Compositor
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Compositor
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Digital Compositor: Pacific Title And Arts Studio
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Digital Compositor
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Compositor
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Digital Compositor
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Digital Compositor
House of Sand and Fog (2003)
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Compositor
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Compositor
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Compositor
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Compositor
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositor
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Digital Artist: Particle Effects
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Artist: Particle Effects
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Digital Artist: Pacific Title
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Compositor
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Digital Compositor
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Artist: Wire And Rig Removal
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Digital Artist: Comp And Paint
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Digital Artist: Wire And Rig Removal
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Digital Painter: Pacific Title Digital
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Digital Artist: Wire And Rig Removal
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Digital Paint Effects Artist
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Digital Painter: Pacific Title & Arts Studio
Ballistic: Ecks vs. Sever (2002)
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Digital Artist: Wire And Rig Removal
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Digital Painter: Pacific Title & Arts
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System