Visual Effects Executive Producer: Look FX
'Bones' The Nightmare in the Nightmare (2016)
Directed by: David Boreanaz
Cinematography by: Robert Reed Altman
Visual Effects Executive Producer: Look FX
'Bones' The Jewel in the Crown (2016)
Directed by: David Grossman
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Stiff in the Cliff (2016)
Directed by: Jeannot Szwarc
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Head in the Abutment (2016)
Directed by: Ian Toynton
Cinematography by: Robert Reed Altman
Edited by: C.J. Liao
Visual Effects Executive Producer: Look FX
'Bones' The Movie in the Making (2016)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Secret in the Service (2016)
Directed by: Dwight H. Little
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Strike in the Chord (2016)
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Fight in the Fixer (2016)
Directed by: Silver Tree
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Last Shot at a Second Chance (2016)
Directed by: David Grossman
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Monster in the Closet (2016)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Murder of the Meninist (2016)
Directed by: Ian Toynton
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Death in the Defense (2016)
Directed by: Arlene Sanford
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Doom in the Boom (2015)
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Cowboy in the Contest (2015)
Directed by: Chad Lowe
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' High Treason in the Holiday Season (2015)
Directed by: Anne Renton
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Promise in the Palace (2015)
Directed by: Jeannot Szwarc
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Senator in the Street Sweeper (2015)
Directed by: Steve Robin
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Resurrection in the Remains (2015)
Directed by: Chad Lowe
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Carpals in the Coy-Wolves (2015)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Donor in the Drink (2015)
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Brother in the Basement (2015)
Directed by: Dwight H. Little
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Life in the Light (2015)
Directed by: Randy Zisk
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Next in the Last (2015)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Loyalty in the Lie (2015)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Woman in the Whirlpool (2015)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Murder in the Middle East (2015)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Lost in the Found (2015)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Verdict in the Victims (2015)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Big Beef at the Royal Diner (2015)
Directed by: Alex Chapple
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Eye in the Sky (2015)
Directed by: Arlene Sanford
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Putter in the Rough (2015)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
'Bones' The Teacher in the Books (2015)
Directed by: Anne Renton
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Visual Effects Executive Producer: Look FX
'Bones' The Baker in the Bits (2015)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Visual Effects Executive Producer: Look FX
'Bones' The Psychic in the Soup (2015)
Directed by: Jeannot Szwarc
Cinematography by: Loren S. Yaconelli
Edited by: Richard Currie
Visual Effects Executive Producer: Look FX
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Executive Producer: Look FX
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Visual Effects Executive Producer: Look FX
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Executive Producer: Look FX
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Executive Producer: LOOK! Effects
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Executive Producer: Look Effects
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Visual Effects Executive Producer: Look FX
Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Visual Effects Executive Producer: Look Effects
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Visual Effects Executive Producer: Look Effects
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Visual Effects Executive Producer: Look Effects
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Visual Effects Executive Producer: Look Effects
End of Watch (2012)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Executive Producer: LOOK Effects
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Visual Effects Executive Producer: Look FX
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Executive Producer: Look FX
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Visual Effects Executive Producer: Look FX
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Executive Producer: Look FX
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Executive Producer: Look FX
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Executive Producer: Look Effects
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Executive Producer: Look FX
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Executive Producer
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Visual Effects Executive Producer: Look FX
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Executive Producer: Look FX
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Visual Effects Executive Producer: Look FX
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Executive Producer: Look Effects
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Executive Producer: Look FX
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Visual Effects Producer: CaféFX
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Visual Effects Executive Producer: Look Effects
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Visual Effects
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Executive Producer: Look FX
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Visual Effects Line Producer: Molinare London
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Executive Producer: Look FX
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Visual Effects
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Executive Producer: Look FX
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Executive Producer: LOOK! Effects
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Visual Effects Executive Producer: Look FX
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Visual Effects Executive Producer: Look Effects
Law Abiding Citizen (2009)
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Visual Effects
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Visual Effects
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Visual Effects
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Visual Effects
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Visual Effects
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Visual Effects Executive Producer: Look Effects, Inc.
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Additional Visual Effects: CafeFX
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Visual Effects
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Visual Effects Producer: Cafe FX
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Visual Effects
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Visual Effects
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Visual Effects Producer: Cafe FX
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Visual Effects Producer: Cafe FX
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Visual Effects Producer: Cafe FX
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Visual Effects
Pan's Labyrinth (2006)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Visual Effects
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Sequence Producer: CafeFX
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Visual Effects Producer: Cafe FX
Bad News Bears (2005)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Visual Effects Producer: Cafe FX
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Visual Effects Executive Producer: Look FX - 34 Episodes, 2015-2016
Bones (2005)
Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi
Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli
Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera
Visual Effects Producer: Pyro Elements Unit
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Producer: Cafe FX
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Visual Effects Unit Producer
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Visual Effects Production Consultant
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Visual Effects Producer
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Digital Production Manager, Digital Production Manager: VIFX
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Visual Effects Coordinator
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Digital Coordinator
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Visual Effects Coordinator
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Visual Effects Coordinator
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Visual Effects Coordinator
Tall Tale (1995)
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
