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Causeway | ShotOnWhat?

Re-recording Mixer

Causeway (2022)

Directed by: Lila Neugebauer

Cinematography by: Diego García

Edited by: Robert Frazen, Lucian Johnston

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision H Series Lenses

Booksmart | ShotOnWhat?

Re-recording Mixer

Booksmart (2019)

Directed by: Olivia Wilde

Cinematography by: Jason McCormick

Edited by: Jamie Gross, Brent White

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision T Series Anamorphic Lenses

21 Bridges | ShotOnWhat?

Re-recording Mixer

21 Bridges (2019)

Directed by: Brian Kirk

Cinematography by: Paul Cameron

Edited by: Tim Murrell

Cameras: ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

Uncut Gems | ShotOnWhat?

Re-recording Mixer

Uncut Gems (2019)

Directed by: Benny Safdie, Josh Safdie

Cinematography by: Darius Khondji

Edited by: Ronald Bronstein, Benny Safdie

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

The Ballad of Buster Scruggs | ShotOnWhat?

Re-Recording Mixer / Supervising Sound Editor

The Ballad of Buster Scruggs (2018)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Bruno Delbonnel

Edited by: Ethan Coen, Joel Coen

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Roma | ShotOnWhat?

Re-recording Mixer

Roma (2018)

Directed by: Alfonso Cuarón

Cinematography by: Alfonso Cuarón

Edited by: Alfonso Cuarón, Adam Gough

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses

Eighth Grade | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Eighth Grade (2018)

Directed by: Bo Burnham

Cinematography by: Andrew Wehde

Edited by: Jennifer Lilly

Cameras: Red Helium 8K Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Mother! | ShotOnWhat?

Re-recording Mixer

Mother! (2017)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

Hail, Caesar! | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Focus | ShotOnWhat?

Re-recording Mixer

Focus (2015)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

We Are Your Friends | ShotOnWhat?

Re-recording Mixer

We Are Your Friends (2015)

Directed by: Max Joseph

Cinematography by: Brett Pawlak

Edited by: David Diliberto, Terel Gibson

Cameras: Red Epic Dragon Camera

Noah | ShotOnWhat?

Re-recording Mixer

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Re-recording Mixer

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

Additional Sound Re-recording Mixer

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

This Is Where I Leave You | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

This Is Where I Leave You (2014)

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Top Five | ShotOnWhat?

Re-recording Mixer

Top Five (2014)

Directed by: Chris Rock

Cinematography by: Manuel Alberto Claro

Edited by: Anne McCabe

Gravity | ShotOnWhat?

Re-recording Mixer

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Hunger Games: Catching Fire | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Secret Life of Walter Mitty | ShotOnWhat?

Sound Mixer

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Inside Llewyn Davis | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Inside Llewyn Davis (2013)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Bruno Delbonnel

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System

The Lucky One | ShotOnWhat?

Re-recording Mixer

The Lucky One (2012)

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

Ruby Sparks | ShotOnWhat?

Re-recording Mixer

Ruby Sparks (2012)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Matthew Libatique

Edited by: Pamela Martin

Lenses: Cooke Speed Panchro Lenses

The Words | ShotOnWhat?

Re-recording Mixer

The Words (2012)

Directed by: Brian Klugman, Lee Sternthal

Cinematography by: Antonio Calvache

Edited by: Leslie Jones

Cameras: Panavision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

There Be Dragons | ShotOnWhat?

Re-recording Mixer

There Be Dragons (2011)

Directed by: Roland Joffé

Cinematography by: Gabriel Beristain

Edited by: Richard Nord

The Sunset Limited | ShotOnWhat?

Re-recording Mixer

The Sunset Limited (2011)

Television Movie

Directed by: Tommy Lee Jones

Cinematography by: Paul Elliott

Edited by: Larry Madaras, Roberto Silvi

Extremely Loud & Incredibly Close | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Extremely Loud & Incredibly Close (2011)

Directed by: Stephen Daldry

Cinematography by: Chris Menges

Edited by: Claire Simpson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Water for Elephants | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Going the Distance | ShotOnWhat?

Re-recording Mixer

Going the Distance (2010)

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Waiting for 'Superman' | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Waiting for 'Superman' (2010)

Directed by: Davis Guggenheim

Cinematography by: Robert Richman, Erich Roland

Edited by: Jay Cassidy, Greg Finton, Kim Roberts

The Company Men | ShotOnWhat?

Re-recording Mixer

The Company Men (2010)

Directed by: John Wells

Cinematography by: Roger Deakins

Edited by: Robert Frazen

Stone | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Stone (2010)

Directed by: John Curran

Cinematography by: Maryse Alberti

Edited by: Alexandre de Franceschi

Ramona and Beezus | ShotOnWhat?

Re-recording Mixer

Ramona and Beezus (2010)

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: John Bailey

Edited by: Jane Moran

True Grit | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Handsome Harry | ShotOnWhat?

Post-production Sound Mixer / Sound Mixer

Handsome Harry (2009)

Directed by: Bette Gordon

Cinematography by: Nigel Bluck

Edited by: Keiko Deguchi

A Serious Man | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

A Serious Man (2009)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

State of Play | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Tenderness | ShotOnWhat?

Re-recording Mixer

Tenderness (2009)

Directed by: John Polson

Cinematography by: Tom Stern

Edited by: Lisa Zeno Churgin, Andrew Marcus

Cameras: Panavision Cameras

Tyson | ShotOnWhat?

Re-recording Mixer

Tyson (2008)

Directed by: James Toback

Cinematography by: Larry McConkey

Edited by: Aaron Yanes

Valkyrie | ShotOnWhat?

Re-recording Mixer

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Nim's Island | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Nim's Island (2008)

Directed by: Jennifer Flackett, Mark Levin

Cinematography by: Stuart Dryburgh

Edited by: Stuart Levy

Cameras: Panavision Cameras

Burn After Reading | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Burn After Reading (2008)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Emmanuel Lubezki

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

The Invisible | ShotOnWhat?

Re-recording Mixer

The Invisible (2007)

Directed by: David S. Goyer

Cinematography by: Gabriel Beristain

Edited by: Conrad Smart

I Am Legend | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

Dedication | ShotOnWhat?

Re-recording Mixer

Dedication (2007)

Directed by: Justin Theroux

Cinematography by: Stephen Kazmierski

Edited by: Andy Keir

U2 3D | ShotOnWhat?

Re-recording Mixer

U2 3D (2007)

Directed by: Catherine Owens, Mark Pellington

Cinematography by: Peter Anderson, Tom Krueger

Edited by: Olivier Wicki

Cameras: Sony HDW-F900 Camera

Lenses: Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

Editing System: Avid Editing System

No Country for Old Men | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

No Country for Old Men (2007)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Gridiron Gang | ShotOnWhat?

Supervising Sound Editor

Gridiron Gang (2006)

Directed by: Phil Joanou

Cinematography by: Jeff Cutter

Edited by: Joel Negron

An Inconvenient Truth | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

An Inconvenient Truth (2006)

Directed by: Davis Guggenheim

Cinematography by: Davis Guggenheim, Robert Richman

Edited by: Jay Cassidy, Dan Swietlik

Cameras: Sony HDC-F950 Camera

Smokin' Aces | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

The Painted Veil | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Painted Veil (2006)

Directed by: John Curran

Cinematography by: Stuart Dryburgh

Edited by: Alexandre de Franceschi

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Elizabethtown | ShotOnWhat?

Supervising Sound Editor

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

Constantine | ShotOnWhat?

Supervising Sound Editor

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

The New World | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The New World (2005)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Ladykillers | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Ladykillers (2004)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Editing System: Final Cut Pro Editing System

Intolerable Cruelty | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

House of Sand and Fog | ShotOnWhat?

Supervising Sound Editor

House of Sand and Fog (2003)

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Big Fish | ShotOnWhat?

Supervising Sound Editor

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Duplex | ShotOnWhat?

Sound Effects Consultant

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Men in Black II | ShotOnWhat?

Supervising Sound Editor

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Man Who Wasn't There | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Man Who Wasn't There (2001)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Sidewalks of New York | ShotOnWhat?

Re-recording Mixer

Sidewalks of New York (2001)

Directed by: Edward Burns

Cinematography by: Frank Prinzi

Edited by: David Greenwald

Y Tu Mamá También | ShotOnWhat?

Re-recording Mixer

Y Tu Mamá También (2001)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Alex Rodríguez

Cameras: ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses: Zeiss Super Speed Lenses

O Brother, Where Art Thou? | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Shaft | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Shaft (2000)

Directed by: John Singleton

Cinematography by: Donald E. Thorin

Edited by: John Bloom, Al Rodgers, Antonia Van Drimmelen

Titus | ShotOnWhat?

Foley Mixer

Titus (1999)

Directed by: Julie Taymor

Cinematography by: Luciano Tovoli

Edited by: Françoise Bonnot

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Wild Wild West | ShotOnWhat?

Supervising Sound Editor

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Sleepy Hollow | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Sleepy Hollow (1999)

Directed by: Tim Burton

Cinematography by: Emmanuel Lubezki

Edited by: Chris Lebenzon, Joel Negron

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Beloved | ShotOnWhat?

Supervising Sound Editor

Beloved (1998)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Andy Keir, Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Big Lebowski | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Big Lebowski (1998)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera

States of Control | ShotOnWhat?

Re-recording Mixer

States of Control (1997)

Directed by: Zachary Winestine

Cinematography by: Susan Starr

Edited by: Jim Villone

Fast, Cheap & Out of Control | ShotOnWhat?

Sound Effects

Fast, Cheap & Out of Control (1997)

Directed by: Errol Morris

Cinematography by: Robert Richardson

Edited by: Shondra Burke, Karen Schmeer

Men in Black | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

4 Little Girls | ShotOnWhat?

Re-recording Mixer

4 Little Girls (1997)

Directed by: Spike Lee

Cinematography by: Ellen Kuras

Edited by: Samuel D. Pollard

Matilda | ShotOnWhat?

Supervising Sound Editor

Matilda (1996)

Directed by: Danny DeVito

Cinematography by: Stefan Czapsky

Edited by: Lynzee Klingman, Brent White

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Fargo | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Fargo (1996)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Standard Speed Prime Lenses

Get Shorty | ShotOnWhat?

Supervising Sound Editor

Get Shorty (1995)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Casino | ShotOnWhat?

Supervising Sound Editor

Casino (1995)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Clockers | ShotOnWhat?

Sound Designer

Clockers (1995)

Directed by: Spike Lee

Cinematography by: Malik Hassan Sayeed

Edited by: Sam Pollard

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

The Indian in the Cupboard | ShotOnWhat?

Supervising Sound Editor

The Indian in the Cupboard (1995)

Directed by: Frank Oz

Cinematography by: Russell Carpenter

Edited by: Ian Crafford

The Perez Family | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Perez Family (1995)

Directed by: Mira Nair

Cinematography by: Stuart Dryburgh

Edited by: Robert Estrin, Greg Finton

Cameras: Moviecam Compact Camera

Imaginary Crimes | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Imaginary Crimes (1994)

Directed by: Anthony Drazan

Cinematography by: John J. Campbell

Edited by: Elizabeth Kling

Ready to Wear | ShotOnWhat?

Supervising Sound Editor

Ready to Wear (1994)

Directed by: Robert Altman

Cinematography by: Jean Lépine, Pierre Mignot

Edited by: Suzy Elmiger, Geraldine Peroni

The Hudsucker Proxy | ShotOnWhat?

Supervising Sound Editor

The Hudsucker Proxy (1994)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Mad Dog and Glory | ShotOnWhat?

Sound Effects Editor

Mad Dog and Glory (1993)

Directed by: John McNaughton

Cinematography by: Robby Müller

Edited by: Elena Maganini, Craig McKay

Life with Mikey | ShotOnWhat?

Supervising Sound Editor

Life with Mikey (1993)

Directed by: James Lapine

Cinematography by: Rob Hahn

Edited by: Robert Leighton

Household Saints | ShotOnWhat?

Supervising Sound Editor

Household Saints (1993)

Directed by: Nancy Savoca

Cinematography by: Bobby Bukowski

Edited by: Elizabeth Kling

The Age of Innocence | ShotOnWhat?

Supervising Sound Editor

The Age of Innocence (1993)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Passion Fish | ShotOnWhat?

Sound Effects Editor

Passion Fish (1992)

Directed by: John Sayles

Cinematography by: Roger Deakins

Edited by: John Sayles

The Silence of the Lambs | ShotOnWhat?

Sound Designer

The Silence of the Lambs (1991)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Jungle Fever | ShotOnWhat?

Sound Designer

Jungle Fever (1991)

Directed by: Spike Lee

Cinematography by: Ernest R. Dickerson

Edited by: Samuel D. Pollard

Mo' Better Blues | ShotOnWhat?

Sound Designer

Mo' Better Blues (1990)

Directed by: Spike Lee

Cinematography by: Ernest R. Dickerson

Edited by: Samuel D. Pollard

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Super Speed Lenses

Goodfellas | ShotOnWhat?

Supervising Sound Editor

Goodfellas (1990)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: James Y. Kwei, Thelma Schoonmaker

Cameras: ARRIFLEX 35 BL4s Camera

Lenses: Zeiss Lenses

Editing System: Lightworks Editing System

Miller's Crossing | ShotOnWhat?

Supervising Sound Editor

Miller's Crossing (1990)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Barry Sonnenfeld

Edited by: Michael R. Miller

Do the Right Thing | ShotOnWhat?

Sound Designer

Do the Right Thing (1989)

Directed by: Spike Lee

Cinematography by: Ernest R. Dickerson

Edited by: Barry Alexander Brown

Bright Lights, Big City | ShotOnWhat?

Sound Supervisor

Bright Lights, Big City (1988)

Directed by: James Bridges

Cinematography by: Gordon Willis

Edited by: George Berndt, John Bloom

The Last Temptation of Christ | ShotOnWhat?

Supervising Sound Editor

The Last Temptation of Christ (1988)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX Camera

Raising Arizona | ShotOnWhat?

Supervising Sound Editor

Raising Arizona (1987)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Barry Sonnenfeld

Edited by: Michael R. Miller

Maximum Overdrive | ShotOnWhat?

Sound Editor

Maximum Overdrive (1986)

Directed by: Stephen King

Cinematography by: Armando Nannuzzi

Edited by: Evan A. Lottman

The Color of Money | ShotOnWhat?

Supervising Sound Editor

The Color of Money (1986)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRI Cameras

After Hours | ShotOnWhat?

Supervising Sound Editor

After Hours (1985)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Polyester | ShotOnWhat?

Sound Editor

Polyester (1981)

Directed by: John Waters

Cinematography by: Dave Insley

Edited by: Charles Roggero

Cameras: ARRI Cameras

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