Second Unit Director
Tora! Tora! Tora! (1970)
Second Unit Director
Castle Keep (1969)
Directed by: Sydney Pollack
Cinematography by: Henri Decaë
Edited by: Malcolm Cooke
Associate Director
Cheyenne Autumn (1964)
Directed by: John Ford
Cinematography by: William H. Clothier
Cameras: Super Panavision-70 Camera
Second Unit Director
Cleopatra (1963)
Directed by: Joseph L. Mankiewicz
Cameras: Todd-AO 65mm Camera
Lenses: Todd-AO Lenses
Second Unit Director
South Pacific (1958)
Directed by: Joshua Logan
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Cameras: Todd-AO 65mm Camera
Special Photographic Effects
The True Story of Jesse James (1957)
Directed by: Nicholas Ray
Cinematography by: Joseph MacDonald
Edited by: Robert L. Simpson
Special Photographic Effects
Desk Set (1957)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Special Effects
Heaven Knows, Mr. Allison (1957)
Directed by: John Huston
Cinematography by: Oswald Morris
Edited by: Russell Lloyd
Special Photographic Effects
D-Day the Sixth of June (1956)
Directed by: Henry Koster
Cinematography by: Lee Garmes
Edited by: William Mace
Special Photographic Effects
Bus Stop (1956)
Directed by: Joshua Logan
Cinematography by: Milton R. Krasner
Edited by: William Reynolds
Special Photographic Effects
Between Heaven and Hell (1956)
Directed by: Richard Fleischer
Cinematography by: Leo Tover
Edited by: James B. Clark
Special Photographic Effects
Carousel (1956)
Directed by: Henry King
Cinematography by: Charles G. Clarke
Edited by: William Reynolds
Special Photographic Effects
The Proud Ones (1956)
Directed by: Robert D. Webb
Cinematography by: Lucien Ballard
Edited by: Hugh S. Fowler
Special Photographic Effects
The Man in the Gray Flannel Suit (1956)
Directed by: Nunnally Johnson
Cinematography by: Charles G. Clarke
Edited by: Dorothy Spencer
Special Photographic Effects
The King and I (1956)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Lenses: Bausch & Lomb Lenses
Special Photographic Effects
Love Me Tender (1956)
Directed by: Robert D. Webb
Cinematography by: Leo Tover
Edited by: Hugh S. Fowler
Special Photographic Effects
The Girl Can't Help It (1956)
Directed by: Frank Tashlin
Cinematography by: Leon Shamroy
Edited by: James B. Clark
Special Photographic Effects
Bigger Than Life (1956)
Directed by: Nicholas Ray
Cinematography by: Joseph MacDonald
Edited by: Louis R. Loeffler
Special Photographic Effects
The Tall Men (1955)
Directed by: Raoul Walsh
Cinematography by: Leo Tover
Edited by: Louis R. Loeffler
Special Photographic Effects
Soldier of Fortune (1955)
Directed by: Edward Dmytryk
Cinematography by: Leo Tover
Edited by: Dorothy Spencer
Special Photographic Effects
The Seven Year Itch (1955)
Directed by: Billy Wilder
Cinematography by: Milton R. Krasner
Edited by: Hugh S. Fowler
Lenses: Bausch & Lomb Lenses
Special Photographic Effects
Seven Cities of Gold (1955)
Directed by: Robert D. Webb
Cinematography by: Lucien Ballard
Edited by: Hugh S. Fowler
Special Photographic Effects
House of Bamboo (1955)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Special Photographic Effects
The Girl in the Red Velvet Swing (1955)
Directed by: Richard Fleischer
Cinematography by: Milton R. Krasner
Edited by: William Mace
Special Photographic Effects
Love Is a Many-Splendored Thing (1955)
Cinematography by: Leon Shamroy
Edited by: William Reynolds
Special Photographic Effects
The Racers (1955)
Directed by: Henry Hathaway
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Special Photographic Effects
Daddy Long Legs (1955)
Directed by: Jean Negulesco
Cinematography by: Leon Shamroy
Edited by: William Reynolds
Special Photographic Effects
There's No Business Like Show Business (1954)
Directed by: Walter Lang
Cinematography by: Leon Shamroy
Edited by: Robert L. Simpson
Special Photographic Effects
Prince Valiant (1954)
Directed by: Henry Hathaway
Cinematography by: Lucien Ballard
Edited by: Robert L. Simpson
Special Photographic Effects
Hell and High Water (1954)
Directed by: Samuel Fuller
Cinematography by: Joseph MacDonald
Edited by: James B. Clark
Special Photographic Effects
River of No Return (1954)
Cinematography by: Joseph LaShelle
Edited by: Louis R. Loeffler
Lenses: Bausch & Lomb Lenses
Special Photographic Effects
Garden of Evil (1954)
Directed by: Henry Hathaway
Edited by: James B. Clark
Special Photographic Effects
Demetrius and the Gladiators (1954)
Directed by: Delmer Daves
Cinematography by: Milton R. Krasner
Special Photographic Effects
How to Marry a Millionaire (1953)
Directed by: Jean Negulesco
Cinematography by: Joseph MacDonald
Edited by: Louis R. Loeffler
