Music Score Engineer
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Music Mixer / Music Recordist
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Music Mixer / Music Recordist
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Music Scoring Mixer
Monte Carlo (2011)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Scoring Mixer
50/50 (2011)
Directed by: Jonathan Levine
Cinematography by: Terry Stacey
Edited by: Zene Baker
Music Mixer / Music Recordist
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Music Scoring Mixer
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Music Scoring Engineer
The Perfect Game (2009)
Directed by: William Dear
Cinematography by: Bryan Greenberg
Edited by: Chris Conlee
Music Engineer / Score Mixer
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Music Scoring Mixer
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Music Recordist / Music Scoring Mixer
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Music Scoring Mixer
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Music Scoring Mixer
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Music Scoring Mixer
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Music Scoring Mixer
The Ice Harvest (2005)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Edited by: Lee Percy
Music Scoring Mixer
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Music Recording Engineer / Music Scoring Mixer
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Music Scoring Mixer
Harold & Kumar Go to White Castle (2004)
Directed by: Danny Leiner
Cinematography by: Bruce Douglas Johnson
Edited by: Jeff Betancourt
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Music Scoring Mixer
Sin (2003)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: Suzanne Fenn
Music Scoring Mixer
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Music Scoring Mixer
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Music Scoring Mixer
Avenging Angelo (2002)
Directed by: Martyn Burke
Cinematography by: Ousama Rawi
Edited by: David Codron
Scoring Engineer
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Music Scoring Mixer - US Score
Te wu mi cheng (2001)
Directed by: Teddy Chan
Cinematography by: Wing-Hang Wong
Edited by: Chi-Leung Kwong
Music Scoring Mixer
Tortilla Soup (2001)
Directed by: Maria Ripoll
Cinematography by: Xavier Grobet
Edited by: Andy Blumenthal
Music Scoring Mixer
Ghost World (2001)
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Music Scoring Mixer
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Music Scoring Mixer
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Music Scoring Mixer
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Music Scoring Mixer
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Music Mixer: Orchestra / Music Recordist: Orchestra
Return to Me (2000)
Directed by: Bonnie Hunt
Cinematography by: László Kovács
Edited by: Garth Craven
Score Mixer / Score Recordist
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Music Scoring Mixer
Miss Congeniality (2000)
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Score Mixer
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Score Mixer
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Music Recordist / Score Mixer
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Score Mixer / Score Recordist
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Score Mixer
Blue Streak (1999)
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Score Mixer
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Re-recording Mixer
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Engineer / Score Mixer
The Pentagon Wars (1998)
Directed by: Richard Benjamin
Cinematography by: Robert D. Yeoman
Edited by: Jacqueline Cambas
Re-recording Mixer
Homegrown (1998)
Directed by: Stephen Gyllenhaal
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Music Scoring Mixer
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Score Mixer
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Recording Engineer
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Music Engineer / Music Mixer
Suicide Kings (1997)
Directed by: Peter O'Fallon
Cinematography by: Christopher Baffa
Edited by: Chris Peppe
Music Recordist
The Rainmaker (1997)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Score Mixer / Score Recordist
Chinese Box (1997)
Directed by: Wayne Wang
Cinematography by: Vilko Filac
Edited by: Christopher Tellefsen
Score Mixer
Bella Mafia (1997)
Directed by: David Greene
Cinematography by: Gordon Lonsdale
Edited by: Michael Brown
Music Recordist
She's So Lovely (1997)
Directed by: Nick Cassavetes
Cinematography by: Thierry Arbogast
Edited by: Petra von Oelffen
Additional Recordist
Anastasia (1997)
Score Mixer
The Craft (1996)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Sound Recording Engineer
Spy Hard (1996)
Directed by: Rick Friedberg
Cinematography by: John R. Leonetti
Edited by: Eric A. Sears
Re-recording Mixer
Dunston Checks In (1996)
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Re-recording Mixer
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Scoring Engineer
Devil in a Blue Dress (1995)
Directed by: Carl Franklin
Cinematography by: Tak Fujimoto
Edited by: Carole Kravetz Aykanian
Re-recording Mixer
The Last Word (1995)
Directed by: Tony Spiridakis
Cinematography by: Zoltán David
Edited by: Andy Blumenthal
Music Scoring Mixer
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Music Mixer
Deadly Outbreak (1995)
Directed by: Rick Avery
Cinematography by: Avi Koren
Edited by: Alain Jakubowicz
Scoring Mixer
Waiting to Exhale (1995)
Directed by: Forest Whitaker
Cinematography by: Toyomichi Kurita
Edited by: Richard Chew
Score Mixer
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Re-recording Mixer
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Scoring Mixer
The Basketball Diaries (1995)
Directed by: Scott Kalvert
Cinematography by: David Phillips
Edited by: Dana Congdon
Cameras: Panavision Cameras
Re-recording Mixer
Gunfighter's Moon (1995)
Directed by: Larry Ferguson
Cinematography by: James L. Carter
Edited by: Jere Huggins
Cameras: Panavision Cameras
Scoring Mixer: Remixed Score
Radioland Murders (1994)
Directed by: Mel Smith
Cinematography by: David Tattersall
Edited by: Paul Trejo
Cameras: ARRI ARRIFLEX Series Cameras
Scoring Mixer
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Score Mixer
Iron Will (1994)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
Orchestra Recordist
Little Big League (1994)
Directed by: Andrew Scheinman
Cinematography by: Donald E. Thorin
Edited by: Michael Jablow
Score Mixer
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Rerecording Mixer
Army of One (1993)
Directed by: Vic Armstrong
Cinematography by: Daniel L. Turrett
Edited by: Paul Morton
Cameras: Todd-AO CineSpace 70 Camera
Score Mixer
Mrs. Doubtfire (1993)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Re-recording Mixer
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Re-recording Mixer
Afterburn (1992)
Directed by: Robert Markowitz
Cinematography by: Isidore Mankofsky
Edited by: Jerrold L. Ludwig
Music Scoring Mixer, Re-recording Mixer
Body of Evidence (1992)
Directed by: Uli Edel
Cinematography by: Douglas Milsome
Edited by: Thom Noble
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Score Mixer
Once Upon a Crime... (1992)
Directed by: Eugene Levy
Cinematography by: Giuseppe Rotunno
Edited by: Patrick Kennedy
Orchestra Recorded By
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Re-recording Mixer, Score Mixer
The Hand That Rocks the Cradle (1992)
Directed by: Curtis Hanson
Cinematography by: Robert Elswit
Edited by: John F. Link
Cameras: Panavision Cameras
Re-recording Mixer
Madonna: Truth or Dare (1991)
Directed by: Alek Keshishian
Edited by: Barry Alexander Brown
Score Mixer
Frankie and Johnny (1991)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Re-recording Mixer
New Jack City (1991)
Directed by: Mario Van Peebles
Cinematography by: Francis Kenny
Edited by: Steven Kemper
Cameras: Panavision Cameras
Re-recording Mixer, Score Mixer
The Shell Seekers (1989)
Directed by: Waris Hussein
Cinematography by: Brian West
Edited by: Fred A. Chulack
Music Scoring Mixer
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Score Mixer
Lock Up (1989)
Directed by: John Flynn
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Re-recording Mixer
Halloween 5: The Revenge of Michael Myers (1989)
Directed by: Dominique Othenin-Girard
Cinematography by: Robert Draper
Cameras: ARRI Cameras
Music Score Mixer
The Accidental Tourist (1988)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Music Scoring Mixer
Funny Farm (1988)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Alan Heim
Score Mixer
The Good Mother (1988)
Directed by: Leonard Nimoy
Cinematography by: David Watkin
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Music Scoring Mixer
Happy New Year (1987)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Edited by: Jane Kurson
Score Mixer
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Scoring Mixer: Bill Conti Score
A Prayer for the Dying (1987)
Directed by: Mike Hodges
Cinematography by: Michael Garfath
Edited by: Peter Boyle
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Music Recording Engineer, Score Mixer
The Dead (1987)
Directed by: John Huston
Cinematography by: Fred Murphy
Edited by: Roberto Silvi
Cameras: Moviecam SuperAmerica Camera
Lenses: Zeiss Lenses
Music Scoring Mixer
Nuts (1987)
Directed by: Martin Ritt
Cinematography by: Andrzej Bartkowiak
Edited by: Sidney Levin
Music Scoring Mixer
Good Morning, Vietnam (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Cameras: Panavision Cameras
Music Scoring Mixer
Baby Boom (1987)
Directed by: Charles Shyer
Cinematography by: William A. Fraker
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Music Mixer
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Music Scoring Mixer
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Score Mixer
The Karate Kid Part II (1986)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Score Mixer
Power (1986)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Music Scoring Mixer
Children of a Lesser God (1986)
Directed by: Randa Haines
Cinematography by: John Seale
Edited by: Lisa Fruchtman
Score Mixer
Wallenberg: A Hero's Story (1985)
Directed by: Lamont Johnson
Cinematography by: Charles Correll
Edited by: Paul LaMastra
Music Mixer: Record Plant Scoring
Death of a Salesman (1985)
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
Music Scoring Mixer: Record Plant
Moving Violations (1985)
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls
Music Recordist: Los Angeles
Prizzi's Honor (1985)
Directed by: John Huston
Cinematography by: Andrzej Bartkowiak
Music Scoring Mixer
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Music Re-recording Mixer
UFOria (1985)
Directed by: John Binder
Cinematography by: David Myers
Edited by: Dennis M. Hill
Cameras: Panavision Cameras
Music Recording Mixer
Summer Rental (1985)
Directed by: Carl Reiner
Cinematography by: Ric Waite
Edited by: Bud Molin
Cameras: Panavision Cameras
Score Mixer
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Music Recording Engineer
Little Treasure (1985)
Directed by: Alan Sharp
Cinematography by: Álex Phillips Jr.
Edited by: Garth Craven
Music Scoring Mixer
Commando (1985)
Directed by: Mark L. Lester
Cinematography by: Matthew F. Leonetti
Music Scoring Mixer
The Woman in Red (1984)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Music Recording Mixer
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Music Score Mixer
Impulse (1984)
Directed by: Graham Baker
Cinematography by: Thomas Del Ruth
Edited by: David Holden
Score Mixer
Mass Appeal (1984)
Directed by: Glenn Jordan
Cinematography by: Donald Peterman
Edited by: John Wright
Score Mixer
Under the Volcano (1984)
Directed by: John Huston
Cinematography by: Gabriel Figueroa
Edited by: Roberto Silvi
Score Mixer
Best Defense (1984)
Directed by: Willard Huyck
Cinematography by: Donald Peterman
Edited by: Sidney Wolinsky
Cameras: Panavision Cameras
Score Mixer
Tank (1984)
Directed by: Marvin J. Chomsky
Cinematography by: Donald H. Birnkrant
Edited by: Donald R. Rode
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Scoring Mixer
Gorky Park (1983)
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Dennis Virkler
Cameras: ARRI ARRIFLEX Series Cameras, J-D-C Camera
Music Recording Mixer
Terms of Endearment (1983)
Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Music Recording Engineer
Trading Places (1983)
Directed by: John Landis
Cinematography by: Robert Paynter
Edited by: Malcolm Campbell
Scoring Engineer: Record Plant Scoring - American Crew
Yellowbeard (1983)
Directed by: Mel Damski
Cinematography by: Gerry Fisher
Edited by: William Reynolds
Score Mixer
Doctor Detroit (1983)
Directed by: Michael Pressman
Cinematography by: King Baggot
Edited by: Christopher Greenbury
Score Mixer
High Road to China (1983)
Directed by: Brian G. Hutton
Cinematography by: Ronnie Taylor
Edited by: John Jympson
Cameras: Technovision Cameras
Score Mixer
The Day After (1983)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Cameras: Panavision Cameras
Music Engineer: Record Plant Scoring
Easy Money (1983)
Directed by: James Signorelli
Cinematography by: Fred Schuler
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Music Scoring Mixer
Frances (1982)
Directed by: Graeme Clifford
Cinematography by: László Kovács
Edited by: John Wright
Music Mixer
White Dog (1982)
Directed by: Samuel Fuller
Cinematography by: Bruce Surtees
Edited by: Bernard Gribble
Music Scoring Mixer
The World According to Garp (1982)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Stephen A. Rotter
Music Scoring Mixer
Annie (1982)
Directed by: John Huston
Cinematography by: Richard Moore
Edited by: Michael A. Stevenson
Re-recording Mixer
TRON (1982)
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses
Music Scoring Mixer
I, the Jury (1982)
Directed by: Richard T. Heffron
Cinematography by: Andrew Laszlo
Edited by: Garth Craven
Cameras: Panavision Cameras
Score Mixer
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Scoring Mixer
Body Heat (1981)
Directed by: Lawrence Kasdan
Cinematography by: Richard H. Kline
Edited by: Carol Littleton
Music Scoring Mixer
The Pursuit of D.B. Cooper (1981)
Score Mixer
Continental Divide (1981)
Directed by: Michael Apted
Cinematography by: John Bailey
Edited by: Dennis Virkler
Music Mixer
Zorro: The Gay Blade (1981)
Directed by: Peter Medak
Cinematography by: John A. Alonzo
Edited by: Lori Jane Coleman
Music Scoring Mixer
Absence of Malice (1981)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
Score Mixer
Fort Apache the Bronx (1981)
Directed by: Daniel Petrie
Cinematography by: John Alcott
Edited by: Rita Roland
Cameras: ARRI Cameras
Score Mixer
Victory (1981)
Directed by: John Huston
Cinematography by: Gerry Fisher
Edited by: Roberto Silvi
Cameras: Panavision Cameras
Music Scoring Mixer
Wolfen (1981)
Directed by: Michael Wadleigh
Cinematography by: Gerry Fisher
Cameras: Panavision Cameras
Score Mixer
Deadly Blessing (1981)
Directed by: Wes Craven
Cinematography by: Robert C. Jessup
Edited by: Richard Bracken
Cameras: Panavision Cameras
Music Scoring Mixer
When Time Ran Out... (1980)
Directed by: James Goldstone
Cinematography by: Fred J. Koenekamp
Re-recording Mixer
The Private Eyes (1980)
Directed by: Lang Elliott
Cinematography by: Jacques Haitkin
Edited by: Patrick M. Crawford
Score Mixer, Sound Recording Mixer
Somewhere in Time (1980)
Directed by: Jeannot Szwarc
Cinematography by: Isidore Mankofsky
Edited by: Jeff Gourson
Music Scoring Mixer
Ordinary People (1980)
Directed by: Robert Redford
Cinematography by: John Bailey
Edited by: Jeff Kanew
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Music Scoring Mixer
Gloria (1980)
Directed by: John Cassavetes
Cinematography by: Fred Schuler
Edited by: George C. Villaseñor
Score Mixer
The First Deadly Sin (1980)
Directed by: Brian G. Hutton
Cinematography by: Jack Priestley
Edited by: Eric Albertson
Music Recording Mixer
Motel Hell (1980)
Directed by: Kevin Connor
Cinematography by: Thomas Del Ruth
Edited by: Bernard Gribble
Scoring Mixer
Altered States (1980)
Directed by: Ken Russell
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Music Scoring Mixer
Brubaker (1980)
Directed by: Stuart Rosenberg
Cinematography by: Bruno Nuytten
Edited by: Robert Brown
Cameras: Panavision Cameras
Score Mixer
The Formula (1980)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Edited by: John Carter
Cameras: Panavision Cameras
Score Mixer
Airplane! (1980)
Cinematography by: Joseph F. Biroc
Edited by: Patrick Kennedy
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Music Scoring Mixer
The Big Red One (1980)
Directed by: Samuel Fuller
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX Camera
Score Mixer
The China Syndrome (1979)
Directed by: James Bridges
Cinematography by: James Crabe
Edited by: David Rawlins
Music Scoring Mixer
Rocky II (1979)
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Edited by: Stanford C. Allen
Music Scoring Mixer
Nightwing (1979)
Directed by: Arthur Hiller
Cinematography by: Charles Rosher Jr.
Edited by: John C. Howard
Score Mixer
The In-Laws (1979)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Robert Swink
Score Mixer
Hot Stuff (1979)
Directed by: Dom DeLuise
Cinematography by: James Pergola
Edited by: Neil Travis
Music Scoring Mixer
The Electric Horseman (1979)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
Score Mixer
The Frisco Kid (1979)
Directed by: Robert Aldrich
Cinematography by: Robert B. Hauser
Cameras: ARRI Cameras
Music Scoring Mixer
Boulevard Nights (1979)
Directed by: Michael Pressman
Cinematography by: John Bailey
Edited by: Richard Halsey
Cameras: Panavision Cameras
Scoring Mixer
Moonraker (1979)
Directed by: Lewis Gilbert
Cinematography by: Jean Tournier
Edited by: John Glen
Score Mixer
Slow Dancing in the Big City (1978)
Directed by: John G. Avildsen
Cinematography by: Ralf D. Bode
Edited by: John G. Avildsen
Music Scoring Mixer
An Unmarried Woman (1978)
Directed by: Paul Mazursky
Cinematography by: Arthur J. Ornitz
Edited by: Stuart H. Pappé
Music Scoring Mixer
Bloodbrothers (1978)
Directed by: Robert Mulligan
Cinematography by: Robert Surtees
Edited by: Sheldon Kahn
Music Scoring Mixer
The End (1978)
Directed by: Burt Reynolds
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
Music Scoring Mixer
The President's Mistress (1978)
Directed by: John Llewellyn Moxey
Cinematography by: Robert L. Morrison
Edited by: John A. Martinelli
Re-recording Mixer , Score Mixer
Hooper (1978)
Directed by: Hal Needham
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
Music Scoring Mixer
Foul Play (1978)
Directed by: Colin Higgins
Cinematography by: David M. Walsh
Edited by: Pembroke J. Herring
Music Scoring Mixer
F.I.S.T. (1978)
Directed by: Norman Jewison
Cinematography by: László Kovács
Edited by: Graeme Clifford
Cameras: Panavision Cameras
Music Scoring Mixer
The Big Fix (1978)
Directed by: Jeremy Kagan
Cinematography by: Frank Stanley
Edited by: Patrick Kennedy
Cameras: Panavision Cameras
Music Engineer
California Suite (1978)
Directed by: Herbert Ross
Cinematography by: David M. Walsh
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Scoring Mixer
The Cheap Detective (1978)
Directed by: Robert Moore
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Music Scoring Mixer
Casey's Shadow (1978)
Directed by: Martin Ritt
Cinematography by: John A. Alonzo
Edited by: Sidney Levin
Cameras: Panavision Cameras
Scoring Mixer
The Big Sleep (1978)
Directed by: Michael Winner
Cinematography by: Robert Paynter
Cameras: Panavision Cameras
Music Scoring Mixer
The Swarm (1978)
Directed by: Irwin Allen
Cinematography by: Fred J. Koenekamp
Edited by: Harold F. Kress
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scoring Mixer
High Anxiety (1977)
Directed by: Mel Brooks
Cinematography by: Paul Lohmann
Edited by: John C. Howard
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Scoring Mixer
The Deep (1977)
Directed by: Peter Yates
Cinematography by: Christopher Challis
Edited by: David Berlatsky
Cameras: ARRIFLEX 35 IIC Camera
Lenses: Panavision Lenses
Score Mixer
MacArthur (1977)
Directed by: Joseph Sargent
Cinematography by: Mario Tosi
Edited by: George Jay Nicholson
Score Mixer
Oh, God! (1977)
Directed by: Carl Reiner
Cinematography by: Victor J. Kemper
Edited by: Bud Molin
Score Mixer
One on One (1977)
Directed by: Lamont Johnson
Cinematography by: Donald M. Morgan
Edited by: Robbe Roberts
Cameras: Panavision Cameras
Score Mixer
Saturday Night Fever (1977)
Directed by: John Badham
Cinematography by: Ralf D. Bode
Edited by: David Rawlins
Cameras: Panavision Cameras
Music Engineer
Taxi Driver (1976)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer, Score Mixer
Bound for Glory (1976)
Directed by: Hal Ashby
Cinematography by: Haskell Wexler
Lenses: Panavision Lenses
Music Mixer, Music Score Mixer
Hot Potato (1976)
Directed by: Oscar Williams
Cinematography by: Ronald Víctor García
Edited by: Peter E. Berger
Score Mixer
Brannigan (1975)
Directed by: Douglas Hickox
Cinematography by: Gerry Fisher
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Re-recordist
Shampoo (1975)
Directed by: Hal Ashby
Cinematography by: László Kovács
Edited by: Robert C. Jones
Music Engineer / Music Mixer
The Taking of Pelham One Two Three (1974)
Directed by: Joseph Sargent
Cinematography by: Owen Roizman
Score Mixer
Blume in Love (1973)
Directed by: Paul Mazursky
Cinematography by: Bruce Surtees
Edited by: Donn Cambern
Re-recording Mixer, Score Mixer
The Last of Sheila (1973)
Directed by: Herbert Ross
Cinematography by: Gerry Turpin
Edited by: Edward Warschilka
Scoring Mixer
Enter the Dragon (1973)
Directed by: Robert Clouse
Cinematography by: Gil Hubbs
Cameras: ARRIFLEX 35 IIC Camera
Lenses: Angenieux Lenses
Re-recording Mixer , Score Mixer
Magnum Force (1973)
Directed by: Ted Post
Cinematography by: Frank Stanley
Edited by: Ferris Webster
Cameras: Panavision Panaflex Camera
Scoring Mixer
What's Up, Doc? (1972)
Directed by: Peter Bogdanovich
Cinematography by: László Kovács
Edited by: Verna Fields
Score Mixer
Fuzz (1972)
Directed by: Richard A. Colla
Cinematography by: Jacques R. Marquette
Edited by: Robert L. Kimble
Music Recording Mixer
Willy Wonka & the Chocolate Factory (1971)
Directed by: Mel Stuart
Cinematography by: Arthur Ibbetson
Edited by: David Saxon
Score Mixer
The Omega Man (1971)
Directed by: Boris Sagal
Cinematography by: Russell Metty
Edited by: William H. Ziegler
Music Mixer
Woodstock (1970)
Directed by: Michael Wadleigh
Cinematography by: Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer
Edited by: Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee
Cameras: Éclair NPR Camera
Editing System: Steenbeck Editing System
Music Scoring Mixer
Chisum (1970)
Directed by: Andrew V. McLaglen
Cinematography by: William H. Clothier
Edited by: Robert L. Simpson
Music Engineer / Music Scoring Mixer
Tora! Tora! Tora! (1970)
Re-recording Mixer , Scoring Mixer
The Wild Bunch (1969)
Directed by: Sam Peckinpah
Cinematography by: Lucien Ballard
Edited by: Lou Lombardo
Score Mixer
The Arrangement (1969)
Directed by: Elia Kazan
Cinematography by: Robert Surtees
Edited by: Stefan Arnsten
Cameras: Panavision Cameras
Music Scoring Mixer
The Green Berets (1968)
Cinematography by: Winton C. Hoch
Edited by: Otho Lovering
Re-recording Mixer , Scoring Mixer
Bullitt (1968)
Directed by: Peter Yates
Cinematography by: William A. Fraker
Edited by: Frank P. Keller
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Re-recording Mixer
Chitty Chitty Bang Bang (1968)
Directed by: Ken Hughes
Cinematography by: Christopher Challis
Edited by: John Shirley
Cameras: Super Panavision-70 Camera
Re-recording Mixer , Scoring Mixer
Cool Hand Luke (1967)
Directed by: Stuart Rosenberg
Cinematography by: Conrad L. Hall
Edited by: Sam O'Steen
Cameras: Mitchell BNC Camera
Lenses: Panavision Lenses
Re-recording Mixer , Scoring Mixer
Bonnie and Clyde (1967)
Directed by: Arthur Penn
Cinematography by: Burnett Guffey
Edited by: Dede Allen
Cameras: Mitchell BNCR Camera
Music Scoring Mixer
Who's Afraid of Virginia Woolf? (1966)
Directed by: Mike Nichols
Cinematography by: Haskell Wexler
Edited by: Sam O'Steen
Scoring Mixer
Spartacus (1960)
Directed by: Stanley Kubrick
Cinematography by: Russell Metty
Cameras: Technirama Camera
