Digital Color Timing Supervisor: ILM
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Color Timing Supervisor: ILM
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Color Timing Supervisor: ILM
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Color Timing Supervisor: ILM
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Digital Color Timing Supervisor: ILM
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Digital Color Timing Supervisor: ILM
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Digital Timing Supervisor: ILM
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Digital Color Timing Supervisor: ILM
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Digital Color Timing Supervisor: ILM
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Digital Color Timing Supervisor: ILM
The Mummy (1999)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Digital Timing Supervisor: ILM
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Digital Color Timing Supervisor: ILM
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Film And Editorial: ILM
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Digital Color Timing Supervisor: ILM
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Color Timing Supervisor: ILM
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Optical Supervisor: ILM
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Digital Color Timing Supervisor: ILM
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Digital Timing Supervisor: ILM
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Digital Timing Supervisor
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Color Timing Supervisor: ILM
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Digital Timing Supervisor: ILM
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Color Timing Supervisor: ILM
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Timing Supervisor: ILM
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Color Timing Supervisor: ILM
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Supervisor
Star Trek: First Contact (1996)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Color Timing Supervisor
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Color Timing Supervisor: ILM
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Digital Timing Supervisor: ILM
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Optical Supervisor: ILM
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Optical Supervisor
In the Mouth of Madness (1994)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Optical Camera Operator
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Optical Camera Operator: ILM
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Optical Department
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Optical Camera Operator
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Optical Camera Operator: ILM
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Optical Camera Operator: ILM
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Optical Camera Operator
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Optical Camera Operator: ILM
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Optical Camera Operator: ILM
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Optical Camera Operator
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Optical Supervisor: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Optical Camera Operator: ILM
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Optical Camera Operator: ILM
Back to the Future (1985)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Head Optical Cameraman: ILM
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Optical Camera Operator: ILM
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Optical Printer Operator: ILM
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Digital Color Timing Supervisor: ILM - 2002 Special Version / Optical Photography Supervisor: ILM
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Printer Operator: ILM
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Optical Printer Operator: ILM
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Optical Printer Operator: Miniature And Optical Effects Unit
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
