Visual Effects Supervisor: Rise Visual Effects Studios
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Visual Effects Supervisor: BlueBolt
Mary Queen of Scots (2018)
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Visual Effects Supervisor: BlueBolt
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: BlueBolt
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Visual Effects Supervisor: BlueBolt
'Downton Abbey' Episode #5.1 (2014)
Directed by: Catherine Morshead
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Digital Compositor: BlueBolt
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Visual Effects On-set Supervisor: BlueBolt
The Imitation Game (2014)
Directed by: Morten Tyldum
Cinematography by: Oscar Faura
Edited by: William Goldenberg
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: BlueBolt
'Downton Abbey' A Moorland Holiday (2014)
Directed by: Minkie Spiro
Cinematography by: Michael McDonough
Edited by: Al Morrow
Visual Effects Supervisor: BlueBolt
'Downton Abbey' Episode #5.4 (2014)
Directed by: Minkie Spiro
Cinematography by: Graham Frake
Edited by: Paul Garrick
Visual Effects Supervisor: BlueBolt
'Downton Abbey' Episode #5.3 (2014)
Directed by: Catherine Morshead
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Visual Effects Supervisor: BlueBolt
'Downton Abbey' Episode #5.2 (2014)
Directed by: Catherine Morshead
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
On-set Visual Effects Supervisor: BlueBolt
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lead Compositor: Bluebolt
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
2D Supervisor: Bluebolt
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Lead Compositor: Blue-Bolt
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Compositor: BlueBolt
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
2D Lead: BlueBolt
'Game of Thrones' Baelor (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Digital Compositor: Blue-bolt / On Set Vfx: Blue-bolt
'Game of Thrones' Fire and Blood (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Lead Compositor: Bluebolt
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
2d Lead: BlueBolt
'Game of Thrones' The Pointy End (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
2D Lead: BlueBolt
'Game of Thrones' A Golden Crown (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Lead Compositor: Bluebolt
'Game of Thrones' The Wolf and the Lion (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
2D Lead: BlueBolt / Lead Compositor: Bluebolt
'Game of Thrones' Cripples, Bastards, and Broken Things (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
2d Lead: BlueBolt
'Game of Thrones' The Kingsroad (2011)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Oral Norrie Ottey
2D Lead: BlueBolt
'Game of Thrones' Lord Snow (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
2D Lead: BlueBolt
'Game of Thrones' Winter Is Coming (2011)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Oral Norrie Ottey
2D Lead: BlueBolt / 2d Lead: BlueBolt / Lead Compositor: Bluebolt / Digital Compositor: Blue-bolt / On Set Vfx: Blue-bolt - 9 Episodes, 2011
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
2d Supervisor: BlueBolt VFX
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Lead Compositor: Bluebolt
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Digital Compositor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Digital Compositor
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: BlueBolt - 5 Episodes, 2014
Downton Abbey (2010)
Directed by: Brian Percival, David Evans, Philip John, Andy Goddard, Catherine Morshead, Minkie Spiro, Brian Kelly, Michael Engler, Ben Bolt, Ashley Pearce, James Strong, Jeremy Webb, Edward Hall, Jon East
Cinematography by: Nigel Willoughby, Graham Frake, Gavin Struthers, David Katznelson, David Marsh, Adam Gillham, David Raedeker, Michael McDonough
Edited by: Al Morrow, John Wilson, Paul Garrick, Justin Krish, Alex Mackie, Nick McPhee, Mike Jones, Steve Singleton, Alex Kalmakrian
Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Compositor
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Digital Compositor
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Digital Compositor
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Digital Compositor
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Compositor
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Compositor: MPC
The Other Man (2008)
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Compositor: The Moving Picture Company
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Prep Artist
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Compositor
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Prep Artist
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Digital Compositor
La Vie en Rose (2007)
Directed by: Olivier Dahan
Cinematography by: Tetsuo Nagata
Edited by: Richard Marizy
Roto/prep Artist
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Roto/prep Artist
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Roto Artist
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Roto/prep Artist
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Roto/prep Artist
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Roto/prep Artist
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
