Justin Johnson

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Alien: Covenant | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Spider-Man: Homecoming | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Doctor Strange | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Deadpool | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Captain America: Civil War | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Run All Night | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

"Agents of S.H.I.E.L.D." Yes Men | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Yes Men (2014)

Television Episode

Directed by: John Terlesky

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

Captain America: The Winter Soldier | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

"Agents of S.H.I.E.L.D." The Magical Place | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' The Magical Place (2014)

Television Episode

Directed by: Kevin Hooks

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Seeds | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Seeds (2014)

Television Episode

Directed by: Kenneth Fink

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." T.R.A.C.K.S. | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' T.R.A.C.K.S. (2014)

Television Episode

Directed by: Paul A. Edwards

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

"Agents of S.H.I.E.L.D." T.A.H.I.T.I. | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' T.A.H.I.T.I. (2014)

Television Episode

Directed by: Bobby Roth

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

Agents of S.H.I.E.L.D. | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures - 9 Episodes, 2013-2014

Agents of S.H.I.E.L.D. (2013)

Television Series

Cinematography by: Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell

Edited by: Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane

Thor: The Dark World | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

"Agents of S.H.I.E.L.D." The Bridge | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' The Bridge (2013)

Television Episode

Directed by: Holly Dale

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

"Agents of S.H.I.E.L.D." The Well | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' The Well (2013)

Television Episode

Directed by: Jonathan Frakes

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." The Hub | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' The Hub (2013)

Television Episode

Directed by: Bobby Roth

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Pilot | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

'Agents of S.H.I.E.L.D.' Pilot (2013)

Television Episode

Directed by: Joss Whedon

Cinematography by: David Boyd

Edited by: Joshua Charson, Paul Trejo

Oz the Great and Powerful | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

RED 2 | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Prisoners | ShotOnWhat?

Digital Fx Supervisor: Luma Pictures

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Saving Mr. Banks | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Avengers | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Dredd | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Dredd (2012)

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Zeiss Ultra Prime Lenses

Underworld: Awakening | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Prometheus | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

In Time | ShotOnWhat?

Visual Effects Supervisor: Luma Pictures

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Captain America: The First Avenger | ShotOnWhat?

Digital Effects Supervisor

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Digital Effects Supervisor

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Battle Los Angeles | ShotOnWhat?

Digital Effects Supervisor

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Green Hornet | ShotOnWhat?

Digital Effects Supervisor

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

True Grit | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

The Nutcracker in 3D | ShotOnWhat?

Digital Effects Supervisor

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Book of Eli | ShotOnWhat?

Digital Effects Supervisor: Luma

The Book of Eli (2010)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Digital Effects Supervisor

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Underworld: Rise of the Lycans | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

X-Men Origins: Wolverine | ShotOnWhat?

Digital Effects Supervisor

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

A Serious Man | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

A Serious Man (2009)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Digital Effects Supervisor

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Untraceable | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

Burn After Reading | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Burn After Reading (2008)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Emmanuel Lubezki

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Henry Poole Is Here | ShotOnWhat?

Digital Effects Supervisor

Henry Poole Is Here (2008)

Directed by: Mark Pellington

Cinematography by: Eric Schmidt

Edited by: Lisa Zeno Churgin

City of Ember | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

The Midnight Meat Train | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

The Midnight Meat Train (2008)

Directed by: Ryûhei Kitamura

Cinematography by: Jonathan Sela

Edited by: Toby Yates

Hancock | ShotOnWhat?

Digital Effects Supervisor

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Digital Effects Supervisor

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Tortilla Heaven | ShotOnWhat?

Visual Effects

Tortilla Heaven (2007)

Directed by: Judy Hecht Dumontet

Cinematography by: Chuy Chávez

Edited by: Rick Fields, Hiroshi Kubota, Vanick Moradian

Hostel: Part II | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

Hostel: Part II (2007)

Directed by: Eli Roth

Cinematography by: Milan Chadima

Edited by: George Folsey Jr.

No Country for Old Men | ShotOnWhat?

Digital Effects Supervisor: Luma Pictures

No Country for Old Men (2007)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Reign Over Me | ShotOnWhat?

Compositor: Luma Pictures

Reign Over Me (2007)

Directed by: Mike Binder

Cinematography by: Russ T. Alsobrook

Edited by: Steve Edwards, Jeremy Roush

Cameras: Panavision Genesis Camera

Editing System: Final Cut Pro Editing System

Silent Hill | ShotOnWhat?

Visual Effects

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

The Covenant | ShotOnWhat?

Visual Effects

The Covenant (2006)

Directed by: Renny Harlin

Cinematography by: Pierre Gill

Edited by: Nicolas De Toth

First Snow | ShotOnWhat?

Compositing Supervisor: Luma Pictures

First Snow (2006)

Directed by: Mark Fergus

Cinematography by: Eric Alan Edwards

Edited by: Jay Cassidy

Hoot | ShotOnWhat?

Visual Effects

Hoot (2006)

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

Apocalypto | ShotOnWhat?

Digital Effects Artist: Luma Pictures

Apocalypto (2006)

Directed by: Mel Gibson

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

The Holiday | ShotOnWhat?

Visual Effects

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Into the Blue | ShotOnWhat?

Lead Digital Compositor: Luma Pictures

Into the Blue (2005)

Directed by: John Stockwell

Cinematography by: Shane Hurlbut

Edited by: Nicolas De Toth, Dennis Virkler

Cursed | ShotOnWhat?

Visual Effects

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

A Lot Like Love | ShotOnWhat?

Visual Effects

A Lot Like Love (2005)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Susan Littenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Crash | ShotOnWhat?

Lead Digital Compositor: Luma Pictures

Crash (2004)

Directed by: Paul Haggis

Cinematography by: James M. Muro

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Super Speed Lenses

Editing System: Avid Editing System

Sky Captain and the World of Tomorrow | ShotOnWhat?

Lead Compositor: Luma Pictures

Sky Captain and the World of Tomorrow (2004)

Directed by: Kerry Conran

Cinematography by: Eric Adkins

Edited by: Sabrina Plisco

Cameras: Sony HDW-F900 Camera

Editing System: Final Cut Pro Editing System

Wicker Park | ShotOnWhat?

Senior Visual Effects Artist

Wicker Park (2004)

Directed by: Paul McGuigan

Cinematography by: Peter Sova

Edited by: Andrew Hulme

Underworld | ShotOnWhat?

Visual Effects Artist: Luma Pictures

Underworld (2003)

Directed by: Len Wiseman

Cinematography by: Tony Pierce-Roberts

Edited by: Martin Hunter

Charlie's Angels: Full Throttle | ShotOnWhat?

Visual Effects Artist: Luma Pictures

Charlie's Angels: Full Throttle (2003)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Gothika | ShotOnWhat?

Visual Effects

Gothika (2003)

Directed by: Mathieu Kassovitz

Cinematography by: Matthew Libatique

Edited by: Yannick Kergoat

Bad Santa | ShotOnWhat?

Visual Effects

Bad Santa (2003)

Directed by: Terry Zwigoff

Cinematography by: Jamie Anderson

Edited by: Robert Hoffman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Human Stain | ShotOnWhat?

Visual Effects Artist: Man Against Moon

The Human Stain (2003)

Directed by: Robert Benton

Cinematography by: Jean-Yves Escoffier

Edited by: Christopher Tellefsen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Visual Effects

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Monkeybone | ShotOnWhat?

Visual Effects

Monkeybone (2001)

Directed by: Henry Selick

Cinematography by: Andrew Dunn

Edited by: Jon Poll, Nicholas C. Smith, Mark Warner

Kate & Leopold | ShotOnWhat?

Digital Artist

Kate & Leopold (2001)

Directed by: James Mangold

Cinematography by: Stuart Dryburgh

Edited by: David Brenner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

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