Karen Baker Landers

69 Titles

Is this you? Add a Profile

Pearl | ShotOnWhat?

Supervising Sound Editor

Pearl (2022)

Directed by: Ti West

Cinematography by: Eliot Rockett

Edited by: Ti West

Cameras: Sony CineAlta VENICE Camera

Lenses: Hawk MiniHawk Hybrid Anamorphic Lenses

Skyscraper | ShotOnWhat?

Co-supervising Sound Editor

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

Supervising Sound Editor: Formosa Group

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Spectre | ShotOnWhat?

Supervising Sound Editor

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

RoboCop | ShotOnWhat?

Supervising Sound Editor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Dracula Untold | ShotOnWhat?

Supervising Sound Editor

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Carrie | ShotOnWhat?

Supervising Sound Editor

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Supervising Sound Editor

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

The Bourne Legacy | ShotOnWhat?

Supervising Sound Editor

The Bourne Legacy (2012)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Skyfall | ShotOnWhat?

Supervising Sound Editor

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Guilt Trip | ShotOnWhat?

Supervising Sound Editor

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

What's Your Number? | ShotOnWhat?

Supervising Sound Editor

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

I Am Number Four | ShotOnWhat?

Supervising Sound Editor

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Green Lantern | ShotOnWhat?

Supervising Sound Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Wolfman | ShotOnWhat?

Supervising Sound Editor

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Love Ranch | ShotOnWhat?

Supervising Sound Editor

Love Ranch (2010)

Directed by: Taylor Hackford

Cinematography by: Kieran McGuigan

Edited by: Paul Hirsch

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Supervising Sound Editor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Body of Lies | ShotOnWhat?

Supervising Sound Editor

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

27 Dresses | ShotOnWhat?

Supervising Sound Editor

27 Dresses (2008)

Directed by: Anne Fletcher

Cinematography by: Peter James

Edited by: Priscilla Nedd-Friendly

Eagle Eye | ShotOnWhat?

Supervising Sound Editor

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Things We Lost in the Fire | ShotOnWhat?

Supervising Sound Editor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

American Gangster | ShotOnWhat?

Co-supervising Sound Editor

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Bourne Ultimatum | ShotOnWhat?

Supervising Sound Editor

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Eight Below | ShotOnWhat?

Supervising Sound Editor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

A Good Year | ShotOnWhat?

Supervising Sound Editor

A Good Year (2006)

Directed by: Ridley Scott

Cinematography by: Philippe Le Sourd

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera

Lenses: Panavision Primo Primes Spherical Lenses

Step Up | ShotOnWhat?

Supervising Sound Editor

Step Up (2006)

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The Big White | ShotOnWhat?

Supervising Sound Editor

The Big White (2005)

Directed by: Mark Mylod

Cinematography by: James Glennon

Edited by: Julie Monroe

The Island | ShotOnWhat?

Supervising Sound Editor

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Bourne Supremacy | ShotOnWhat?

Supervising Sound Editor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Van Helsing | ShotOnWhat?

Supervising Sound Editor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Ray | ShotOnWhat?

Supervising Sound Editor

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Beyond Borders | ShotOnWhat?

Supervising Sound Editor

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Matchstick Men | ShotOnWhat?

Supervising Sound Editor

Matchstick Men (2003)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Seabiscuit | ShotOnWhat?

Supervising Sound Editor

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Bourne Identity | ShotOnWhat?

Supervising Sound Editor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Black Hawk Down | ShotOnWhat?

Supervising Sound Editor

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Evolution | ShotOnWhat?

Supervising Sound Editor

Evolution (2001)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Cameras: Panavision Cameras

Hannibal | ShotOnWhat?

Co-supervising Sound Editor

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

The Patriot | ShotOnWhat?

First Assistant Sound Editor

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Gladiator | ShotOnWhat?

First Assistant Sound Editor

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Bait | ShotOnWhat?

Supervising Sound Editor

Bait (2000)

Directed by: Antoine Fuqua

Cinematography by: Tobias A. Schliessler

Edited by: Alan Edward Bell

Cameras: Panavision Cameras

Proof of Life | ShotOnWhat?

Co-supervising Sound Editor

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Tarzan | ShotOnWhat?

First Assistant Sound Editor

Tarzan (1999)

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

The Replacement Killers | ShotOnWhat?

Supervising Sound Editor

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Godzilla | ShotOnWhat?

First Assistant Sound Editor

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Urban Legend | ShotOnWhat?

Supervising Sound Editor

Urban Legend (1998)

Directed by: Jamie Blanks

Cinematography by: James Chressanthis

Edited by: Jay Cassidy

Courage Under Fire | ShotOnWhat?

First Assistant Sound Editor

Courage Under Fire (1996)

Directed by: Edward Zwick

Cinematography by: Roger Deakins

Edited by: Steven Rosenblum

Albino Alligator | ShotOnWhat?

Co-supervising Sound Editor

Albino Alligator (1996)

Directed by: Kevin Spacey

Cinematography by: Mark Plummer

Edited by: Jay Cassidy

Heat | ShotOnWhat?

First Assistant Sound Editor

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Crossing Guard | ShotOnWhat?

First Assistant Sound Editor

The Crossing Guard (1995)

Directed by: Sean Penn

Cinematography by: Vilmos Zsigmond

Edited by: Jay Cassidy

Cameras: Panavision Cameras

Braveheart | ShotOnWhat?

First Assistant Sound Editor: Soundelux

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Legends of the Fall | ShotOnWhat?

Assistant Sound Editor

Legends of the Fall (1994)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Lenses: Canon Lenses, Panavision Lenses

Clifford | ShotOnWhat?

Assistant Sound

Clifford (1994)

Directed by: Paul Flaherty

Cinematography by: John A. Alonzo

Edited by: Tim Board, Pembroke J. Herring

Teenage Mutant Ninja Turtles III | ShotOnWhat?

Assistant Sound Editor

Teenage Mutant Ninja Turtles III (1993)

Directed by: Stuart Gillard

Cinematography by: David Gurfinkel

Edited by: William D. Gordean, James R. Symons

In the Line of Fire | ShotOnWhat?

First Assistant Sound Editor

In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

Wrestling Ernest Hemingway | ShotOnWhat?

Assistant Sound Editor

Wrestling Ernest Hemingway (1993)

Directed by: Randa Haines

Cinematography by: Lajos Koltai

Edited by: Paul Hirsch

The Last of the Mohicans | ShotOnWhat?

Assistant Sound Editor

The Last of the Mohicans (1992)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

Nothing But Trouble | ShotOnWhat?

First Assistant Sound Editor

Nothing But Trouble (1991)

Directed by: Dan Aykroyd

Cinematography by: Dean Cundey

Edited by: Malcolm Campbell, James R. Symons

Dutch | ShotOnWhat?

First Assistant Sound Editor

Dutch (1991)

Directed by: Peter Faiman

Cinematography by: Charles Minsky

Edited by: Adam Bernardi, Paul Hirsch, Rick Shaine

Only the Lonely | ShotOnWhat?

First Assistant Sound Editor

Only the Lonely (1991)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell, Peter Teschner

Narrow Margin | ShotOnWhat?

Assistant Sound Editor

Narrow Margin (1990)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: James Mitchell

Air America | ShotOnWhat?

First Assistant Sound Editor

Air America (1990)

Directed by: Roger Spottiswoode

Cinematography by: Roger Deakins

Edited by: John Bloom, Lois Freeman-Fox

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

National Lampoon's Christmas Vacation | ShotOnWhat?

First Assistant Sound Editor

National Lampoon's Christmas Vacation (1989)

Directed by: Jeremiah S. Chechik

Cinematography by: Thomas E. Ackerman

Edited by: Gerald B. Greenberg, Michael A. Stevenson

The Package | ShotOnWhat?

Assistant Sound Editor

The Package (1989)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Billy Weber, Don Zimmerman

The Favorite | ShotOnWhat?

Assistant Sound Editor

The Favorite (1989)

Directed by: Jack Smight

Cinematography by: Giorgio Tonti, Howard Wexler

Edited by: Dennis Virkler

Arthur 2: On the Rocks | ShotOnWhat?

Assistant Sound Editor

Arthur 2: On the Rocks (1988)

Directed by: Bud Yorkin

Cinematography by: Stephen H. Burum

Edited by: Michael Kahn

Everybody's All-American | ShotOnWhat?

Sound Editor

Everybody's All-American (1988)

Directed by: Taylor Hackford

Cinematography by: Stephen Goldblatt

Edited by: Don Zimmerman

Blade Runner | ShotOnWhat?

Supervising Sound Editor - 2007 Final Cut Version

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Das Boot | ShotOnWhat?

Supervising Sound Editor

Das Boot (1981)

Directed by: Wolfgang Petersen

Cinematography by: Jost Vacano

Edited by: Hannes Nikel

Cameras: ARRI Cameras

©2012 - 2025 ShotOnWhat?

20254.20