Lighting & Compositing Artist
Spider-Man: Into the Spider-Verse (2018)
| USA
Edited by: Robert Fisher Jr.
Compositor: Pixomondo / Sr. Digital Compositor
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor
Dawn of the Planet of the Apes (2014)
| USA, UK, Canada
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Compositor: Pixomondo
'Marco Polo' Hashshashin (2014)
| USA
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Digital Compositor
Hercules (2014)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Compositor: Pixomondo
'Marco Polo' Rendering (2014)
| USA
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Compositor: Pixomondo
'Marco Polo' The Fourth Step (2014)
| USA
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Allyson C. Johnson
Compositor: Pixomondo
'Marco Polo' Feast (2014)
| USA
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Compositor: Pixomondo - 10 Episodes, 2014
Marco Polo (2014)
| USA
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Compositor: Pixomondo
'Marco Polo' The Scholar's Pen (2014)
| USA
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Compositor: Pixomondo
'Marco Polo' The Wolf and the Deer (2014)
| USA
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Compositor: Pixomondo
'Marco Polo' The Heavenly and Primal (2014)
| USA
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Compositor: Pixomondo
'Marco Polo' White Moon (2014)
| USA
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Edited by: Barbara Tulliver
Digital Compositor
Godzilla (2014)
| USA, Japan
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Compositor: Pixomondo
'Marco Polo' The Wayfarer (2014)
| USA
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Compositor: Pixomondo
'Marco Polo' Prisoners (2014)
| USA
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Lead Compositor: Weta Digital
The Hobbit: The Battle of the Five Armies (2014)
| New Zealand, USA
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Compositing And Lighting: Weta Digital
Iron Man Three (2013)
| USA
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Digital Compositor: Weta Digital
The Wolverine (2013)
| USA, UK
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Digital Compositor
The Hobbit: The Desolation of Smaug (2013)
| USA, New Zealand
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Lighting And Compositing Technical Director
Madagascar 3: Europe's Most Wanted (2012)
| USA
Edited by: Nick Fletcher
Editing System: Avid Editing System
Compositor: WETA Digital
The Hobbit: An Unexpected Journey (2012)
| USA, New Zealand
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Compositor: Digital Domain
Thor (2011)
| USA
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Digital Compositor: Weta Digital
X: First Class (2011)
| USA, UK
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
2d Artist: Prime Focus VFX
The Tree of Life (2011)
| USA
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Compositor: Weta Digital
Rise of the Planet of the Apes (2011)
| USA, UK, Canada
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Digital Compositor: Weta Digital
The Adventures of Tintin (2011)
| USA, New Zealand, UK
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Lighting And Compositing Technical Director
Kung Fu Panda 2 (2011)
| USA
Directed by: Jennifer Yuh Nelson
Digital Compositor: Animal Logic
Sucker Punch (2011)
| USA, Canada
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Digital Compositor: The Moving Picture Company
Percy Jackson & the Olympians: The Lightning Thief (2010)
| UK, Canada, USA
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Digital Compositor: Digital Domain
Tron (2010)
| USA
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Digital Compositor: Moving Picture Company
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
| USA, UK
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Compositor: CafeFX
Alice in Wonderland (2010)
| USA
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Digital Compositor
Aliens in the Attic (2009)
| USA, Canada
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Compositor: Moving Picture Company
Surrogates (2009)
| USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Compositor: Image Engine
New in Town (2009)
| USA, Canada
Directed by: Jonas Elmer
Cinematography by: Chris Seager
Edited by: Troy Takaki
Lighting & Compositing Technical Director: Sony Imageworks / Senior Technical Director: Color And Lighting: SPI
G-Force (2009)
| USA
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Senior Technical Director: SPI
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Lighting And Compositing Artist: SPI
Eagle Eye (2008)
| USA, Germany
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Compositor: Technicolor Creative Services
Far Cry (2008)
| Germany, Canada
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
Compositor: Image Engine
The Incredible Hulk (2008)
| USA
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Senior Technical Director: Lighting
Speed Racer (2008)
| USA, Australia, Germany
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Digital Compositor
Shoot 'Em Up (2007)
| USA
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Digital Compositor
Lust, Caution (2007)
| USA, China, Taiwan
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Compositor: Technicolor
Ji jie hao (2007)
| China, Hong Kong
Directed by: Xiaogang Feng
Cinematography by: Yue Lü
Edited by: Miaomiao Liu
Digital Compositor: Mr. X Inc.
Resident Evil: Extinction (2007)
| France, Australia, Germany, UK, USA, Mexico, Canada
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Senior Technical Director: Color And Lighting, SPI
Beowulf (2007)
| USA
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Concept Artist: Intelligent Creatures Inc.
The Number 23 (2007)
| Germany, USA
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Digital Compositor: IMAX Corporation
Happy Feet (2006)
| USA, Australia
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Digital Matte Artist And Digital Compositor: Intelligent Creatures
Stranger Than Fiction (2006)
| USA
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Digital Compositor: IMAX Corporation
Superman Returns (2006)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Digital Compositor: Soho VFX
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
| USA, UK
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Lighting Technical Director: SPI
Spider-Man 2 (2004)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Digital Compositor
Biker Boyz (2003)
| USA
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Digital Painter: Pacific Title Digital
Men in Black II (2002)
| USA
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Digital Compositor
The Tuxedo (2002)
| USA
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Digital Compositor: Pacific Title & Arts Studio
Ballistic: Ecks vs. Sever (2002)
| USA, Germany
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Digital Compositor
The Scorpion King (2002)
| USA, Germany, Belgium
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Digital Compositor: R!OT Pictures
The Salton Sea (2002)
| USA
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Digital Compositor
Rollerball (2002)
| USA, Germany, Japan
Directed by: John McTiernan
Cinematography by: Steve Mason
Digital Compositor: R!OT
Equilibrium (2002)
| USA
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Digital Compositor
The One (2001)
| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Digital Compositor
Swordfish (2001)
| USA
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Digital Compositing Artist
Antitrust (2001)
| USA
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
U-571 (2000)
| France, USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Digital Compositor
X-Men (2000)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Paint Artist: POP Film & Animation
Mystery Men (1999)
| USA
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Digital Compositor
Three Kings (1999)
| USA
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
I/O Technician: POP Film
Doctor Dolittle (1998)
| USA
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
